Reading the 20th Century discussion

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High Dive
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High Dive by Jonathan Lee (June 2018)

I loved this book. I will consult my review and then come back with some spoiler free observations.
I really look forward to seeing what others make of this book.
I really look forward to seeing what others make of this book.
I also loved this and, after reading it, I read Something Has Gone Wrong: Dealing with the Brighton Bomb
That was an interesting, oral history - mainly from the point of view of the emergency services.

That was an interesting, oral history - mainly from the point of view of the emergency services.
An absolutely superb book.
It was actually Susan's five star review of 'High Dive' which inspired me to read this. I am very glad I did.
I well remember 12 October 1984, the day the IRA bomb blew up the Grand Hotel in Brighton, and where the Conservative Party was holding its annual conference. I was living in Brighton then and had, coincidentally, been in the hotel a few hours before the device went off. So, the book had extra resonance for me.
It was actually Susan's five star review of 'High Dive' which inspired me to read this. I am very glad I did.
I well remember 12 October 1984, the day the IRA bomb blew up the Grand Hotel in Brighton, and where the Conservative Party was holding its annual conference. I was living in Brighton then and had, coincidentally, been in the hotel a few hours before the device went off. So, the book had extra resonance for me.

Were you interviewed in the investigation, Nigeyb? I know the police tried to track down everyone who had been there - although they quickly worked out there had been a timer device. Something Has Gone Wrong: Dealing with the Brighton Bomb had a lot about the attempt to track down the culprits.
No I wasn't. I did hear the explosion in the night. It did make me realise just how lax the security was though. I actually walked past the Thatchers on that same night. Amazing eh? The next year there was an exclusion zone and police everywhere.
I used to walk to work through Downing Street, but, of course, you can't do that anymore either. Thank goodness you weren't hurt, Nigeyb.
Thanks Susan. I think we all could have lives transformed in an instant. All the more reason to try to enjoy and appreciate the moment.
Susan wrote: "I also loved this and, after reading it, I read Something Has Gone Wrong: Dealing with the Brighton Bomb "
That looks really interesting Susan. I enjoyed your review too.
Did you come away with the view that High Dive got the facts right?
That looks really interesting Susan. I enjoyed your review too.
Did you come away with the view that High Dive got the facts right?

Back to High Dive, the genius of this novel is that whilst we know what's going to happen, and how afterwards five people will have died, alongside numerous others who were injured, we don't know who.
Quite probably some of the dead or injured will be characters that Jonathan Lee has so beautifully brought to life in the pages of this book.
Quite probably some of the dead or injured will be characters that Jonathan Lee has so beautifully brought to life in the pages of this book.
Something Has Gone Wrong looks at the aftermath, whereas High Dive is more concerned with things leading up to the event. I thought it was an interesting addition to reading the novel.
It's a fascinating era - and it makes the Good Friday Agreement all the more of an achievement
I hope that Brexit doesn't set us back decades - some modern politicians seem oblivious to recent history and the likely consequences of a hard border
I hope that Brexit doesn't set us back decades - some modern politicians seem oblivious to recent history and the likely consequences of a hard border


Not sure about anyone else, but I found the start of this novel really shocking. However, later I read other novels where the same/similar plot device was used. I am now wondering whether the dogs part of the plot (this is at the very beginning, so not a plot spoiler) is over-used.
I must admit that, when I think of the Eighties, there are a lot of political, major events that come to mind in the UK alone; let alone worldwide. The miner's strike is something which dominated the news at time and which was SUCH a huge story. Are there any novels set around that that anyone would recommend?
I must admit that, when I think of the Eighties, there are a lot of political, major events that come to mind in the UK alone; let alone worldwide. The miner's strike is something which dominated the news at time and which was SUCH a huge story. Are there any novels set around that that anyone would recommend?
The dog scene is shocking. I abhor any cruelty to animals so react badly to unnecessary cruelty and bad treatment. In my world it's akin to child cruelty or abuse.
Susan wrote: "The miner's strike is something which dominated the news at time and which was SUCH a huge story. Are there any novels set around that that anyone would recommend? "
Look no further than...
GB84 by David Peace...
The 1984 miners' strike brought to vivid, painful and dramatic life by David Peace. Here he describes the entire civil war, with corruption from government to boardroom, and all the tumultuous violence, passion and dirty tricks.
It's extroardinary. GB84 is dramatisation of the miners' strike in which real events (Orgreave, the Brighton bomb) and real people (Arthur Scargill, Margaret Thatcher, Ian MacGregor) mingle imperceptibly with Dave's creations. "This novel", he notes in the acknowledgements, "is a fiction, based on fact" and Dave does not take liberties with the strike's trajectory. A gripping read and, as with all his books, it brilliantly evokes the era.
Susan wrote: "The miner's strike is something which dominated the news at time and which was SUCH a huge story. Are there any novels set around that that anyone would recommend? "
Look no further than...
GB84 by David Peace...
The 1984 miners' strike brought to vivid, painful and dramatic life by David Peace. Here he describes the entire civil war, with corruption from government to boardroom, and all the tumultuous violence, passion and dirty tricks.
It's extroardinary. GB84 is dramatisation of the miners' strike in which real events (Orgreave, the Brighton bomb) and real people (Arthur Scargill, Margaret Thatcher, Ian MacGregor) mingle imperceptibly with Dave's creations. "This novel", he notes in the acknowledgements, "is a fiction, based on fact" and Dave does not take liberties with the strike's trajectory. A gripping read and, as with all his books, it brilliantly evokes the era.


