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Showing 1-50 of 100,000
The Hunger Games (The Hunger Games, #1)
by (shelved 379 times as e-books)
avg rating 4.36 — 10,272,967 ratings — published 2008
Catching Fire (The Hunger Games, #2)
by (shelved 330 times as e-books)
avg rating 4.36 — 4,330,546 ratings — published 2009
Pride and Prejudice (Hardcover)
by (shelved 321 times as e-books)
avg rating 4.30 — 5,006,306 ratings — published 1813
Mockingjay (The Hunger Games, #3)
by (shelved 320 times as e-books)
avg rating 4.13 — 3,871,717 ratings — published 2010
Divergent (Divergent, #1)
by (shelved 310 times as e-books)
avg rating 4.13 — 4,487,440 ratings — published 2011
The Deal (Off-Campus, #1)
by (shelved 299 times as e-books)
avg rating 4.18 — 1,436,435 ratings — published 2015
A Court of Thorns and Roses (A Court of Thorns and Roses, #1)
by (shelved 284 times as e-books)
avg rating 4.15 — 4,585,174 ratings — published 2015
Throne of Glass (Throne of Glass, #1)
by (shelved 269 times as e-books)
avg rating 4.18 — 2,688,901 ratings — published 2012
Harry Potter and the Philosopher's Stone (Harry Potter, #1)
by (shelved 268 times as e-books)
avg rating 4.47 — 11,803,121 ratings — published 1997
Gone Girl (Paperback)
by (shelved 267 times as e-books)
avg rating 4.15 — 3,555,716 ratings — published 2012
The Love Hypothesis (Paperback)
by (shelved 266 times as e-books)
avg rating 4.09 — 2,113,186 ratings — published 2021
The Seven Husbands of Evelyn Hugo (Hardcover)
by (shelved 265 times as e-books)
avg rating 4.39 — 4,428,565 ratings — published 2017
The Fault in Our Stars (Hardcover)
by (shelved 259 times as e-books)
avg rating 4.12 — 5,880,834 ratings — published 2012
A Court of Mist and Fury (A Court of Thorns and Roses, #2)
by (shelved 255 times as e-books)
avg rating 4.63 — 3,475,958 ratings — published 2016
A Game of Thrones (A Song of Ice and Fire, #1)
by (shelved 250 times as e-books)
avg rating 4.45 — 2,815,501 ratings — published 1996
The Handmaid's Tale (Hardcover)
by (shelved 245 times as e-books)
avg rating 4.16 — 2,558,791 ratings — published 1985
Insurgent (Divergent, #2)
by (shelved 245 times as e-books)
avg rating 3.96 — 1,655,866 ratings — published 2012
Verity (ebook)
by (shelved 234 times as e-books)
avg rating 4.29 — 4,160,716 ratings — published 2018
Red, White & Royal Blue (Red, White & Royal Blue, #1)
by (shelved 227 times as e-books)
avg rating 4.04 — 1,280,638 ratings — published 2019
Fifty Shades of Grey (Fifty Shades, #1)
by (shelved 222 times as e-books)
avg rating 3.67 — 2,926,854 ratings — published 2011
The Picture of Dorian Gray (Paperback)
by (shelved 221 times as e-books)
avg rating 4.13 — 2,000,853 ratings — published 1890
We Were Liars (Paperback)
by (shelved 220 times as e-books)
avg rating 3.66 — 1,482,082 ratings — published 2014
A Court of Wings and Ruin (A Court of Thorns and Roses, #3)
by (shelved 217 times as e-books)
avg rating 4.46 — 2,942,934 ratings — published 2017
Dracula (Paperback)
by (shelved 215 times as e-books)
avg rating 4.03 — 1,540,532 ratings — published 1897
Harry Potter and the Chamber of Secrets (Harry Potter, #2)
by (shelved 213 times as e-books)
avg rating 4.43 — 4,667,421 ratings — published 1998
Beach Read (Paperback)
by (shelved 209 times as e-books)
avg rating 3.95 — 1,787,777 ratings — published 2020
Allegiant (Divergent, #3)
by (shelved 208 times as e-books)
avg rating 3.60 — 1,165,895 ratings — published 2013
The Silent Patient (Hardcover)
by (shelved 207 times as e-books)
avg rating 4.16 — 3,608,661 ratings — published 2019
Harry Potter and the Prisoner of Azkaban (Harry Potter, #3)
by (shelved 204 times as e-books)
avg rating 4.58 — 5,036,650 ratings — published 1999
The Song of Achilles (Paperback)
by (shelved 204 times as e-books)
avg rating 4.30 — 2,177,209 ratings — published 2011
It Ends with Us (It Ends with Us, #1)
by (shelved 199 times as e-books)
avg rating 4.06 — 4,830,158 ratings — published 2016
Crown of Midnight (Throne of Glass, #2)
by (shelved 199 times as e-books)
avg rating 4.36 — 1,983,976 ratings — published 2013
The Lightning Thief (Percy Jackson and the Olympians, #1)
by (shelved 198 times as e-books)
avg rating 4.31 — 3,560,657 ratings — published 2005
Fourth Wing (The Empyrean, #1)
by (shelved 197 times as e-books)
avg rating 4.56 — 3,953,379 ratings — published 2023
Harry Potter and the Goblet of Fire (Harry Potter, #4)
by (shelved 196 times as e-books)
avg rating 4.57 — 4,343,942 ratings — published 2000
The Book Thief (Kindle Edition)
by (shelved 196 times as e-books)
avg rating 4.39 — 2,977,267 ratings — published 2005
1984 (Paperback)
by (shelved 195 times as e-books)
avg rating 4.21 — 5,759,115 ratings — published 1949
Heartstopper: Volume One (Heartstopper, #1)
by (shelved 194 times as e-books)
avg rating 4.40 — 930,121 ratings — published 2018
The Housemaid (The Housemaid, #1)
by (shelved 193 times as e-books)
avg rating 4.26 — 3,969,386 ratings — published 2022
The Great Gatsby (Paperback)
by (shelved 193 times as e-books)
avg rating 3.93 — 6,139,115 ratings — published 1925
The Girl on the Train (Hardcover)
by (shelved 192 times as e-books)
avg rating 3.96 — 3,388,600 ratings — published 2015
Book Lovers (Paperback)
by (shelved 191 times as e-books)
avg rating 4.08 — 1,688,623 ratings — published 2022
The Midnight Library (The Midnight World, #1)
by (shelved 190 times as e-books)
avg rating 3.97 — 2,672,015 ratings — published 2020
Shatter Me (Shatter Me, #1)
by (shelved 190 times as e-books)
avg rating 3.84 — 1,318,303 ratings — published 2011
Ready Player One (Ready Player One, #1)
by (shelved 189 times as e-books)
