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Guy Gavriel Kay
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Emily
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Feb 26, 2009 07:54AM

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He seems to try too hard to sound elegant and it just comes off as a little contrived and unnatural. Still, Tigana is good. Start with that.


But if I don't count Fianovar, I like Tigana and I moderately like Song for Arbonne. I am intrigued by Lions of Al Rassan and plan on reading that sometime soon. As for his writing, it still does come off as a little unnatural to me, like he tries too hard to wow the reader with tons of obscure words and "poetic" prose when I'd rather just hear his honest voice as an author. And for character development, for me no one tops Robin Hobb or George R.R. Martin and I haven't found nearly as many memorable characters in Kay's books as I have theirs. In fact, except for the mage's mistress in Tigana (can't remember her name, but why can't all of his characters be written like that?) I can't remember much about any of them.
So there's my rant on GGK. :) And as you said, Laurel, to each their own opinion.

I adore GRRM and really need to try Robin Hobb at some point.

I'd note several things about his career: he doesn't do the same book, twice, or recycle his plot devices over and over. He is extremely well read and well traveled, and that shows. I'd expect his books would appeal best to a mature reader, since the layers and complexities in the characters' relationships have far deeper than average insight.
His Fionavar Tapestry trilogy was intended to be mythic in scope, and if one is aware of the cultural depth to the legends and archtypes Kay draws from, the folk roots are far older than Tolkein, who, also, drew from many of the same sources. Elves and dwarves and magical swords, rings, and such occurred in many older works - the eddas, the neibelung, for a start, that underpinned much of European legend. If it's understandable that many modern readers would pick this work up, and not view it with the same scholarship, it's a shame. The most astonishing aspect of the use of the Arthurian legend here, is how deeply Kay draws off the roots (which are quite varied, beyond the Disney cartoon) and best of all, how he resolves it.
From there, Kay readers seem to split into two groups: ones who adore Tigana and ones who don't like it. The theme of that one seems to inspire a love/hate relationship - being a book with a difficult and haunting theme, it isn't necessarily the one I recommend first.
My personal favorite is The Lions of Al Rassan. Kay generally travels to a locale to soak up local color, then writes a fantasy based somewhat on the "theme" of the region. Al Rassan drew from moorish Spain, and centers around the collison of characters thrown together, and in conflict, as a result of their disparate cultures. For a deep examination of a complex set of relationships and the impacts of cultural conditioning, it's a masterwork.
Sarantine Mosaic roughly took after Constantinople.
Song for Arbonne, France.
Last Light of the Sun, the Norse. This book has a lot of scattered threads that do tie together, but loosely.
Ysabel is Kay's most recent - it crosses between modern culture and a cathedral in Provence, and ancient myth at the time of Rome and the Celts. The pace is slightly quicker and less atmospheric, so I'd suggest this one for a reader looking for a leaner prose style.
I have no issues at all with this author's style - his use of language is precise, and lyric, and highly creative. But then, I enjoy creative language that stretches my imagination, and appreciate authors who stretch their abilities to shape insights beyond words. Poetic style, done well, can be awesome for its beauty. I've never been enamored of "bare bones, simple is best" sorts of style. No one word can quite be substituted for another, the shades of meaning are never the same. Using just the right word, or pushing one to the edge of the envelope can evoke an astonishing experience. But it does require intelligence and patience to appreciate. Precision and aware use of language lifts a work beyond the common denominator - if it's not for everyone that is fine. Individuality is to be honored for variety.
Since I grew up reading, and avoided TV, the vocabulary was never for a moment an issue - though without that depth of background, I might feel left out, if I didn't already have a cultivated appreciation for words.
Forgive the newcomer's long post - I type very fast, and have savored Kay's work for many years. His contribution to the field is quite remarkable, and destined to last.

Ysabel won the World Fantasy Award for 2008. That surprised me a little because it wasn't one of my favorites.
I like the detail he puts into his story, and the fact that his characters are complicated people who seem real long after you finish the book.

He'..."
Elizabeth - I don't have his book of poetry although I was aware of it. I, too, loved Song for Arbonne. I usually don't recommend that one as a first read, for folks unfamiliar with Kay, since the opening shift in generations sometimes throws them, and the lovely, ambiguous ending, I felt, plays best after one is already familiar with this author's ability to create that yearning sense of a last impression. Kay's books never really "close" that way - one is always left with threads to ponder.
Anyone who likes Guy Kay for style, character, and resonance to legend, may well enjoy Sarah Zettel's Isavolta fantasies - they read in any order, and although tied together loosely, each one is standalone. My two favorites were A Sorcerer's Treason and The Firebird's Vengeance A Novel of Isavalta.