Thanks Pamela. I'm sorry to discover that it's not for you. Well done for giving it a go.
Had you met teenager Freya yet? Undoubtedly the star of the show, full of the uncertainty and bravado of youth.
Her father Moose is the Deputy General Manager at the Grand Hotel, and she works at the hotel too, alongside a host of other well drawn characters.
Had you met teenager Freya yet? Undoubtedly the star of the show, full of the uncertainty and bravado of youth.
Her father Moose is the Deputy General Manager at the Grand Hotel, and she works at the hotel too, alongside a host of other well drawn characters.


On a more serious note: I could not really believe in that part of the story. Some of it is clearly based on things that did go on, (view spoiler)
I really liked the character of Moose and Freya.
Nigeyb, I am intrigued - David Peace. How did that pass me by? I will investigate immediately.
Nigeyb, I am intrigued - David Peace. How did that pass me by? I will investigate immediately.

I really, really, really hate Susie. I don't know who is going to end up causing what yet, what role is Susie playing in all this, but she seems comic-book villain level manipulative, selfish and antisocial. I half expect her to throw Freya under the bus and then justify it with "social justice."
Lia, glad you are enjoying it. I won't give spoilers, but we'll talk about Susie when you've finished :)
What did we think of Dan, the bomber?
His sections are the darkest. However his motivation is credible. Dan lives with his aged mother in a Protestant area of Belfast where some of the neighbours harass them, and the Royal Ulster Constabulary humiliate him and his Catholic friends. Dan blames the police for the death of his father, who was hit by a brick during a civil rights rally.
His sections are the darkest. However his motivation is credible. Dan lives with his aged mother in a Protestant area of Belfast where some of the neighbours harass them, and the Royal Ulster Constabulary humiliate him and his Catholic friends. Dan blames the police for the death of his father, who was hit by a brick during a civil rights rally.
One of the things the author does so well is to make all the characters sympathetic. I liked Dan's mother and the fact she knows pretty well what is going on, despite Dan's imagining her to be wholly ignorant of his activities.

I'm angry about the abuses Dan and his family suffered -- and I know having sympathy is not the same as condoning what he did, but I still don't have sympathy for him overall. If I focus only on his humiliation and his losses, sure, I feel empathy. But if I look at his whole trajectory, not at all.
It doesn't help that I grew up exposed to self-identified "outcasts" on the Internet "bragging" about what they like to, plan to, or have done to random people to "get even" at society, who celebrate whenever there's an acid attack or school shooting or car running over protesters. I've lost my ability to have sympathy for people who tell us their hands are "forced" by society and terrorism is "justice."

I agree with both of you - and as Val states not many people would become terrorists in Dan's situation.
That said, I do think his journey to terrorist is credible.
I also wondered if he might change his mind before the end of his "mission" having got to know some of the employees a little bit.
That tension is part of what worked so well I thought.
That said, I do think his journey to terrorist is credible.
I also wondered if he might change his mind before the end of his "mission" having got to know some of the employees a little bit.
That tension is part of what worked so well I thought.

That reminds me of this:
“He felt that if a bullet was going to hit him now it was coming from a gun that had already been fired.
But then: there’s always the unexpected. [...] he wasn’t prepared, either, for the way that, looking at her skin unspoiled by make-up or injury, he’d sense within that receptionist girl not arrogance, not ignorance, not the hoped-for signs that she liked to serve the ruling elite. The way he would see only an openness to life, and a need to be liked. She would blink a lot. She would touch her hair. He liked the weary belligerence that darkened her face each time she put pen to paper. She was an uncertain and determined person, and in that uncertainty and determination he was surprised to find something he recognised. He saw it for an instant and then forgetfulness came, affording him its useful distance”
This part is so believable it’s upsetting for me — the way Dan thinks of himself as having higher ideal and surprised to notice other people aren’t shallow, vapid, or evil. It really really reminds me of how a certain subculture on the Internet today like to dehumanize others as “normies” and “degenerates”.