avg rating 4.22 — 1,344,469 ratings — published 2011
Little Women (Little Women, #1)
by (shelved 188 times as e-books)
avg rating 4.18 — 2,541,205 ratings — published 1868
City of Bones (The Mortal Instruments, #1)
by (shelved 188 times as e-books)
avg rating 4.06 — 2,215,060 ratings — published 2007
Frankenstein (Paperback)
by (shelved 186 times as e-books)
avg rating 3.92 — 2,000,683 ratings — published 1818
Harry Potter and the Order of the Phoenix (Harry Potter, #5)
by (shelved 186 times as e-books)
avg rating 4.50 — 3,921,187 ratings — published 2003
Shadow and Bone (Shadow and Bone, #1)
by (shelved 186 times as e-books)
avg rating 3.91 — 1,152,347 ratings — published 2012
“We will speak for the books."
...
"Like the Lorax?"
"The Lorax speaks for the trees," I remind her.
"Books are made out of paper. Paper is made out of trees."
"What about e-books?"
"We can speak for them too."
"Audiobooks?"
"Audiobooks speak for themselves." She grins. "Get it?”
― I Kill the Mockingbird
...
"Like the Lorax?"
"The Lorax speaks for the trees," I remind her.
"Books are made out of paper. Paper is made out of trees."
"What about e-books?"
"We can speak for them too."
"Audiobooks?"
"Audiobooks speak for themselves." She grins. "Get it?”
― I Kill the Mockingbird
“The role of dominance and submission in human sexuality cannot be overstated. Our survey suggests that the majority (over 50%) of humans are very aroused by either acting out or witnessing dominance or submission. But it gets crazier than that: While 45% of women taking our survey said they found the naked male form to be very arousing and 48% said they found the sight of a penis to very arousing, a heftier 53% said they found their partner acting dominant in a sexual context to be very arousing. Dominance is literally more likely to be very arousing to the average female than naked men or penises. To say: “Dominance and submission are tied to human arousal patterns” is more of an understatement than saying: “Penises are tied to human arousal patterns.”
We have a delectable theory about what is going on here: If you look at all the emotional states that frequently get tied to arousal pathways, the vast majority of them seem to be proxies for behaviors that would have been associated with our pre-human ancestors’ and early humans’ dominance and submission displays. For example, things like humiliation, being taken advantage of, chains, being used, being useful, being constrained, a lack of freedom, being prey, and a lack of free will may all have been concepts and emotions important in early human submission displays.
We posit that most of the time when a human is turned on by a strange emotional concept—being bound for instance—their brain is just using that concept as a proxy for a pre-human submission display and lighting up the neural pathways associated with it, creating a situation in which it looks like a large number of random emotional states are turning humans on, when in reality they all boil down to just a fuzzy outline of dominance and submission. Heck, speaking of binding as a submission display, there were similar ritualized submission displays in the early middle ages, in which a vassal would present their hands clasped in front of their lord and allow the lord to hold their clasped hands in a way that rendered them unable to unclasp them (this submission display to one’s lord is where the symbolism of the Christian kneeling and hands together during prayer ritual comes from). We suspect the concept of binding and defenselessness have played important roles in human submission displays well into pre-history. Should all this be the case, why on earth have our brains been hardwired to bind (hehe) our recognition of dominance and submission displays to our sexual arousal systems?!?”
― The Pragmatist's Guide to Sexuality
We have a delectable theory about what is going on here: If you look at all the emotional states that frequently get tied to arousal pathways, the vast majority of them seem to be proxies for behaviors that would have been associated with our pre-human ancestors’ and early humans’ dominance and submission displays. For example, things like humiliation, being taken advantage of, chains, being used, being useful, being constrained, a lack of freedom, being prey, and a lack of free will may all have been concepts and emotions important in early human submission displays.
We posit that most of the time when a human is turned on by a strange emotional concept—being bound for instance—their brain is just using that concept as a proxy for a pre-human submission display and lighting up the neural pathways associated with it, creating a situation in which it looks like a large number of random emotional states are turning humans on, when in reality they all boil down to just a fuzzy outline of dominance and submission. Heck, speaking of binding as a submission display, there were similar ritualized submission displays in the early middle ages, in which a vassal would present their hands clasped in front of their lord and allow the lord to hold their clasped hands in a way that rendered them unable to unclasp them (this submission display to one’s lord is where the symbolism of the Christian kneeling and hands together during prayer ritual comes from). We suspect the concept of binding and defenselessness have played important roles in human submission displays well into pre-history. Should all this be the case, why on earth have our brains been hardwired to bind (hehe) our recognition of dominance and submission displays to our sexual arousal systems?!?”
― The Pragmatist's Guide to Sexuality












