32 books
—
8 voters
Visual Arts Books
Showing 1-50 of 4,768
Ways of Seeing (Paperback)
by (shelved 21 times as visual-arts)
avg rating 3.94 — 450,811 ratings — published 1972
The Story of Art (Hardcover)
by (shelved 14 times as visual-arts)
avg rating 3.96 — 476,240 ratings — published 1950
On Photography (Paperback)
by (shelved 14 times as visual-arts)
avg rating 3.86 — 58,878 ratings — published 1973
Camera Lucida: Reflections on Photography (Hardcover)
by (shelved 10 times as visual-arts)
avg rating 3.99 — 79,773 ratings — published 1980
In Praise of Shadows (Paperback)
by (shelved 9 times as visual-arts)
avg rating 4.00 — 32,311 ratings — published 1933
The New Drawing on the Right Side of the Brain (Paperback)
by (shelved 8 times as visual-arts)
avg rating 3.87 — 386,087 ratings — published 1979
Figure Drawing for All It's Worth (Hardcover)
by (shelved 8 times as visual-arts)
avg rating 3.95 — 25,243 ratings — published 1943
Understanding Comics: The Invisible Art (Paperback)
by (shelved 8 times as visual-arts)
avg rating 4.00 — 134,083 ratings — published 1993
Wall and Piece (Paperback)
by (shelved 7 times as visual-arts)
avg rating 3.85 — 237,608 ratings — published 2005
Concerning the Spiritual in Art (Paperback)
by (shelved 6 times as visual-arts)
avg rating 3.83 — 94,350 ratings — published 1912
The Animator's Survival Kit (Paperback)
by (shelved 6 times as visual-arts)
avg rating 4.41 — 8,134 ratings — published 2001
Imaginative Realism: How to Paint What Doesn't Exist (Paperback)
by (shelved 6 times as visual-arts)
avg rating 4.12 — 8,584 ratings — published 2009
Steal Like an Artist: 10 Things Nobody Told You About Being Creative (Paperback)
by (shelved 6 times as visual-arts)
avg rating 3.97 — 347,978 ratings — published 2012
Color and Light: A Guide for the Realist Painter (Paperback)
by (shelved 6 times as visual-arts)
avg rating 4.06 — 20,665 ratings — published 2010
The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media (Paperback)
by (shelved 5 times as visual-arts)
avg rating 4.08 — 25,148 ratings — published 1936
Fun Home: A Family Tragicomic (Paperback)
by (shelved 5 times as visual-arts)
avg rating 4.07 — 207,451 ratings — published 2006
Towards a Philosophy of Photography (Paperback)
by (shelved 5 times as visual-arts)
avg rating 4.04 — 1,378 ratings — published 1983
Art and Fear (Paperback)
by (shelved 5 times as visual-arts)
avg rating 3.77 — 107,586 ratings — published 1994
The Diary of Frida Kahlo: An Intimate Self-Portrait (Hardcover)
by (shelved 5 times as visual-arts)
avg rating 3.88 — 50,893 ratings — published 1995
M.C. Escher: The Graphic Work (Paperback)
by (shelved 5 times as visual-arts)
avg rating 3.92 — 73,001 ratings — published 1954
Regarding the Pain of Others (Paperback)
by (shelved 5 times as visual-arts)
avg rating 4.10 — 24,123 ratings — published 2003
Drawing Lessons from the Great Masters (Paperback)
by (shelved 5 times as visual-arts)
avg rating 4.08 — 8,776 ratings — published 1964
The Photograph as Contemporary Art (World of Art)
by (shelved 5 times as visual-arts)
avg rating 3.95 — 3,545 ratings — published 2004
Get the Picture: A Mind-Bending Journey Among the Inspired Artists and Obsessive Art Fiends Who Taught Me How to See (Hardcover)
by (shelved 4 times as visual-arts)
avg rating 4.09 — 4,206 ratings — published 2024
Funny Weather: Art in an Emergency (Hardcover)
by (shelved 4 times as visual-arts)
avg rating 3.99 — 6,625 ratings — published 2020
Mad Enchantment: Claude Monet and the Painting of the Water Lilies (Hardcover)
by (shelved 4 times as visual-arts)
avg rating 4.06 — 2,043 ratings — published 2016
Wabi-Sabi: for Artists, Designers, Poets & Philosophers (Paperback)
by (shelved 4 times as visual-arts)
avg rating 3.99 — 8,102 ratings — published 1994
Understanding a Photograph (Paperback)
by (shelved 4 times as visual-arts)
avg rating 3.97 — 1,660 ratings — published 2013
How to Draw: Drawing and Sketching Objects and Environments from Your Imagination (Paperback)
by (shelved 4 times as visual-arts)
avg rating 4.57 — 1,217 ratings — published 2012
Graphic Storytelling and Visual Narrative (Paperback)
by (shelved 4 times as visual-arts)
avg rating 4.08 — 2,274 ratings — published 1996
The Lives of the Artists (Paperback)
by (shelved 4 times as visual-arts)
avg rating 3.78 — 33,590 ratings — published 1550
Amphigorey (Paperback)
by (shelved 4 times as visual-arts)
avg rating 4.06 — 63,486 ratings — published 1972
The Artist's Way: A Spiritual Path to Higher Creativity (Paperback)
by (shelved 4 times as visual-arts)
avg rating 3.96 — 123,045 ratings — published 2002
Art Through the Ages (Hardcover)
by (shelved 4 times as visual-arts)
avg rating 3.81 — 46,211 ratings — published 1926
Klimt (Basic Art)
by (shelved 4 times as visual-arts)
avg rating 4.17 — 26,251 ratings — published 1992
The Letters of Vincent van Gogh (Paperback)
by (shelved 4 times as visual-arts)
avg rating 4.08 — 114,398 ratings — published 1914
Art and Illusion: A Study in the Psychology of Pictorial Representation (Paperback)
by (shelved 4 times as visual-arts)
avg rating 4.05 — 6,190 ratings — published 1960
The Illusion of Life: Disney Animation (Hardcover)
