Araceli Eiler > Araceli's Quotes

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  • #1
    Chuck Palahniuk
    “We're all of us haunted and haunting.”
    Chuck Palahniuk, Lullaby

  • #2
    Irvine Welsh
    “Society invents a spurious convoluted logic tae absorb and change people whae's behaviour is outside its mainstream. Suppose that ah ken aw the pros and cons, know that ah'm gaunnae huv a short life, am ah sound mind, ectetera, ectetera, but still want tae use smack? They won't let ye dae it. They won't let ye dae it, because it's seen as a sign ay thir ain failure. The fact that ye jist simply choose tae reject whit they huv tae offer. Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced. Choose life.

    Well, ah choose no tae choose life. If the cunts cannae handle that, it's thair fuckin problem. As Harry Launder sais, ah jist intend tae keep right on to the end of the road...”
    Irvine Welsh

  • #3
    Hunter S. Thompson
    “All political power comes from the barrel of either guns, pussy, or opium pipes, and people seem to like it that way.”
    Hunter S. Thompson

  • #4
    Kurt Vonnegut Jr.
    “Perhaps, when we remember wars, we should take off our clothes and paint ourselves blue and go on all fours all day long and grunt like pigs. That would surely be more appropriate than noble oratory and shows of flags and well-oiled guns.”
    Kurt Vonnegut, Cat’s Cradle

  • #5
    Anthony Burgess
    “Their hair belonged to some middle crinal zone between aseptic nord and latinindian jetwalled lousehouse.”
    Anthony Burgess, The Clockwork Testament, Or, Enderby's End

  • #6
    Albert Camus
    “Rule: Start by looking for what is valid in every man.”
    Albert Camus, Notebooks 1935-1942

  • #7
    Bret Easton Ellis
    “No, really Patrick. What do you want me to call you?"

    King, I'm thinking. King, Evelyn. I want you to call me King. But I don't say this. "Evelyn. I don't want you to call me anything. I don't think we should see each other anymore."

    "But your friends are my friends. My friends are your friends. I don't think it would work," she says, and then, staring at a spot above my mouth, "You have a tiny fleck on the top of your lip. Use your napkin."

    Exasperated, I brush the fleck away. "Listen, I, know that your friends are my friends and vice versa. I've thought about that." After a pause I say, breathing in, "You can have them."

    Finally she looks at me, confused, and murmurs, "You're really serious, aren't you?"

    "Yes", I say, "I am."

    "But... what about us? What about the past?" she asks blankly.

    "The past isn't real. It's just a dream," I say. "Don't mention the past."

    She narrows her eyes with suspicion. "Do you have something against me, Patrick?" And then the hardness in her face changes instantaneously to expectation, maybe hope.

    "Evelyn," I sigh. "I'm sorry. You're just... not terribly important... to me.”
    Bret Easton Ellis, American Psycho

  • #8
    Charles Bukowski
    “if it doesn't come bursting out of you
    in spite of everything,
    don't do it.
    unless it comes unasked out of your
    heart and your mind and your mouth
    and your gut,
    don't do it.”
    Charles Bukowski

  • #9
    “Do you know why they call me the Count? Because I love to count! Ah-hah-hah!
    - The Count Sesame Street
    Richard Bachman, The Long Walk

  • #10
    “The best writers tend to look the roughest in photos. At least that's the excuse I use for why I look so bad in mine.”
    R.D. Ronald

  • #11
    Henry Miller
    “I think someday you're going to be a great writer," he said. "But" he added maliciously, "first you'll have to suffer a bit. I mean really suffer, because you don't know what the word means yet. You only think you've suffered. You've got to fall in love first.”
    Henry Miller, Tropic of Capricorn

  • #12
    Aldous Huxley
    “I wanted to change the world. But I have found that the only thing one can be sure of changing is oneself.”
    Aldous Huxley, Point Counter Point

  • #13
    Alissa Nutting
    “Her breasts have a soft expanding look about them, like rising bread.”
    Alissa Nutting, Unclean Jobs for Women and Girls

  • #14
    Mikhail Bulgakov
    “-No, więc ja wysłałem depeszę. I co dalej?
    Popławskiemu zawirowało w głowie, stracił władzę w rękach i nogach, wypuścił z ręki walizkę i opadł na krzesło naprzeciw kota.
    -Zdaje się, że zapytałem wyraźnie i po rosyjsku – surowo powiedział kot. - Co dalej?”
    Mikhail Bulgakov, The Master and Margarita

