The Mookse and the Gripes discussion

This topic is about
4 3 2 1
Booker Prize for Fiction
>
2017 Shortlist: 4 3 2 1

I am not sure its one I could easily recommend though and I would not be expecting or hoping that this book makes the shortlist.


Notwithstanding, I thought 4321 was excellent for the most part.
It's a novel which is concerned with the chance factor in our lives.
what if events had turned out differently.
This is a familiar Auster theme and provides the underpin to his New York Trilogy
The structure of 4321 is such that the reader is drawn into multiple stories simultaneously, and this worked well for me.
And it's a life story that deals with the struggles, dilemmas, unexpected events, that we all face to a certain degree. A multiplicity of the commonplace rather than grand or exceptional events. It speaks to us all.
I suspect that 4321's timeframe and settings will have pitched it against The Nix when the longlist was compiled.
4321 is a book that is well worth persevering with and one worthy of the Booker spotlight.


The main problem with this book, and in my opinion there are a long list of problems, is that it needlessly rambles. If Archie worries about something, the readers hears about it for pages. If Archie spends time with a love interest, pages of details pile up adding absolutely nothing to the narrative. The writing is surprisingly slack for Auster. It is interesting that all the Archies write, and except for one who is a newspaper writer on probation under the dictatorship of an editor who every day takes his wonderful stories and makes them worse, none of these Archie writers ever has an editor. Archie needs no editors. Auster needs no editor? This book needed a fearless editor to slash hundreds of pages from the thing.
I also didn't think the use of political events worked. The book largely takes place during the 1960s, and Auster provides very detailed discussions of several events including the student demonstrations, particularly at Columbia and the Newark riots. But Auster is so caught up in giving us the day by day of these events, and his interpretation of those events, that he loses track of Archie and the narrative. These are big clunky islands of information and opinion around which flow the narratives, but there is a serious lack of connection between the two.
The last few pages where the surviving Archie essentially tells us how he wrote 4321 should have been deleted. It feels as though the author lost confidence in his big book at the last minute and felt the need to explain things.

No! We don't do spoiler tags or worry about spoilers in book threads, Robert! That's group policy, mandated from on high!


The uber length of the book is the first and most obvious feature that will deter readers.
I agree, and previously floated the thought that some editing might be a good idea (difficult for an editor to suggest to an established author, writing possibly hi last book).
Maybe cut out ten per cent and reduce to 800 pages.
This is not a book of four separate stories, or four stories interlinked. It's one story four times.
There absolutely has to be repetition (all over the place) for this to work.
It's the repetition of certain events and people interactions, which spotlights how different outcomes can and do, follow from small changes in life's journey .

My feelings about 4 3 2 1 evolved as I read it. I initially felt burdened by its length, more because I was eager to read the six other unread novels on the longlist than because of the length of 4 3 2 1 in and of itself. As with other extremely long novels, I found it sometimes difficult to keep separate some of the strands, made more difficult here because of the alternative Fergusons with their alternative lives and alternative relationships with the same characters. But Auster’s imagination and energy impressed me, and I became emotionally invested in each of the four Fergusons. The later chapters focusing on the three Fergusons who survived into early adulthood were most effective for me, and especially those dealing with the Columbia University uprising. The ending came as a bit of a surprise and perhaps a disappointment, but did nothing to lessen my overall appreciation for Auster’s achievement. All in all—and despite my earlier and now deleted comments here—I’m looking forward to slowly rereading 4 3 2 1 when I’ve finished the Booker longlist. When I reread, I plan to read each alternative Ferguson as a continuous narrative.
Incidentally, I wonder if any single small neighborhood in any other relatively small American city has generated as much fictional attention as Weequahic. Now if only all of the Weequahic characters from 4 3 2 1 and Roth’s novels could populate a single novel.

I enjoyed the book, but I think the size is a bit daunting. For me it was well worth the time and effort though!

Its good to see a little love for 4 3 2 1
It is a book defined by its length and on this group forum, particularly at this time, there's a degree of pressure to read more books, and faster. That doesn't help 4 3 2 1.
I too thought the book was well worth the time (I read this immediately on release).
In a strong Booker year, but one with very "serious" messages, Auster came up with one of my favourite funny sentences in 4 3 2 1 (the others so far have been in Reservoir 13). Ferguson's love life is non existent; as he says:
"the only girl he saw with any regularity was last year's Miss April in the copy of Playboy "

And I also read it immediately on release, which meant a bit less time pressure to get it finished (compared with trying to read the longlist before it becomes short). I took my time over it and enjoyed nearly all of it apart from the third quarter, really.

