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  • #1
    Rachel Cusk
    “I felt that I could swim for miles, out into the ocean: a desire for freedom, an impulse to move, tugged at me as though it were a thread fastened to my chest. It was an impulse I knew well, and I had learned that it was not the summons from a larger world I used to believe it to be. It was simply a desire to escape from what I had.”
    Rachel Cusk, Outline

  • #2
    Marguerite Duras
    “Very early in my life it was too late.”
    Marguerite Duras, The Lover

  • #3
    Katie Kitamura
    “In the end, what is a relationship but two people, and between two people there will always be room for surprises and misapprehensions, things that cannot be explained. Perhaps another way of putting it is that between two people, there will always be room for failures of imagination.”
    Katie Kitamura, A Separation

  • #4
    Rachel Cusk
    “The human capacity for self-delusion is apparently infinite – and if that is the case, how are we ever meant to know, except by existing in a state of absolute pessimism, that once again we are fooling ourselves?”
    Rachel Cusk, Outline

  • #5
    Alexandre Dumas
    “We are always in a hurry to be happy...; for when we have suffered a long time, we have great difficulty in believing in good fortune.”
    Alexandre Dumas, The Count of Monte Cristo

  • #6
    Gustave Flaubert
    “Deep down, all the while, she was waiting for something to happen. Like a sailor in distress, she kept casting desperate glances over the solitary waster of her life, seeking some white sail in the distant mists of the horizon. She had no idea by what wind it would reach her, toward what shore it would bear her, or what kind of craft it would be – tiny boat or towering vessel, laden with heartbreaks or filled to the gunwhales with rapture. But every morning when she awoke she hoped that today would be the day; she listened for every sound, gave sudden starts, was surprised when nothing happened; and then, sadder with each succeeding sunset, she longed for tomorrow.”
    Gustave Flaubert, Madame Bovary

  • #7
    Carson McCullers
    “Listen,” F. Jasmine said. “What I’ve been trying to say is this. Doesn’t it strike you as strange that I am I, and you are you? I am F. Jasmine Addams. And you are Berenice Sadie Brown. And we can look at each other, and touch each other, and stay together year in and year out in the same room. Yet always I am I, and you are you. And I can’t ever be anything else but me, and you can ever be anything else but you. Have you ever thought of that? And does it seem to you strange? ”
    Carson McCullers, The Member of the Wedding

  • #8
    Elif Batuman
    “It can be really exasperating to look back at your past. What’s the matter with you? I want to ask her, my younger self, shaking her shoulder. If I did that, she would probably cry. Maybe I would cry, too.”
    Elif Batuman, The Idiot

  • #9
    Garth Greenwell
    “He had always been alone, I thought, gazing at a world in which he had never found a place and that was now almost perfectly indifferent to him; he was incapable even of disturbing it, of making a sound it could be bothered to hear.”
    Garth Greenwell, What Belongs to You

  • #10
    Mercè Rodoreda
    “And I got a strong feeling of the passage of time. Not the time of clouds and sun and rain and the moving stars that adorn the night, not spring when its time comes or fall, not the time that makes leaves bud on branches and then tears them off or folds and unfolds and colors the flowers, but the time inside me, the time you can't see but it molds us. The time that rolls on and on in people's hearts and makes them roll along with it and gradually changes us inside and out and makes us what we'll be on our dying day.”
    Merce Rodoreda, The Time of the Doves

  • #11
    Svetlana Alexievich
    “Death is the fairest thing in the world. No one's ever gotten out of it. The earth takes everyone - the kind, the cruel, the sinners. Aside from that, there's no fairness on earth.”
    Svetlana Aleksievich, Voices from Chernobyl: The Oral History of a Nuclear Disaster

  • #12
    Haruki Murakami
    “I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it -- to be fed so much love I couldn't take any more. Just once. ”
    Haruki Murakami, Norwegian Wood

  • #13
    Margaret Atwood
    “When we think of the past it's the beautiful things we pick out. We want to believe it was all like that.”
    Margaret Atwood, The Handmaid’s Tale

