Till We Have Faces Till We Have Faces discussion


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Zoë Morken "It was beauty that did not astonish you till afterwards when you had gone out of sight of her and reflected on it. While she was with you, you were not astonished. It seemed the most natural thing in the world...She made beauty all round her. When she trod on mud, the mud was beautiful; when she ran in the rain, the rain was silver. When she picked up a toad—she had the strangest and, I thought, unchanciest love for all manner of brutes—the toad became beautiful.
The years, doubtless, went round then as now, but in my memory it seems to have been all springs and summers. I think the almonds and the cherries blossomed earlier in those years and the blossoms lasted longer; how they hung on in such winds I don't know, for I see the boughs always rocking and dancing against blue-and-white skies, and their shadows flowing water-like over all the hills and valleys of Psyche's body. I wanted to be a wife so that I could have been her real mother. I wanted to be a boy so that she could be in love with me. I wanted her to be my full sister instead of my half sister. I wanted her to be a slave so that I could set her free and make her rich" (pp. 25-26).

"You know how it is when you shed few tears or none, but there is a weight and pressure of weeping through your whole head. It is like that with me even now when I remember her going out, slim and straight as a sceptre, out of the darkness and cool of the hall into the hot, pestilential glare of that day" (pp. 36-37).

"In the Great Offering, the victim must be perfect. For, in holy language, a man so offered is said to be Ungit's husband, and a woman is said to be the bride of Ungit's son. And both are called the Brute's Supper. And when the Brute is Ungit it lies with the man, and when it is her son it lies with the woman. And either way there is a devouring...many different things are said...many sacred stories...many great mysteries. Some say the loving and the devouring are all the same thing" (p. 56).


message 2: by Zoë (last edited Dec 19, 2025 04:36PM) (new) - added it

Zoë Morken "Holy places are dark places. It is life and strength, not knowledge and words, that we get in them. Holy wisdom is not clear and thin like water, but thick and dark like blood. Why should the Accursed not be both the best and the worst" (p. 58)?

"You will say—I have said it many thousand times to myself—that, if I saw in her any readiness to dwell on the better part of the Priest's talk and to think she would be a god's bride more than a Brute's prey, I ought to have fallen in with her and encouraged it. Had I not come to her to give comfort, if I could? Surely not to take it away. But I could not rule myself. Perhaps it was a sort of pride in me, a little like her own, not to blind our eyes, not to hide terrible things; or a bitter impulse in anguish itself to say, and to keep on saying, the worst" (p. 82).

"...'I have always—at least, ever since I can remember—had a kind of longing for death...It was when I was happiest that I longed most. It was on happy days when we were up there on the hills, the three of us, with the wind and the sunshine...where you couldn't see Glome or the palace. Do you remember? The colour and the smell, and looking across at the Grey Mountain in the distance. And because it was so beautiful, it set me longing, always longing. Somewhere else there must be more of it. Everything seemed to be saying, 'Psyche come!' But I couldn't (not yet) come and I didn't know where I was to come to. It almost hurt me. I felt like a bird in a cage when the other birds of its kind are flying home" (pp. 84-85).

"...as she spoke I felt, amid all my love, a bitterness. Though the things she was saying gave her (that was plain enough) courage and comfort, I grudged her that courage and comfort. It was as if someone or something else had come in between us" (p. 86).


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