1980s Hollywood Quotes
Quotes tagged as "1980s-hollywood"
Showing 1-5 of 5
“David Kirkpatrick, a bald, former Jesuit student, whose smile never looked real, had the dubious distinction of being the executive with the longest run without a hit. We used to have a pool: When will Kirkpatrick get a hit? It didn't happen during my tenure. In fact, he became known as "The Teflon Executive, " because wherever he went, failure always followed. But for the longest time, it seemed that the bombs never stuck to him.”
― They Can Kill You..but They Can't Eat You
― They Can Kill You..but They Can't Eat You
“Director of 48 Hrs. (1982), Walter Hill, says of the studio in the early-1980s, 'Paramount in those days was a very unpleasant place to work. That was their style.”
― The Keys to the Kingdom: The Rise of Michael Eisner and the Fall of Everybody Else
― The Keys to the Kingdom: The Rise of Michael Eisner and the Fall of Everybody Else
“The first time Polly Platt met Jim Brooks to discuss Terms of Endearment (1983), she was distinctly unimpressed. “I was infuriated that he was that late,” she recalls. “Fifteen minutes or half an hour, who cares, but to be a whole hour late.” She waited for him at Gladstone’s, a tacky tourist joint on the Pacific Coast Highway. “I just remember I didn’t like him ... I just didn’t like his turn of phrase ... I didn’t like the way he referred to the people. I didn’t like the people he was talking about working with.”
― Is That a Gun in Your Pocket?: The Truth About Female Power in Hollywood
― Is That a Gun in Your Pocket?: The Truth About Female Power in Hollywood
“Robert Altman is an asshole.
That’s what producer Don Simpson, a friend of mine, thought:“We made Popeye (1980) and we hated Altman. He was a true fraud … he was full of gibberish and full of himself, a pompous, pretentious asshole.”
― The Devil's Guide to Hollywood: The Screenwriter as God!
That’s what producer Don Simpson, a friend of mine, thought:“We made Popeye (1980) and we hated Altman. He was a true fraud … he was full of gibberish and full of himself, a pompous, pretentious asshole.”
― The Devil's Guide to Hollywood: The Screenwriter as God!
“United Artists had now begun a descent from the magical precedent-setting era of its rebirth in 1951 when Arthur Krim and Robert Benjamin acquired the company from Mary Pickford and Charlie Chaplin, to the sad-but-true cliché of a “Hollywood” operation typified by Mike Medavoy’s deceit.”
― Musts, Maybes, and Nevers: A Book About The Movies
― Musts, Maybes, and Nevers: A Book About The Movies
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