Despite the many comments I receive for saying "Zorro was mis-characterized out of the directors sense of heroism". I still have not made resolution on the possibility of Zorro having an origin of some sort, to where his discontents are portrayed therein the corruption and not thereby the corruption.
Does Zorro stand as a possibility when it comes to designing corruption? (such as Dark Knight)
Can the scenery surrounding a young Zorro be founded upon "darker" principles?
Most of the films produced, were driven and liquidated by cliche still-imagery of action sequences.
Out of inspiration Nolan once mentioned the tale of city as something to be known..."to tell a very large, city story or the story of a city": "If you want to take on Gotham, you want to give Gotham a kind of weight and breadth and depth in there. So you wind up dealing with the political figures, the media figures. That's part of the whole fabric of how a city is bound together."
Tragically Zorro has been determined pictorially as the past-time hero, I see it otherwise.
And as far as I'm concerned Zorro is still untold as a fallen hero consumed by corruption. His triumphs as the heroic-figure must come with greatness not action and simple cheers of citizens.
If you have any hope on reviving the character and scheme of Zorro, I would appreciate your input.
Does Zorro stand as a possibility when it comes to designing corruption? (such as Dark Knight)
Can the scenery surrounding a young Zorro be founded upon "darker" principles?
Most of the films produced, were driven and liquidated by cliche still-imagery of action sequences.
Out of inspiration Nolan once mentioned the tale of city as something to be known..."to tell a very large, city story or the story of a city": "If you want to take on Gotham, you want to give Gotham a kind of weight and breadth and depth in there. So you wind up dealing with the political figures, the media figures. That's part of the whole fabric of how a city is bound together."
Tragically Zorro has been determined pictorially as the past-time hero, I see it otherwise.
And as far as I'm concerned Zorro is still untold as a fallen hero consumed by corruption. His triumphs as the heroic-figure must come with greatness not action and simple cheers of citizens.
If you have any hope on reviving the character and scheme of Zorro, I would appreciate your input.
Thank you.