Georges Obolond > Georges's Quotes

“Poetry is an awareness of the world, a particular way of relating to reality.”
― Andrei Tarkovsky, Sculpting in Time

“...art must must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith. And the more hopeless the world in the artist's version, the more clearly perhaps must we see the ideal that stands in opposition - otherwise life becomes impossible! Art symbolises the meaning of our existence.”
― Andrei Tarkovsky, Sculpting in Time

“...what nobody seems to understand is that love can only be one-sided, that no other love exists, that in any other form it is not love. If it involves less than total giving, it is not love. It is impotent; for the moment it is nothing.”
― Andrei Tarkovsky

“It is obvious that art cannot teach anyone anything, since in four thousand years humanity has learnt nothing at all. We should long ago have become angels had we been capable of paying attention to the experience of art, and allowing ourselves to be changed in accordance with the ideals it expresses. Art only has the capacity, through shock and catharsis, to make the human soul receptive to good. It’s ridiculous to imagine that people can be taught to be good…Art can only give food – a jolt – the occasion – for psychical experience.”
― Andrei Tarkovsky

“The film [Stalker] needs to be slower and duller at the start so that the viewers who walked into the wrong theatre have time to leave before the main action starts.”
― Andrei Tarkovsky

“Modern mass culture, aimed at the 'consumer', the civilisation of prosthetics, is crippling people's souls, setting up barriers between man and the crucial questions of his existence, his consciousness of himself as a spiritual being.”
― Andrei Tarkovsky, Sculpting in Time

“Never try to convey your idea to the audience - it is a thankless and senseless task. Show them life, and they’ll find within themselves the means to assess and appreciate it.”
― Andrei Tarkovsky

“A man writes because he is tormented, because he doubts. He needs to constantly prove to himself and the others that he’s worth something. And if I know for sure that I’m a genius? Why write then? What the hell for?”
― Andrei Tarkovsky

“I know only one thing. when i sleep, i know no fear, no, trouble no bliss. blessing on him who invented sleep. the common coin that purchases all things, the balance that levels shepherd and king, fool and wise man. there is only one bad thing about sound sleep. they say it closely resembles death.”
― Andrei Tarkovsky, Solaris

“We can express our feelings regarding the world around us either by poetic or by descriptive means. I prefer to express myself metaphorically. Let me stress: metaphorically, not symbolically. A symbol contains within itself a definite meaning, certain intellectual formula, while metaphor is an image. An image possessing the same distinguishing features as the world it represents. An image — as opposed to a symbol — is indefinite in meaning. One cannot speak of the infinite world by applying tools that are definite and finite. We can analyse the formula that constitutes a symbol, while metaphor is a being-within-itself, it's a monomial. It falls apart at any attempt of touching it.”
― Andrei Tarkovsky

“A book read by a thousand different people is a thousand different books.”
― Andrei Tarkovsky

“Some sort of pressure must exist; the artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn’t look for harmony but would simply live in it. Art is born out of an ill-designed world.”
― Andrei Tarkovsky

“Let everything that's been planned come true. Let them believe. And let them have a laugh at their passions. Because what they call passion actually is not some emotional energy, but just the friction between their souls and the outside world. And most important, let them believe in themselves. Let them be helpless like children, because weakness is a great thing, and strength is nothing. When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it's tender and pliant. But when it's dry and hard, it dies. Hardness and strength are death's companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.”
― Andrei Tarkovsky

“Man has, since the Enlightenment, dealt with things he should have ignored.”
― Andrei Tarkovsky

“Late this evening I looked at the sky and saw the stars. I felt as if it was the first time I had ever looked at them.
I was stunned.
The stars made an extraordinary impression on me”
― Andrei Tarkovsky, Journal 1970-1986

“My encounter with another world and another culture and the beginnings of an attachment to them had set up an irritation, barely perceptible but incurable-rather like unrequited love, like a symptom of the hopelessness of trying to grasp what is boundless, or unite what cannot be joined; a reminder of how finite, how curtailed, our experience on earth must be”
― Andrei Tarkovsky, Sculpting in Time

“Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.”
― Andrei Tarkovsky

“My objective is to create my own world and these images which we create mean nothing more than the images which they are. We have forgotten how to relate emotionally to art: we treat it like editors, searching in it for that which the artist has supposedly hidden. It is actually much simpler than that, otherwise art would have no meaning. You have to be a child—incidentally children understand my pictures very well, and I haven’t met a serious critic who could stand knee-high to those children. We think that art demands special knowledge; we demand some higher meaning from an author, but the work must act directly on our hearts or it has no meaning at all.”
― Andrei Tarkovsky

“When less than everything has been said about a subject, you can still think on further. The alternative is for the audience to be presented with a final deduction (...) no effort on their part.
What can it mean to them when they have not shared with the author the misery and joy of bringing an image into being?”
― Andrei Tarkovsky, Sculpting in Time

“The director’s task is to recreate life, its movement, its contradictions, its dynamic and conflicts. It is his duty to reveal every iota of the truth he has seen, even if not everyone finds that truth acceptable. Of course an artist can lose his way, but even his mistakes are interesting provided they are sincere. For they represent the reality of his inner life, of the peregrinations and struggle into which the external world has thrown him.”
― Andrei Tarkovsky

“It is a mistake to talk about the artist looking for his subject. In fact, the subject grows within him like a fruit and begins to demand expression. It is like childbirth. The poet has nothing to be proud of. He is not master of the situation, but a servant. Creative work is his only possible form of existence, and his every work is like a deed he has no power to annul. For him to be aware that the sequence of such deeds is due and ripe, that it lies in the very nature of things, he has to have faith in the idea; for only faith interlocks the system of images for which read system of life.”
― Andrei Tarkovsky

“In a certain sense the past is far more real, or at any rate more stable, more resilient than the present. The present slips and vanishes like sand between the fingers, acquiring material weight, only in its recollection.”
― Andrei Tarkovsky

“Art is a meta-language, with the help of which people try to communicate with one another; to impart information about themselves and assimilate the experience of others. Again, this has not to do with practical advantage but with realising the idea of love, the meaning of which is in sacrifice: the very antithesis of pragmatism. I simply cannot believe that an artist can ever work only for the sake of 'self-expression.' Self-expression if meaningless unless it meets with a response. For the sake of creating a spiritual bond with others it can only be an agonising process, one that involves no practical gain: ultimately it is an act of sacrifice. But surely it cannot be worth the effort merely for the sake of hearing one's own echo?”
― Andrei Tarkovsky, Sculpting in Time

“The concept of substance is the central tenet of Spinoza’s metaphysics. All things exist and are conceived through substance, or God, or nature, which exists and is conceived only through itself. Substance represents the singular binding force that connects things, no matter how small or disconnected in space and time they might be, for every thing participates in and is a part of a complex totality.”
― Elizabeth Grosz, The Incorporeal: Ontology, Ethics, and the Limits of Materialism

“Our quaint metaphysical opinions, in an hour of anguish, are like playthings by the bedside of a child deadly sick.”
― Samuel Taylor Coleridge, Coleridge's Notebooks: A Selection

“What if you slept
And what if
In your sleep
You dreamed
And what if
In your dream
You went to heaven
And there plucked a strange and beautiful flower
And what if
When you awoke
You had that flower in your hand
Ah, what then?”
― Samuel Taylor Coleridge, The Complete Poems

“Readers may be divided into four classes: I. Sponges, who absorb all they read, and return it nearly in the same state, only a little dirtied. II. Sand-glasses, who retain nothing, and are content to get through a book for the sake of getting through the time. III. Strain-bags, who retain merely the dregs of what they read. IV. Mogul diamonds, equally rare and valuable, who profit by what they read, and enable others to profit by it also.”
― Samuel Taylor Coleridge, Notes and Lectures upon Shakespeare and Some of the Old Poets and Dramatists: With Other Literary Remains of S. T. Coleridge. Volume 1

“Water, water, everywhere,
And all the boards did shrink;
Water, water, everywhere,
Nor any drop to drink.”
― Samuel Taylor Coleridge, The Rime of the Ancient Mariner

“Silence does not always mark wisdom.”
― Samuel Taylor Coleridge

“Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.”
― Samuel Taylor Coleridge, The Rime of the Ancient Mariner