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I hugely appreciated when he joined our group to discuss Thirteen--he's clearly thought a lot about these issues, and is well versed in so much of the politics & issues he is working with in his books. He's clear and articulate, and seems to enjoy a good (respectful) debate. I have a lot of respect for him.
And Jane, I agree with you... I want him cloned too! Market Forces was my least favorite, but I understand it was originally written as a screenplay, which is how it felt reading it.
Books mentioned in this topic
Thirteen (other topics)Authors mentioned in this topic
J.D. Rhoades (other topics)Richard K. Morgan (other topics)
Richard K. Morgan, on April 13, 2008, in Beyond Reality:
"Ah, yes - the violence.
Most of my writing is born out of a terrible rage at human stupidity. I see vast potential everywhere, and everywhere I see it being pissed away. My central characters tend to be retributive, Fury-like figures who show up to smash, murder and destroy everything I hate about the established order. Viscerally, this is very satisfying, but - and it's a huge but - it doesn't come without cost. Violence is not a Good Thing. Usually, in fact, it's the last refuge of desperate fools, the proof that those committing it have already fucked up somehow at some prior point. What I try to do in my books is balance those two things - the sick visceral thrill with the honest cost. The best way I know to do that is to go in close.
In many ways, this is the exact opposite of most popular entertainment. Endless action movies and novels like to do what I call "violence-lite" - for those consumers who like the thrill but don't want to have to face the cost. So the hero deals out bullets and crisp punches, the bad guys go down with a minimum of noise and blood, and we fade out to a happy ending complete with picket fence and family dog.
Violence is not like this. Violence is horrible, whoever's doing it. Violence marks, usually for life. Violence is burning oil in your cupped hands - it's not safe, it's not fun, and I have no intention of pretending it is in my fiction. If, in one of my books, you see the "hero" kill the "villain" with his bare hands, my hope is that the scene will sicken you. You would be sickened if you had to kill someone with your bare hands, wouldn't you? Want to be that guy, that hero? No, you really don't - though you (and I) will still take the shaky, unclean ride with him for the thrill it gives, and then, at the end, we'll thankfully climb down and go home, (I hope) a little soiled and a little more thoughtful.
I don't want to rant on about this, because in the end everyone has to find their own level of entertainment, and I'm all about that being an individual choice. But I will say that I
think popular culture too often tips towards the "cost-free" end of this spectrum. If the message we send in our movie houses and the pages of our novels and comic books is that violence is okay when the good guys do it, and only bad when the bad guys are at it, if we pretend there is no (or hey, not much) blood or pain involved in the process, and that anyway suffering is important only when the good guys suffer (and "we" are always the good guys) - well, then we'll continue to mishandle conflict at both a social and a geopolitical level. We'll continue to treat crime as a "war" between good people and bad people, rather than a complex social and biochemical problem, and abroad we'll continue to commit war crimes ourselves. We'll continue to drop bombs without bothering to imagine what actually happens at the impact end of that falling steel; and we'll continue to increase rather than decrease the amount of hatred and bloodshed in the world."
(For members of the old Yahoo group, the message can also be found here: http://groups.yahoo.com/group/Beyond_.... There are a bunch of other very insightful messages by him around that one too.)