NYRB Classics discussion
Group Book Club
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My Death by Lisa Tuttle
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https://readersretreat2017.wordpress....
https://tracysterrors.com/my-death-20...
https://www.nytimes.com/2023/10/12/bo... paywalled
Live discussion with Amy Gentry Kelly Link and Lisa Tuttle:
https://www.youtube.com/watch?v=5uv-T...

I thought it was a fascinating book. It's all perfectly normal, too normal, until it's not. As Amy Gentry describes it "a creeping sense of unease begins to steal into the text".
There is so much to talk about, particularly the ending. I'll wait until others have read it.

I am very interested in what others think about the ending, too. I remind myself that this is a (somewhat unconventional) horror story and needn't be realistic -- and that is what makes it a great read.
Oddly, I re-read Kazuo Ishiguro's "A Pale View of the Hills" soon after re-reading this, and the subject of identity, blurred identity/unsure identity, comes up in that too. There's a similar, intense moment where you try to make sense of who the character is -- I recommend that one if the subject intrigued any other readers.


I think the doll dream is central to the story and the questions about identity. I don't want to build it up too much since you may be disappointed -- it packed more power for me the first time I read it.
I hear you on the cost of buying books. If you like offbeat creepiness you will probably enjoy this, and it's quite short.

I think ..."
Thanks Sarah. I'll mull over for a day or two, but may need to join you all after all (damn it!). The cost is one thing, but the space is my real source of angst... I must clear some shelf room!


I think ..."
hey! i see you're in barcelona -- so am I. You can borrow my copy if you'd like.
A widowed writer begins to work on a biography of a novelist and artist—and soon uncovers bizarre parallels between her life and her subject’s—in this chilling and singularly strange novella by a contemporary master of horror and fantasy.
The narrator of Lisa Tuttle’s uncanny novella is a recent widow, a writer adrift. Not only has she lost her husband, but her muse seems to have deserted her altogether. Her agent summons her to Edinburgh to discuss her next book. What will she tell him? At once the answer comes to she will write the biography of Helen Ralston, best known, if at all, as the subject of W.E. Logan’s much-reproduced painting Circe , and the inspiration for his classic children’s book.
But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her most storied painting too shocking, too powerful—malevolent even—to be shown in public. Over the months that follow, Ralston proves a reluctantly cooperative subject, even as her biographer uncovers eerie resonances between the older woman’s life and her own. Whose biography is she writing, really?
This is a perfect choice for the Halloween season. Join us for a read and discussion. Spoilers are welcome but please be conscious of other readers in the early days of the month and limit anything that would ruin their experience.