I thought most of this book was extremely interesting - - not so much the presence of the four lives to be honest, but more the focus on one character in such a detailed and realistic manner. This book contended, in a microscopic way, with all of the issues most of us face . . .everything from figuring out where to live and what to study to love to familial relationships to the impact of money. I almost felt the four different lives really served more to underscore the character's baseline traits; those that did NOT change from story to story. Ferguson always seemed like Ferguson to me. I liked that, and in some ways, I think that is harder to do than to write four very divergent tales of one person.
The length is a bit of a problem. I know a LOT of people who I could recommend the first 500 pages to . . .after that, I felt it was still good, but not AS good. And to be honest, I feel like I had a leg up - - I'm a Jewish person who grew up in the metro NY area and who lived in Rochester, NY for 20 years. If I had any doubts that the historical elements were well researched, those were dispelled completely by the details in the Rochester section. Yeah, if you say the guy is eating a "garbage plate" at Nick Tahou's, you've done your homework. Only in Rochester.
My feeling is this doesn't make the shortlist, but it didn't diminish my enjoyment . . .I've never read Auster before. Anyone have a recommendation of another of his to try?

I thought most of this..."
Moon Palace!! :)

I also recommend Here and Now: Letters - where Auster exchanges letters with J.M. Coetzee, it's brilliant - one of my all time favourite bookish books.

Update: Scarily, I apparently read Man in the Dark in 2009, and I have absolutely no recollection of doing so whatsoever. Even after reading the blurb. Hmm. That's truly worrisome. I'm not old enough for that kind of memory lapse.


I do wonder if I would have liked it more or less reading on the page.
If this had been a 5 or 600 page book, I think I would have ranked it much higher.

https://www.facebook.com/LouisianaCha...

Would this idea have worked with a smaller novel? Would it have worked if published as four separate novels?

It can't be four separate novels. When you get to the end, you will see why.



Definitely in the camp in favor of a 100 to 150 page trim.

It's just that student section that goes on too long that causes the problem!


I don't really think so. Even though it is ostensibly four different stories, I honestly believe that each story is building the character of Ferguson to portray ONE person. Yes, that person takes some different paths and makes some different choices along the way, but the baseline character development itself, in my mind, was formulated by seeing what elements remained the same across all four narratives.
I honestly think you would be better off just reading through roughly page 500 and maybe the very final chapter, lol.

But suddenly one of the alter-egos has been killed off and his section replaced by a blank page.
Now living in hope that none of them survive past page 250 and the last 600 pages are blank. That really would be a trick worthy of a Booker longlisting.

But suddenly one of the alter-egos has been killed off an..."
Ha ha ha! Um, I fear you are going to be disappointed . . .

Actually, I liked about 500 pages of it and then some more at the end.
But if you don't like the first bit, it's a long way to the end.

But suddenly one of the alter-egos has been killed off an..."
That would be a surefire Goldsmith's winner!
Paul, thanks - I was already less than enthusiastic about reading this and you have convinced me that I should wait for the paperback, and may not bother at all unless it makes the shortlist - there are other Auster books I should read first...

37% of the way through.
I should definitely have created a chart."
John, perhaps you should bookmark the first page of each chapter, so that you can then reread chapters referring to each Ferguson.

The only issue I have about the length is that it's difficult to carry around. I have to put it in the bottom of my bag and then empty said bag when I have sat down on the bus to get it out again...
Isobel wrote: "The only issue I have about the length is that it's difficult to carry around. I have to put it in the bottom of my bag and then empty said bag when I have sat down on the bus to get it out again...."
That's why I am waiting for the paperback (that and the price!), but I suspect the paperback will be pretty weighty too.
That's why I am waiting for the paperback (that and the price!), but I suspect the paperback will be pretty weighty too.
Books mentioned in this topic
Man in the Dark (other topics)Man in the Dark (other topics)
Here and Now: Letters (other topics)
UK Edition
Publication Date: Jan. 31, 2017
US Edition
Publication Date: Jan. 31, 2017