Heathens, Pagans and Witches discussion

This topic is about
Egyptian Myth
Group Reads
>
Egyptian Myth
date
newest »

message 1:
by
Nell
(last edited Aug 01, 2013 12:27AM)
(new)
-
rated it 5 stars
Aug 01, 2013 12:26AM

reply
|
flag



After a quick perusal, I'm on fire. I encountered a Goddess I've never heard of. Mafdet, the Goddess of Lynxes. I've have a special sort of craze for Lynxes, and have always thought they were beautiful, fierce and intriguing. I had no idea there was a special deity for them. There's very little in my book about her though, and would welcome anything you guys might come across in this months group read.

Let me tell you what I know about Mafdet. There are multiple feline deities in this pantheon, the best known of which are Sekhmet and Bastet. Others include Wadjyt and Shesmetet, who along with Sekhmet and Bastet guard the body of Osiris, according to temple ritual. The others best known are Pakhet and Mafdet.
The majority of these feline deities are female, and usually depicted with the head of a lion. Thus, the lion represents the animal which is sacred to the deity.
Each is often known by the epithet, "Eye of Ra", which essentially means "defender". The lion is an ancient symbol of royal power and so these deities are charged with protecting the King.
Mafdet is mentioned in the Pyramid Texts, though I am uncertain if later texts include her. There, she helps the dead king by clawing out the eyes of evil snakes. (This is something of a complicated image--not so simple as it sounds, as snakes are most often the animal associate with Apep, the lord of chaos.) Because of this, Mafdet's original sacred animal is thought to be some sort of mongoose, though later she was depicted as a cheetah or lynx. Her role is as a divine executioner, serving justice by hunting and slaughtering the enemies of Ra--typical duties for an Eye of Ra. Her symbol was a harpoon fixed to a block.
Strictly speaking, she is not a deity of lynxes. She would be seen as embodying the skill of a lynx or taking on its character.
I know, TMI. . . .I hope this helps with your understanding of Mafdet.

Ancient Egyptian deities are most easily identified in illustrations because of what adorns the tops of their heads. Aset (Isis) has a table, which is sort of pun on her name. Sekhmet shows the solar disk of her father Ra, sometimes with a Cobra. The harpoon/block likely adorns Mafdet. Was there an illustration in the book you read?



I found it strange that the stories mentioned in Chapter 5 as coming from 'Egyptian literary texts' are so little known - I thought that the well-known myths about Isis, Horus, Osiris and the better-known gods were the only ones that had survived, yet there are others, and stories about ordinary people too.


..."
Indeed there are deities for a great many aspects in Egyptian mythology. And yes, it is a complex cosmology. In part this stems from the history, in that many of these deities were "local", and then assumed a more regional importance as a local leader or chieftain rose to prominence and consolidated the country. Deities moved in and out of favour, and there are different combinations that have mattered. I'll try and add additional details to this.
There is a surprising number of literary texts that have survived, and in fact, I believe there are at least 4-6 books dedicated to them, sorted into Old, Middle and New Kingdom texts, along with those from the Intermediary periods.
LOL, how much detail would you like?

"
:)
There are some books mentioned in the bibliography that I'll hopefully get around to reading - one that caught my eye deals with Egyptian myths as sources for Old Testament stories - Ancient Near Eastern Texts Relating to the Old Testament with Supplement. Have you read it?

Amazon UK

Yes, that is quite pricy.
If you search "Egyptian Literature" on Amazon, you will turn up a number of decent volumes covering these myths. I've read some, but not all of these.
And I have read the Pyramid Texts, the Coffin Texts, and The Book of Going Forth by Day (aka The Book of the Dead). The James Allen and Raymond Faulkner translations of these are the Gold Standard.
Wallis Budge is an early translator, and the study of hieroglyphics is much advanced since he wrote his books.

Sara can I ask which version of 'The Book of Going Forth by Day' you would recommend?

I love that you're even considering giving this a try. It can be fairly dense going. Indeed, if I remember correctly, Faulkner and Allen collaborated on a translation. James Allen still teaches at Brown University, where I believe he is the Chair of the Egyptology Department.
And I really do need to get some additional material into this discussion. :-)
Hope all is well, Gina.


I'm not familiar with it, as I do tend to stick with academic translations. I'll take a look at it--I'm curious as to whether it's been translated from the hieroglyphics or if it's a rewrite from the English translations. Let me see what I think. . . .