  • #15
    Nick Cave
    “God has matured. He is not the impulsive, bowel-less being of the Testaments - the vehement glory-monger, with His bag of cheap carny tricks and his booming voice - the fiery huckster with his burning bushes and his wonder wands. Nowadays God knows what He wants and He knows who He wants.”
    Nick Cave

  • #16
    Katherine Dunn
    “He must love me, i thought, amazed. A faint whiff of nausea hit me at seeing pain as proof of love, but it seemed true. Unavoidable.”
    Katherine Dunn, Geek Love

  • #17
    Cormac McCarthy
    “Creative work is often driven by pain. It may be that if you don't have something in the back of your head driving you nuts, you may not do anything. It's not a good arrangement. If I were God, I wouldn't have done it that way.

    [Interview, The Wall Street Journal, Nov. 20, 2009]”
    Cormac McCarthy

  • #18
    Megan Abbott
    “Since then, he could only ever think about his sister, one wall away. And how he hoped Deenie never did things like this. With guys like him.”
    Megan Abbott, The Fever

  • #19
    José Saramago
    “* لاوجود للطرق القصيرة أو المباشرة .”
    José Saramago, Blindness

  • #20
    J.G. Ballard
    “Already many of the surrounding buildings had disappeared beneath the proliferating vegetation. Huge club mosses and calamites blotted out the white rectangular faces, shading the lizards in their window lairs. Beyond the lagoon, the endless tides of silt had begun to accumulate into enormous glittering banks, here and there overtopping the shoreline like the immense tippings of some distant goldmine. The light drummed against his brain, bathing the submerged levels below his consciousness, carrying him downwards to warm pellucid depths, where the nominal realities of time and space ceased to exist. Guided by his dreams, he was moving back into his emergent past, through a succession of ever stranger landscapes centered on the lagoon, each of which seemed to represent one of his own spinal levels.”
    J.G. Ballard, The Drowned World

  • #21
    Gillian Flynn
    “People say children from broken homes have it hard, but the children of charmed marriages have their own particular challenges.”
    Gillian Flynn, Gone Girl

  • #22
    Martin Amis
    “Being photographed was dead time for the soul. Can the head think, while it does the same half smile under the same light frown? If this was all true, then Richard's soul was in great shape. No one photographed him any more, not even his wife. When the photographs came back from an increasingly infrequent holiday. Richard was never there..an elbow or earlobe on the edge of the frame, on the edge of life and love..”
    Martin Amis , The Information
    tags: humor

  • #23
    Charles Bukowski
    “jan was an excellent fuck...she had a tight pussy and she took it like it was a knife that was killing her.”
    Charles Bukowski, Factotum

  • #24
    Chuck Palahniuk
    “The only difference between a suicide and a martyrdom really is the amount of press coverage.”
    Chuck Palahniuk, Survivor

  • #25
    Douglas Coupland
    “Life is maybe like deep-sea fishing. We wake up in the morning, we cast our nets into the water, an, if we are lucky, at day's end we will have netted one-- maybe two-- small fish. Occasionally we will net a seahorse or sometimes a shark-- or a life preserver or an iceberg, or a monster. And in our dreams at night we assess our Catch of the Day-- the treasures of this long, slow process of accumulation...”
    Douglas Coupland, Shampoo Planet

  • #26
    Kurt Vonnegut Jr.
    “I am a humanist, which means, in part, that I have tried to behave decently without expectations of rewards or punishments after I am dead.”
    Kurt Vonnegut

  • #27
    Anthony Burgess
    “Where do I come into all of this? Am I just some animal or dog?' And that started them off govoreeting real loud and throwing slovos at me. So I creeched louder still, creeching: 'Am I just to be like a clockwork orange?”
    Anthony Burgess, A Clockwork Orange

  • #28
    Vladimir Nabokov
    “I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. [...] Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. Thus X will never compose the immortal music that would clash with the second-rate symphonies he has accustomed us to. Y will never commit murder. Under no circumstances can Z ever betray us. We have it all arranged in our minds, and the less often we see a particular person, the more satisfying it is to check how obediently he conforms to our notion of him every time we hear of him. Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We could prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.”
    Vladimir Nabokov, Lolita

  • #29
    José Saramago
    “الامل كالملح لكنه يعطى للخبز طعماً”
    جوزيه ساراماجو, Seeing

  • #30
    Georges Bataille
    “But a sort of rupture-in anguish-leaves us at the limit of tears: in such a case we lose ourselves, we forget ourselves and communicate with an elusive beyond.”
    Georges Bataille



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