Storialis discussion

Writer, forgive thyself. You may write crap for years, decades, eons before your brain gets tired of being so mediocre. You will never know if that jump is possible if you don’t keep humping, every day. Numbly, you must do the necessary. Keep on slugging. Forward the light brigade. You can always fix it later. But none of this will be doable, understandable, possible, unless you get to the “the” and the “end.”

STEPHEN HUNTER

A thriller is always about people in danger. The key is to make the reader share the hero’s anxiety. In all popular fiction, the author’s aim must be to get the reader to feel the emotions of the characters. That’s what makes the reader turn the pages.

KEN FOLLETT

Though our publishers will tell you that they are ever seeking “original” writers, nothing could be farther from the truth. What they want is more of the same, only thinly disguised. They most certainly do not want another Faulkner, another Melville, another Thoreau, another Whitman. What the public wants, no one knows. Not even the publishers.

HENRY MILLER

If you want to write, you can. Fear stops most people from writing, not lack of talent, whatever that is. Who am I? What right have I to speak? Who will listen to me if I do? You’re a human being, with a unique story to tell, and you have every right. If you speak with passion, many of us will listen. We need stories to live, all of us. We live by story. Yours enlarges the circle.

RICHARD RHODES

Young writers often confuse dialogue with conversation, under the assumption that the closer you get to reality, the more convincing you sound. But dialogue is not conversation. Dialogue is a construct; it is artificial; it is much more efficient and believable than real conversation. Just as fiction itself distorts reality in order to achieve a larger truth, so dialogue eliminates all the false starts and irrelevant intrusions of real life in order to reveal character and move the encounter toward a dramatic conclusion.

JOHN L'HEUREUX