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I am also a great fan of the "golden age" of Christie and Sayres and have read a multitude of their books. I recently started re-reading the Holmes canon and found that I was not as enthralled by those stories as I was previously. (I expect to be banned from this group for that statement!!!!)
Edmund Crispin is another author whose books I enjoy as well as those by Ngaio Marsh (although she is from New Zealand I think she still qualifies to be included here).

Like many lads and lassies from Down Under, Marsh lived in England for several years as a young woman. (That's a common practice that keeps the connection with the mother country strong, and gives young people a chance to see more of the world.) All or most of her novels are set in England, and feature British characters.

Like many lads and lassies from Down Under, Marsh lived i..."
I have been struggling with the fact that the Holmes stories are not as appealing to me as they once were. They are such a linchpin of the British mystery genre and I read them voraciously and with delight many years ago. But now, when Holmes says things such as "I see that you were writing a letter at 3:00 while visiting your son in Bath, who was wearing a brown suit, has a slight limp and was once a student at Balliol where he enjoyed playing bezique", I groan. I don't feel half as guilty admitting that I don't always enjoy Henry James but I am swimming against tide of popular opinion in the case of Conan Doyle. But as you stated, diversity of opinion makes for good discussion.


I have tried to readThe Turn of the Screw on three different occasions but just can't seem to get involved. Since I have so many books on my "to read or re-read" list, I have given up on James
I am now taking a break from history and am in my British mystery/police procedural phase which I am enjoying immensely. But The Boer War by Pankenham is waiting in the wings.


Werner wrote: "Well, yesterday I finished reading Chesterton's The Innocence of Father Brown, the first of several of his story collections featuring his clerical detective, and I'm increasingly impressed with hi..."
This link didn't work for me. I tried it twice. I can probably get there some other way tho.
This link didn't work for me. I tried it twice. I can probably get there some other way tho.

OK! Got it and was able to read it thanks. Father Brown sounds intriguing. I was not able to get to the review from your page as I thought I would be able to do but you know me...
Brain Fog
Brain Fog








Hi Jill:
yup, her first mystery is a fairly stodgy one, but she gets LOTS better in the second SHILLING FOR CANDLES 1936. *Trust* me...! (grin) Alfred Hitchcock made a rather strange movie from SHILLING in the late 1930s, but he used minor characters almost completely (no Grant) and it was awfully close in feeling to 39 STEPS - not one of his successes. Book is far better. (IMDB says the movie was THE GIRL WAS YOUNG, 1937).



Books mentioned in this topic
Murder on the Orient Express (other topics)A Shilling for Candles (other topics)
The Man in the Queue (other topics)
The Man in the Queue (other topics)
The Boer War (other topics)
More...
Though the literary mystery was the creation of an American, Edgar Allan Poe, it was in late Victorian and Edwardian England that the genre was first truly popularized, in the hands of Sir Arthur Conan Doyle. His fictional sleuth, Sherlock Holmes, is of course a world famous archetype of the fictional detective, immortalized not only in Doyle's own Holmes canon, but in countless pastiches. Less well-known, but well worth a mention, is the work in this field of Doyle's contemporary, G. K. Chesterton, whose most famous series detective is the prototypical clerical sleuth, Father Brown. (I've read --and recommend-- all of the Holmes novels and many of the stories; my acquaintance with Father Brown is limited to a single story, but I hope to remedy that later this summer!)
Some people regard the period between the World Wars as the Golden Age of the mystery genre. British authors were at the forefront of that trend, and none was more deservedly famous than Agatha Christie, creator of, among others, Hercules Poirot and Jane Marple. Titled detective Lord Peter Wimsey, the creation of Christie's contemporary Dorothy Sayers, is a worthy fictional peer of the latter two. I've read some (though nowhere near all) of the adventures of each of these three, and can recommend them, too!
In the generations following World War II, too many British mystery writers have flourished to name them all in a single post. Perhaps one whose achievement stands out more than at least some others (and whom I can also claim to have read :-)) is Dame Edith Pargeter, whose mystery writing was done as Ellis Peters. The whole burgeoning field of the historical mystery, a combination of the mystery and historical fiction genres, owes its existence (as something other than a pastiche of older classics) to her medieval Brother Cadfael novels, beginning with the excellent A Morbid Taste for Bones (1977).
Consider this thread your launching pad for comments, questions, and general discussions of any and all British mystery writers and their works! Who are some of your favorites, or recommendations? For those of you who like this genre, what are some of the features that draw you to it? And what are some of the qualities and characteristics that appeal to you in particular writers?