I'm not familiar with it, as I do t..."
Thanks Sara.:)


Thanks Sara! :):)

This definitely was a very brief introduction to ancient Kemetic belief. I found myself constantly tantalized by brief statements the author made, wondering about what else might be going on there.
I noted comment that we tend to "[see the Egyptians] through Greek and Roman eyes." Because one of the other books I'm reading right now points out the almost-total absence of Greek women's voices in writings during the Hellenic period (Sappho being the notable exception), that also means that we likely see Egypt primarily through male eyes as well. Does anyone know if there are any extant papyri whose scribe was a woman?
Because my Patroness and Patron are Hellenic, I haven't worked much with the Kemitic pantheon. As a result, a lot of the stories told here were either new to me or treated more in-depth than I'd previously read them. That made the book more valuable to me. It also left me wanting a lot more. More about regional deities, more about the names of the deities as the Kemitic people knew them (Aset instead of Isis, for example), more pronunciations, anything at all on deity hieroglyphs. Also useful were the explanations of the duat and the political myths.
I enjoyed this as an introduction, but it really left me wanting more.


This definitely was a very brief introduction to ancient Kemetic belief. I found myself constantly tantalized by brief statements the author made, wondering about what else migh..."
Hello Devichan. I'm so glad you made the time to read this selection. I chose it because it was a good, albeit brief, introduction to the cosmology of ancient Egypt. My sense is that this is a cosmology with which many are unfamiliar. I agree that it is important to learn what we can about how this religion functioned and the role it played in the everyday lives of the people.
I also agree that it is important to try and strain out the overlays and name changes. Egypt's is a long history and deities certainly altered and shifted during that time, as well as rose and fell in importance.
I am not familiar with anything that identifies the gender of writers of specific pieces of texts, as typically these weren't signed, or they they were, the signatures have been lost. Most scribes were likely male, though certainly there is a long tradition of priestesses in ancient Egypt.
There are on-line hieroglyphic translators that can render the name of any deity in script. Pronunciations are difficult because essentially there are no vowels in hieroglyphics. Where these are inserted, they represent the best guesses of linguistics scholars. I will see if I can find some examples for you.
If you are interested in reading in more depth, you might try Jeremy Naydler's Temple of the Cosmos, or Emily Teeter's Religion and Ritual in Ancient Egypt. Naydler is is religious scholar, and Teeter is an Egyptologist at the University of Chicago. Either of these will take you deeper.

Powerful women indeed. I was just reading a piece about another female pharaoh, at the end of the 19th dynasty. She ruled alone, which is something even Hatshepsut did not. So much still remains buried in the sand there.






In a sense though, there are similarities between deities, suggesting that many are archetypal energies. That is how I view them, not as extraterrestrials or divine beings, but as energy forms. As I have written many times, Sekhmet is the healer and the destroyer for me--a not uncommon duality.
As Aaron points out, I am lucky that so much research has been done on the world of the ancient Egyptians, and that so much information has been recovered, even if we don't always know precisely what is intended.
I'm pleased that at least a few of my fellow group members chose to become a bit more familiar with the world that feels like home to me.



I do agree that there are parts of the ancient Egyptian cosmology that don't necessarily make sense or fit together, at least not in any logical way. It is my perspective that indeed they were not "logical" about their religion. I can give many examples of conflicting beliefs. Now that may arise because of our limited understanding of just how it all worked. Or it may be because in a 3,000 year history, different regions held power and overlaid their own pantheon onto existing ones. There are those that argue for a certain rigidity as well.
In terms of its being an advanced way of thinking, I prefer to view it as the most ancient and early of human interaction with the unknown. There are colourable arguments to be made that at least earlier ancient Egyptian religion was in fact shamanic in nature. As I've said before, Jeremy Naydler successfully (IMO) makes this argument in his book "Shamanic Wisdom in the Pyramid Texts: The Mystical Tradition of Ancient Egypt", among others.
Another argument can be made that the formalized ancient Egyptian religion was a sort of logical extension of the animism that often informs and underlies a shamanic tradition.
All of this is IMO best kept in the realm of historical research rather than studying religion per se. Religion, whatever that means to someone, is a matter of largely personal interpretation. Or so it seems to me.



Bet it is lovely to be home again? Best to you.
Gina:):)