by (shelved 4 times as visual-arts)
avg rating 4.37 — 4,950 ratings — published 1981
Perspective Made Easy (Dover Art Instruction)
by (shelved 4 times as visual-arts)
avg rating 4.26 — 2,306 ratings — published 1939
Keys to Drawing (Paperback)
by (shelved 4 times as visual-arts)
avg rating 4.07 — 15,859 ratings — published 1985
Force: Dynamic Life Drawing for Animators (Force Drawing Series)
by (shelved 4 times as visual-arts)
avg rating 4.30 — 2,004 ratings — published 2006
Framed Ink (Paperback)
by (shelved 4 times as visual-arts)
avg rating 4.37 — 3,100 ratings — published 2010
Drawing the Head and Hands (Hardcover)
by (shelved 4 times as visual-arts)
avg rating 4.23 — 6,656 ratings — published 1956
Comics and Sequential Art (Paperback)
by (shelved 4 times as visual-arts)
avg rating 4.11 — 6,309 ratings — published 1985
Street Photography Now (Hardcover)
by (shelved 3 times as visual-arts)
avg rating 4.15 — 1,006 ratings — published 2010
The Secret Lives of Color (Hardcover)
by (shelved 3 times as visual-arts)
avg rating 3.98 — 23,220 ratings — published 2016
Notes on ‘Camp’ (Paperback)
by (shelved 3 times as visual-arts)
avg rating 3.97 — 10,184 ratings — published 1964
The Lives of the Most Excellent Painters, Sculptors, and Architects (ebook)
by (shelved 3 times as visual-arts)
avg rating 3.96 — 705 ratings — published 1568
The Photographer's Eye: Composition and Design for Better Digital Photos (Paperback)
by (shelved 3 times as visual-arts)
avg rating 4.16 — 6,136 ratings — published 2007
Visual Methodologies: An Introduction to the Interpretation of Visual Materials (Paperback)
by (shelved 3 times as visual-arts)
avg rating 3.87 — 287 ratings — published 2001
“We create art, and those artworks shape us into what we are. We, as human beings, are capable of creating art. Or, perhaps, because of these arts, we have the capacity to become humans humanely.”
― Art Adventure: Visual Arts
― Art Adventure: Visual Arts
“But what is the use of the humanities as such? Admittedly they are not practical, and admittedly they concern themselves with the past. Why, it may be asked, should we engage in impractical investigations, and why should we be interested in the past?
The answer to the first question is: because we are interested in reality. Both the humanities and the natural sciences, as well as mathematics and philosophy, have the impractical outlook of what the ancients called vita contemplativa as opposed to vita activa. But is the contemplative life less real or, to be more precise, is its contribution to what we call reality less important, than that of the active life?
The man who takes a paper dollar in exchange for twenty-five apples commits an act of faith, and subjects himself to a theoretical doctrine, as did the mediaeval man who paid for indulgence. The man who is run over by an automobile is run over by mathematics, physics and chemistry. For he who leads the contemplative life cannot help influencing the active, just as he cannot prevent the active life from influencing his thought. Philosophical and psychological theories, historical doctrines and all sorts of speculations and discoveries, have changed, and keep changing, the lives of countless millions. Even he who merely transmits knowledge or learning participates, in his modest way, in the process of shaping reality - of which fact the enemies of humanism are perhaps more keenly aware than its friends. It is impossible to conceive of our world in terms of action alone. Only in God is there a "Coincidence of Act and Thought" as the scholastics put it. Our reality can only be understood as an interpenetration of these two.”
― Meaning in the Visual Arts
The answer to the first question is: because we are interested in reality. Both the humanities and the natural sciences, as well as mathematics and philosophy, have the impractical outlook of what the ancients called vita contemplativa as opposed to vita activa. But is the contemplative life less real or, to be more precise, is its contribution to what we call reality less important, than that of the active life?
The man who takes a paper dollar in exchange for twenty-five apples commits an act of faith, and subjects himself to a theoretical doctrine, as did the mediaeval man who paid for indulgence. The man who is run over by an automobile is run over by mathematics, physics and chemistry. For he who leads the contemplative life cannot help influencing the active, just as he cannot prevent the active life from influencing his thought. Philosophical and psychological theories, historical doctrines and all sorts of speculations and discoveries, have changed, and keep changing, the lives of countless millions. Even he who merely transmits knowledge or learning participates, in his modest way, in the process of shaping reality - of which fact the enemies of humanism are perhaps more keenly aware than its friends. It is impossible to conceive of our world in terms of action alone. Only in God is there a "Coincidence of Act and Thought" as the scholastics put it. Our reality can only be understood as an interpenetration of these two.”
― Meaning in the Visual Arts










