English Mysteries Club discussion

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The Zig Zag Girl
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August Group Read - The Zig Zag Girl - Elly Griffiths
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Reading and discussion begins on 1st August and continues all ..."
I'd like to join please. I read the book a shirt while ago but remember it well.

Looking forward to reading your thoughts




I did take awhile to develop an interest in the storyline but coming now towards the end of this book I am interested and enjoying reading this story.
Lovely English writer.
I'm glad this is proving popular!
I have a question, please. I have it on audio, but tend not to enjoy these if there are graphic descriptions. Somehow they are not as disturbing on the page/kindle. How would anyone say this one falls between extremely graphic and cosy?
I have a question, please. I have it on audio, but tend not to enjoy these if there are graphic descriptions. Somehow they are not as disturbing on the page/kindle. How would anyone say this one falls between extremely graphic and cosy?

I have a question, please. I have it on audio, but tend not to enjoy these if there are graphic descriptions. Somehow they are not as disturbing on the page/kindl..."
I don't think I'd call it extremely graphic. The murders are pretty gruesome, especially the first, but the description isn't minutely detailed. With the first victim, the detail that's the most disturbing, to my mind is the reference to 'clotted blood and smell of decaying flesh', and that doesn't strike me as excessive. I found the fact that the author referred just before this to, 'The beauty of the face and the flowing blonde hair', more of an error of judgement. It struck me as a failure of imagination. I think the body parts had been in their box for three days, so the appearance of the face would have been horrific, not beautiful.
I found this aspect of the author's approach to the scene more off-putting than the degree of graphic description. Apart from the contradiction in those two examples quoted above, Elly Griffiths strains after a hard-bitten, sardonic tone, and a style of humour to match in the early chapters. The account of the first murder victim leads to what I feel is the worst example of this when Edgar is having a beer with Bob Willis and says of Solomon Carter, the police surgeon, that he 'was just about to proposition the girl ... he wouldn't be put off by a little thing like her middle section being missing. Probably likes his women like that.' I think this is supposed to be dark humour, but the thing is that dark humour still needs to be humorous, and this isn't.
That's really helpful, thanks Mike 😊
We will start listening while we have our lunch, and see how we go!
We will start listening while we have our lunch, and see how we go!


As I mentioned in my earlier reply to Jean, I was a bit put off by some of the dark humour and the sardonic, hard-bitten style in the early chapters. Fortunately, that aspect dropped out of the writing style quite soon.
On the whole I thought the content, the presentation of the murders and how they were committed, and the methods by which Edgar and Max solved the riddles, were well done, although I did have a few quibbles about one or two details. Firstly, in chapter 13, when Edgar and Max visit Major Gormley and he tells them about the young woman journalist who questioned him about the Magic Men (which was Ruby, of course) they don't ask him for a description of her, and so don't identify that it was her. That seemed a little odd. Similarly, when they are so keen to trace Ruby, but don't have her address, they don't think of trying to find her parents in Hove. They know the surname: French.
I found the circumstances of Tony's murder a little difficult to believe. Even though he was drugged, it would be extremely difficult to get him inside the wardrobe and there would surely be considerable noise. Desdemona was in the house. Plunging a sword through the wooden door of the wardrobe would also make a great din, if it was even possible. The wardrobe is described as large and wooden, and the sword is a replica, so how sharp would it have been? A bit later the door's described as 'flimsy', so perhaps that's offered as an explanation.
I wonder if these few points that I found a little implausible might be an aspect of the 'cosy' element in the genre. 'Cosy' is a term that's new to me, but I've picked up that it refers to a less gory and horrific approach to the subject. Can it also indicate a greater willingness to suspend disbelief?

Sorry- This was a tedious & boring book for me mainly because I really wasn’t engaged with the characters and the subject- of illusion tricks put me off . So though competently written, characters I didn’t engage with around in setting I have no interest in its at best 2 stars from me .