Lee does not refer to it as 'a Protestant area of Belfast', he shows it as a more upmarket, almost middle-class area. I think that is an important difference, because it explains why Dan's parents and other Catholic families did not want to move out. They had managed to climb a little way up the social ladder and were proud of it.
Thanks Val. It's about a year since I read it and do not recall picking up that particular detail. In my mind's eye I had a row of terraced houses. That could well be informed by my visits to Belfast, and specifically visiting the different staunchly Loyalist and Republican areas.

Yes indeed, not every area was the scene of expulsions, house burnings etc. And a lot was the result of individual choices. I know social housing remains deeply segregated. And obviously schools are still mostly separate.
I found this recent map of how things were in 2013...
I found this recent map of how things were in 2013...

That’s interesting Val.
I am struck by how the truly mixed (yellow) areas are few and far between.
Do they still have the huge walls and crossing points in Belfast that were there in the 70s?
I am struck by how the truly mixed (yellow) areas are few and far between.
Do they still have the huge walls and crossing points in Belfast that were there in the 70s?
I have not been to Belfast since I was a child at the time of the Troubles (when I visited with my Catholic father and an English accent). I do recall the crossings then and the soldiers - it was all terribly exciting to me as a child, although I obviously did not realise the ramifications at the time.

What do you think of the way Moose is depicted? He’s also frustrated and unfulfilled, his “servile” aspirations seem exactly the kind of things Dan resents.
Moose ended up trying his hardest to provide for Freya, who blames him for not being more confrotational about her mother, yet he doesn’t blame the (seemingly) blameworthy ex-wife, in fact he tries hard to understand what is impossible to understand.
He also ended up trying very hard to keep his head up and survive, his laments about unsalted nuts are not even salty! I thought his self-deprication was adorable. And he did end up saving a baby, even though he himself got left behind. He brought up heroism as the siren song that he could not resist, that gave him the strength to keep pushing when survival seemed improbable.
I went a few times in the 1990s, before the Good Friday Agreement, and it was still a pretty tense place. One pub, the Hatfield Bar in Ormeau, that I was taken to, in a Catholic area was particularly nerve wracking. I had quite short hair and an English accent and so some people assumed I must be a squaddie. The people who I was with (a lesbian couple) had to vouch for me and assure the locals I was nothing to do with the British Army. I am not sure everyone believed it though so I was quite relieved to get out of there.

Do you think the novel did the right thing in putting fictional characters into a real scenario? That is always a difficult thing to do. After all, real people died and were injured.
I will say that, even in the factual book I read, there was much about the emergency services, but the hotel staff were not mentioned at all (even though members of the Conservative party were interviewed).
I thought Moose worked, because there will always be people involved in these events who are obviously hoping this will help to improve their prospects, promotion, etc. While we may not all be involved in politics, or heroic rescues, we can all understand that and so it made the events more human and sympathetic.
I will say that, even in the factual book I read, there was much about the emergency services, but the hotel staff were not mentioned at all (even though members of the Conservative party were interviewed).
I thought Moose worked, because there will always be people involved in these events who are obviously hoping this will help to improve their prospects, promotion, etc. While we may not all be involved in politics, or heroic rescues, we can all understand that and so it made the events more human and sympathetic.

That's a good point Val. The blurred lines can result in confusion.
That said, more generally I find it a powerful way of reliving history.
Rose Tremain's magnificent Merivel for instance, or the David Peace book about the Miner's Strike etc
That said, more generally I find it a powerful way of reliving history.
Rose Tremain's magnificent Merivel for instance, or the David Peace book about the Miner's Strike etc

I haven't read the David Peace book, but I remember the Miner's Strike. I checked and my library does not have a copy of GB84, but does have The Enemy Within: The Secret War Against the Miners by Seumas Milne, which looks interesting.
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Here is the Goodreads blurb:
In September 1984, a bomb was planted at the Grand Hotel in the seaside town of Brighton, England, set to explode in twenty-four days when the British prime minister and her entire cabinet would be staying there. High Dive not only takes us inside this audacious assassination attempt—a decisive act of violence on the world stage—but also imagines its way into a group of unforgettable characters. Nimbly weaving together fact and fiction, comedy and tragedy, the story switches among the perspectives of Dan, a young IRA explosives expert; Moose, a former star athlete gone to seed, who is now the deputy hotel manager; and Freya, his teenage daughter, trying to decide what comes after high school. Over the course of a mere four weeks, as the prime minister’s arrival draws closer, each of their lives will be transformed forever.
A bold, astonishingly intimate novel of laughter and heartbreak, High Dive is a moving portrait of clashing loyalties, guilt and regret, and how individuals become the grist of history.