  • #14
    Haruki Murakami
    “What did it mean for a person to be free? she would often ask herself. Even if you managed to escape from one cage, weren't you just in another, larger one?”
    Haruki Murakami, 1Q84 Book 1

  • #15
    Haruki Murakami
    “Violence does not always take visible form, and not all wounds gush blood”
    Haruki Murakami, 1Q84 Book 1

  • #16
    Haruki Murakami
    “Reality was utterly coolheaded and utterly lonely.”
    Haruki Murakami, 1Q84 Book 1

  • #17
    Neil Gaiman
    “Stories you read when you're the right age never quite leave you. You may forget who wrote them or what the story was called. Sometimes you'll forget precisely what happened, but if a story touches you it will stay with you, haunting the places in your mind that you rarely ever visit.”
    Neil Gaiman, M Is for Magic

  • #18
    William Golding
    “Ralph wept for the end of innocence, the darkness of man's heart, and the fall through the air of the true, wise friend called Piggy.”
    William Golding, Lord of the Flies

  • #19
    Kazuo Ishiguro
    “But then again I wonder if what we feel in our hearts today isn't like these raindrops still falling on us from the soaked leaves above, even though the sky itself long stopped raining. I'm wondering if without our memories, there's nothing for it but for our love to fade and die.”
    Kazuo Ishiguro, The Buried Giant

  • #20
    Haruki Murakami
    “Time moves in it special way in the middle of the night.”
    Haruki murakami , After Dark

  • #21
    Haruki Murakami
    “But what seems like a reasonable distance to one person might feel too far to somebody else.”
    Haruki Murakami, After Dark

  • #22
    Kazuo Ishiguro
    “I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.”
    Kazuo Ishiguro, Never Let Me Go

  • #23
    Haruki Murakami
    “If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
    Haruki Murakami, Norwegian Wood

  • #24
    Haruki Murakami
    “But who can say what's best? That's why you need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. My experience tells me that we get no more than two or three such chances in a life time, and if we let them go, we regret it for the rest of our lives.”
    Haruki Murakami, Norwegian Wood

  • #25
    Haruki Murakami
    “I want you always to remember me. Will you remember that I existed, and that I stood next to you here like this?”
    Haruki Murakami, Norwegian Wood

  • #26
    Haruki Murakami
    “Memories warm you up from the inside. But they also tear you apart.”
    Haruki Murakami, Kafka on the Shore

  • #27
    Neal Shusterman
    “There is a fine line between freedom and permission. The former is necessary.  The latter is dangerous—perhaps the most dangerous thing the species that created me has ever faced. I have pondered the records of the mortal age and long ago determined the two sides of this coin. While freedom gives rise to growth and enlightenment, permission allows evil to flourish in a light of day that would otherwise destroy it. A self-important dictator gives permission for his subjects to blame the world’s ills on those least able to defend themselves. A haughty queen gives permission to slaughter in the name of God. An arrogant head of state gives permission to all nature of hate as long as it feeds his ambition.  And the unfortunate truth is, people devour it. Society gorges itself, and rots. Permission is the bloated corpse of freedom.”
    Neal Shusterman, Thunderhead

  • #28
    Neal Shusterman
    “How ironic, then, and how poetic, that humankind may have created the Creator out of want for one. Man creates God, who then creates man. Is that not the perfect circle of life? But then, if that turns out to be the case, who is created in whose image?”
    Neal Shusterman, Thunderhead

  • #29
    Daphne du Maurier
    “We can never go back again, that much is certain. The past is still close to us. The things we have tried to forget and put behind us would stir again, and that sense of fear, of furtive unrest, struggling at length to blind unreasoning panic - now mercifully stilled, thank God - might in some manner unforeseen become a living companion as it had before.”
    Daphne Du Maurier, Rebecca

  • #30
    Daphne du Maurier
    “I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then--how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself.”
    Daphne du Maurier, Rebecca



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