I'm at 15% I think - part way through ch 9 now.
Mike - I agree with your first thoughts. (For your second post, I began to wonder if there were spoilers so skimmed it. If there are, could you put them under a spoiler tag please? Thanks.)
It seems to have slowed down a little. In fact we have not even begun to explore who the killer might be! We are very involved with the magic tricks, so
Lesley I can see why this might turn you off. I'm enjoying that aspect, and it reminds me of the TV series "Jonathan Creek", if you ever watched that. But I hope we make some progress on the murder mystery soon. Of course it might be much better on the page, as listening is slow.
Mike - I agree with your first thoughts. (For your second post, I began to wonder if there were spoilers so skimmed it. If there are, could you put them under a spoiler tag please? Thanks.)
It seems to have slowed down a little. In fact we have not even begun to explore who the killer might be! We are very involved with the magic tricks, so
Lesley I can see why this might turn you off. I'm enjoying that aspect, and it reminds me of the TV series "Jonathan Creek", if you ever watched that. But I hope we make some progress on the murder mystery soon. Of course it might be much better on the page, as listening is slow.
Debbie - I too was worried with that first line and thought oo-er! Not sure about this. But Elly Griffiths writes so charmingly that it almost feels artificial - like a prop - and not like a dismembered body at all!
Like Trish, I would say it tends towards the cosy, but is more original than some. So far it's not formulaeic
Mike - Like you, I had never heard the word "cosy" for fiction prior to Goodreads, and actually it wasn't a word I could ever expect to use. Or at least not for something I enjoy.
But perhaps in all crime novels (not just cosy ones) we have to have a greater willingness to suspend disbelief? Otherwise we wouldn't be able to handle it?
I'm watching a old TV series called "Wire in the Blood" at the moment, and it is extremely graphic, but I like the stories. The characters are based on Val McDermid's. In general though I prefer not to see the murder close-up - or even the body - but to concentrate on the puzzle. So dramatisations such as "Midsomer Murders" (Caroline Graham's characters) or many of Agatha Christie's work well for me! The more explicit ones I might have to watch through my fingers 😂 and could not imagine listening to, whereas reading does distance us a bit.
Like Trish, I would say it tends towards the cosy, but is more original than some. So far it's not formulaeic
Mike - Like you, I had never heard the word "cosy" for fiction prior to Goodreads, and actually it wasn't a word I could ever expect to use. Or at least not for something I enjoy.
But perhaps in all crime novels (not just cosy ones) we have to have a greater willingness to suspend disbelief? Otherwise we wouldn't be able to handle it?
I'm watching a old TV series called "Wire in the Blood" at the moment, and it is extremely graphic, but I like the stories. The characters are based on Val McDermid's. In general though I prefer not to see the murder close-up - or even the body - but to concentrate on the puzzle. So dramatisations such as "Midsomer Murders" (Caroline Graham's characters) or many of Agatha Christie's work well for me! The more explicit ones I might have to watch through my fingers 😂 and could not imagine listening to, whereas reading does distance us a bit.

I’m really enjoying the feeling of effortless reading that I experience when reading a book that really interests me!


Point taken about spoilers. I had thought that members engaging in the discussion would have finished the book already, but I see that's not the case.
Regarding a willing suspension of disbelief, I take your point about the importance of regarding the stories as fiction. The stories we comfortably read for pleasure would not be pleasurable at all if the events were true. I was thinking more in terms of the realism of the events, though. It's a long time since I've read Ruth Rendell or P D James, but as far as I recall, the events in their stories unfold in a way that the reader can think, ´Yes, that is how it could happen in real life.' There were some points in The Zig Zag Girl where I didn't feel that was the case.
Mike - oh yes, those two authors were once my core reading for crime. I wasn't sure why, but I found them engrossing so perhaps you are right that "their stories unfold in a way that the reader can think, ´Yes, that is how it could happen in real life.'"
Re. Spoilers - if you prefer you could put at the beginning that your comment contains spoilers for the whole book. Some people do come on here after they have read it.
Re. Spoilers - if you prefer you could put at the beginning that your comment contains spoilers for the whole book. Some people do come on here after they have read it.

That's brilliant Debbie - wow 5 stars! Thank for telling us and I hope you enjoy the others just as much 😊 We must remember this author for future group reads.
What I'm enjoying most is the authentic period detail, oddly! It really makes me feel I'm there, involved with the conjuring in a small seaside town in the 1950s. Elly Griffiths doesn't seem to put a foot wrong ... the only time I noticed a mistake was when a female character wanted to make a decision and said "I'm over 18!" But at that time the voting age etc. was 21, and I remember from my childhood when people would say "I can do what I like; I'm over 21," for making all sorts of questionable decisions, so the colloquial saying lasted quite a while. She's spot on usually, but this was the wrong decade.

♥️

I loved the likable characters, and the atmospheric setting. I also enjoyed the creepy sense of foreboding that ran through the story.
It's brilliant that so many of you enjoyed this one! (I'm not quite half way through yet). Who nominated it? Come and take a bow 😁😆

I also liked the return into the past with that Magic Men war story and the relationship between them. An catching story with an unexpected end. Definitely a good reading…
I'm enjoying the Magic Men war story too Mihaela, and can't figure out how it will connect yet. Thanks for your comment! Are others finishing too?
Technically we are moving on to another read now, but I'll leave this current for a few more days as usual, to allow people (including me this time!) to catch up.
My personal thanks to whoever suggested this one - I'm enjoying it immensely 😊
My personal thanks to whoever suggested this one - I'm enjoying it immensely 😊
Books mentioned in this topic
The Zig Zag Girl (other topics)The Zig Zag Girl (other topics)
Authors mentioned in this topic
Elly Griffiths (other topics)Elly Griffiths (other topics)
Elly Griffiths (other topics)
Elly Griffiths (other topics)
Val McDermid (other topics)
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It is the first in the Brighton Mysteries Series, which has 7 books so far!
Reading and discussion begins on 1st August and continues all month. Who's in for this one?