jodie > jodie's Quotes

“One writes of scars healed, a loose parallel to the pathology of the skin, but there is no such thing in the life of an individual. There are open wounds, shrunk sometimes to the size of a pin-prick but wounds still. The marks of suffering are more comparable to the loss of a finger, or of the sight of an eye. We may not miss them, either, for one minute in a year, but if we should there is nothing to be done about it.”
― F. Scott Fitzgerald, Tender Is the Night

“They were still in the happier stage of love. They were full of brave illusions about each other, tremendous illusions, so that the communion of self with self seemed to be on a plane where no other human relations mattered. They both seemed to have arrived there with an extraordinary innocence as though a series of pure accidents had driven them together, so many accidents that at last they were forced to conclude that they were for each other. They had arrived with clean hands, or so it seemed, after no traffic with the merely curious and clandestine.”
― F. Scott Fitzgerald, Tender Is the Night

“Most of life is so dull that there is nothing to be said about it, and the books and talk that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend. There are periods in the most thrilling day during which nothing happens, and though we continue to exclaim 'I do enjoy myself' or 'I am horrified' we are insincere. 'As far as I feel anything, it is enjoyment, horror' - it's no more than that really, and a perfectly adjusted organism would be silent.”
― E.M. Forster, A Passage to India

“She had come to that state where the horror of the universe and its smallness are both visible at the same time—the twilight of the double vision in which so many elderly people are involved. If this world is not to our taste, well, at all events, there is Heaven, Hell, Annihilation—one or other of those large things, that huge scenic background of stars, fires, blue or black air. All heroic endeavour, and all that is known as art, assumes that there is such a background, just as all practical endeavour, when the world is to our taste, assumes that the world is all. But in the twilight of the double vision, a spiritual muddledom is set up for which no high-sounding words can be found; we can neither act nor refrain from action, we can neither ignore nor respect Infinity.”
― E. M. Forster, A Passage to India

“To live only to suffer—only to feel the injury of life repeated and enlarged—it seemed to her she was too valuable, too capable, for that. Then she wondered if it were vain and stupid to think so well of herself. When had it even been a guarantee to be valuable? Wasn't all history full of the destruction of precious things? Wasn't it much more probable that if one were fine one would suffer?”
― Henry James, The Portrait of a Lady

“It is our suffering that brings us together. It is not love. Love does not obey the mind, and turns to hate when forced. The bond that binds us is beyond choice. We are brothers. We are brothers in what we share. In pain, which each of us must suffer alone, in hunger, in poverty, in hope, we know our brotherhood. We know it, because we have had to learn it. We know that there is no help for us but from one another, that no hand will save us if we do not reach out our hand. And the hand that you reach out is empty, as mine is. You have nothing. You possess nothing. You own nothing. You are free. All you have is what you are, and what you give.”
― Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

“If you evade suffering you also evade the chance of joy. Pleasure you may get, or pleasures, but you will not be fulfilled. You will not know what it is to come home.”
― Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

“You can’t crush ideas by suppressing them. You can only crush them by ignoring them. By refusing to think, refusing to change.”
― Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

“A child free from the guilt of ownership and the burden of economic competition will grow up with the will to do what needs doing and the capacity for joy in doing it. It is useless work that darkens the heart. The delight of the nursing mother, of the scholar, of the successful hunter, of the good cook, of the skilful maker, of anyone doing needed work and doing it well, - this durable joy is perhaps the deepest source of human affection and of sociality as a whole.”
― Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

“There is no end
To what a living world
Will demand of you.”
― Octavia E. Butler, Parable of the Sower

“Humankind cannot bear very much reality.”
― T. S. Eliot, Four Quartets

“Footfalls echo in the memory, down the passage we did not take, towards the door we never opened, into the rose garden.”
― T.S. Eliot, Four Quartets

“To work, her dumb lunge says,
is to move a certain mass
...through a certain distance,
is to pull your weight and feel
exact and equal to it.
Feel dragged upon. And buoyant.”
― Seamus Heaney, Station Island

“There is a loneliness that can be rocked. Arms crossed, knees drawn up, holding, holding on, this motion, unlike a ship's, smooths and contains the rocker. It's an inside kind--wrapped tight like skin. Then there is the loneliness that roams. No rocking can hold it down. It is alive. On its own. A dry and spreading thing that makes the sound of one's own feet going seem to come from a far-off place.”
― Toni Morrison, Beloved

“And in all those escapes he could not help being astonished by the beauty of this land that was not his. He his in its breast, fingered its earth for food, clung to its banks to lap water and tried not to love it. On nights when the sky was personal, weak with the weight of its own stars, he made himself not love it. Its graveyards and its low-lying rivers. Or just a house - solitary under a chinaberry tree; maybe a mule tethered and the light hitting its hide just so. Anything could stir him and he tried hard not to love it.”
― Toni Morrison, Beloved

“In trying to make the slave experience intimate, I hoped the sense of things being both under control and out of control would be persuasive throughout; that the order and quietitude of every day life would be violently disrupted by the chaos of the needy dead; that the herculean effort to forget would be threatened by memory desperate to stay alive. To render enslavement as a personal experience, language must first get out of the way.”
― Toni Morrison, Beloved

“Suspended between the nastiness of life and the meanness of the dead, she couldn't get interested in leaving life or living it, let alone the fright of two creeping-off boys. Her past had been like her present—intolerable—and since she knew death was anything but forgetfulness, she used the little energy left her for pondering color.”
― Toni Morrison, Beloved

“I watched voyeuristically, knowing I was peeping at people in the middle of a collective dream. I imagined myself among them, part of the regimental dance, the teacher’s rosy heat, the huge mobile hope of happiness and vitality. And as I watched, it suddenly occurred to me I had been merely watching the world all my life.”
― Mary Gaitskill, Two Girls, Fat and Thin

“I stared at the objects before me: cold coffee in a cup of thick white glass, folded napkin, spoon with a liquid coffee shadow on its face. Symbols of order and humility, comfort and banality. These were the things of my life; I had been sitting at these goddamn coffee tables all my life recovering from what other people had done to me.”
― Mary Gaitskill, Two Girls, Fat and Thin

“Yet I'm sure there's something more to be read in a man. People dare not -- they dare not turn the page. The laws of mimicry -- I call them the laws of fear. People are afraid to find themselves alone, and don't find themselves at all. I hate this moral agoraphobia -- it's the worst kind of cowardice. You can't create something without being alone. But who's trying to create here? What seems different in yourself: that's the one rare thing you possess, the one thing which gives each of us his worth; and that's just what we try to suppress. We imitate. And we claim to love life.”
― André Gide, The Immoralist