Of all his books, I love Lions best, but probably because I absolutely believe that one person can love two others so deeply, and the tragic symmetry between Rodrigo, Jehane, and Ammar moves me very deeply. I think the Sarantine Mosaic is underrated, but I love how Crispin moves from the "f*** it, let me die" to caring enough to navigate through the intrigues of the Sarantium court. Tigana is absolutely beautiful - I am mesmerized by the vision of Baird(?) being surrounded by the taunting soldiers and proudly proclaiming "Tigana!!!" at the top of his lungs. Such love, such passion...
I also feel that the Fionavar series is one of the greatest trilogies written, and while there are clearly some parallels between it and Tolkien and its descendants, I think he does a much better job of drawing you into the personal tragedies - Matt as the king, the Dwarves as a nation, the Jennifer/Arthur/Lance triangle.
Regarding how the five responded to being taken to the new world, yeah, maybe that's a little hard to believe - but how would you respond? I'd like to think that I would take what had happened and make the best of it that I could. Also, it's not like they didn't have ANY responses at all to suddenly being transported...
Cheers,
--derek

Well, Derek, it appears you've fallen into friendly company! And I would agree, that the Sarantine Mosaic is underrated. The keyhole view concept - that Empires wax and wane, and that the players and wielders of power fall, but that the memory of the cultural greatness they've fostered goes on in the hands of the artists is such a refreshing take.

I got goosebumps just from your post reminding me of it.

I think what I like most about GGK's work is his prevalent use of art, whether it be poetry, music, mosaic, or something else, to help illustrate the depths of his character's passion.
I guess I need to go back and reread Last Light and Ysabel...
On the subject of precise use of language, I think GGK and Stephen R. Donaldson are two authors that are particularly brilliant, and SRD can even stretch my vocabulary a little... Who else would you all include in this category? Thanks!
--derek

Well, so far I'm enjoying Tigana....I haven't had time to really get into it yet, but I like the little parts I've been able to squeeze in.




The Fionavar Tapestry series however, didn't really do much for me - it wasn't a surprise to hear Kay was writing this to get 'The Silmarillion' (which he helped Christopher Tolkien with) out of his system.
Last Light of the Sun is still waiting to be read...

You're not the only person who hates Seinfeld. :)

Tigana's a good starting place, imo, for those who haven't read any. Ysabel really needs you to read the Fionavar Tapestry, even though you can't rightly call it a sequel.
I'll probably reread them all later this year.

Thanks for the informative post Janny. Good stuff! :)

From one who loves Kay's work, too, you're more than welcome, Victoria.

Funny story, his mother once asked a friend of mine if he could help her find her son's book. Kay had told her that she could find a copy at the store. Chadwick politely asked her who her son was, thinking it a local unknown. When she said "Guy Kay" he very quietly smiled and said "Yes, I believe we have some of his work. Let me help you..."

Priceless! LOL

http://aidanmoher.com/blog/?p=1323"
Oh great!!! Thanks Jon! Under Heaven is going onto my Future Purchase lists immediately.

Thanks for the link Jon - looks really interesting. I love the variety of cultures he uses in his work.

Kay has almost single-handedly carved out a new niche of fantasy, namely historical fantasy, loosely based on the history of our own world, but being just different enough to make it fantasy.
Kay is well worth exploring. Don't expect the same old quest stuff. He will expand your horizons. I believe that The Lions of Al-Rassan may be made into a film. I think HBO has the rights. Great place to start, with Kay. Tigana is perhaps the most hauntingly beautiful book I have ever read.

It will either be very, very good. Or, it will stink as bad as Dune.


I think that Kay is a damn good writer overall. The prose is phenomenal and for the most part, the character development is quite good. I am not a poetry person, but I would pick up his book if I were. His writing is just that polished.
I'm glad to hear about other excellent GGK books out there that I need to pursue. Will plan on picking up one of these days!
Books mentioned in this topic
A Song for Arbonne (other topics)The Silmarillion (other topics)
A Sorcerer's Treason (other topics)
The Firebird's Vengeance (other topics)