Curating Books

“I was standing amid floor-to-ceiling shelves of books in wonder and awe when my view of stories suddenly and forever changed. There were enormous piles of books lying in corners. Books covered the walls. Books even lined the staircases as you went up from one floor to the next. It was as if this used bookstore was not just a place for selling used books; it was like the infrastructure itself was made up of books. There were books to hold more books, stories built out of stories.

I was standing in Daedalus Books in Charlottesville, Virginia, and I had recently read Mortimer J. Adler's How to Read a Book. I was alive with the desire to read. But at that particular moment, my glee turned to horror. For whatever reason, the truth of the numbers suddenly hit me. The year before, I had read about thirty books. For me, that was a new record. But then I started counting. I was in my early twenties, and with any luck I'd live at least fifty more years. At that rate, I'd have about 1,500 books in me, give or take.

There were more books than that on the single wall I was staring at.

That's when I had a realization of my mortality. My desire outpaced reality. I simply didn't have the life to read what I wanted to read.

Suddenly my choices in that bookstore became a profound act of deciding. The Latin root of the word decide—cise or cide— is to "cut off' or "kill." The idea is that to choose anything means to kill off other options you might have otherwise chosen. That day I realized that by choosing one story, I would have to cut off other stories. I had to choose one thing at the expense of many, many other things. I would have to choose carefully. I would have to curate my stories....

Curating stories used to be a matter of luxury. Now it's a matter of necessity—and perhaps even urgency.”
― Justin Whitmel Earley, The Common Rule: Habits of Purpose for an Age of Distraction