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A Poem for The Day

http://englishhistory.net/keats/fanny...
Readers may also be interested to know that at the Keats' House museum, a lovely Victorian house in Hampstead (near London), there is a book containing a collection of Fanny's fashion plates, as well as many other artefacts recollecting Keat's life:-
http://www.keatshouse.cityoflondon.go...
I haven't seen Bright Star but have now ordered the DVD - thanks for the recommendation.


I watched a DVD of Bright Star at the weekend and like Chris, can now highly recommend it.
MadgeUK wrote: "Thanks. It is such a tragic story:(. So many people died of TB in those days - like the Brontes:(. Such a waste of life:(. Thank goodness Fanny did not get it.
I watched a DVD of Bright Star at t..."
Oh, Madge, I'm so glad that you had the chance to see that movie. I really thought Campion did such a fabulous job with portraying that great love. I had really hoped that it would do better in the annual awards, but it was probably a bit to esoteric for much of the American audience. The cinematography was simply exquisite...Fanny and Keats in the field of bluebells!
I watched a DVD of Bright Star at t..."
Oh, Madge, I'm so glad that you had the chance to see that movie. I really thought Campion did such a fabulous job with portraying that great love. I had really hoped that it would do better in the annual awards, but it was probably a bit to esoteric for much of the American audience. The cinematography was simply exquisite...Fanny and Keats in the field of bluebells!

MadgeUK wrote: "Yes, it was very sympathetically and artistically filmed although I wondered if Campion had portrayed Keat's friend Brown as too much of an ogre?"
I agree with you about Brown too. I recall a biography of Keats that I read that Brown and Keats seemed to be very close. Campion seemed to make Brown out as the sole protector of John.
I agree with you about Brown too. I recall a biography of Keats that I read that Brown and Keats seemed to be very close. Campion seemed to make Brown out as the sole protector of John.
I thought some of you might be interested in this editorial from one of Britain's better quality newspapers, The Guardian.

Thank you for sharing that beautiful bit of prose, David. I agree with Madge too, Keats' Autumn has always been one of my favorite poems too. Cheers!
At Lulworth Cove a Century Back
HAD I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:
"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."
"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."
"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"
"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."
***
The following is the note appended to the poem by Thomas Hardy--
"NOTE. -- In September 1820 Keats, on his way to Rome, landed one day on the Dorset coast, and composed the sonnet, "Bright star! would I were steadfast as thou art." The spot of his landing is judged to have been Lulworth Cove."
HAD I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:
"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."
"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."
"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"
"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."
***
The following is the note appended to the poem by Thomas Hardy--
"NOTE. -- In September 1820 Keats, on his way to Rome, landed one day on the Dorset coast, and composed the sonnet, "Bright star! would I were steadfast as thou art." The spot of his landing is judged to have been Lulworth Cove."

I don't understand this line. Is it typed in correctly? What do you take it to mean?
Everyman wrote: "Christopher wrote: "AAnd Time have placed his finger on me there:"
I don't understand this line. Is it typed in correctly? What do you take it to mean?"
So, one-hundred years earlier, if Hardy had gone to the Cove, 'Father Time' would have touched him and said, as he pointed over to Keats climbing out of a boat on the beach, "Do you see that man?"
Does that help?
I don't understand this line. Is it typed in correctly? What do you take it to mean?"
So, one-hundred years earlier, if Hardy had gone to the Cove, 'Father Time' would have touched him and said, as he pointed over to Keats climbing out of a boat on the beach, "Do you see that man?"
Does that help?

I don't understand this line. Is it typed in correctly? What do you take it to mean?"
So, one-hundred years e..."
So you're saying that there's an implied "would" -- "Time would have placed..." ?
But I have a bit of trouble seeing Time in that role. But at least with the missing "would" the grammar becomes clearer.
Everyman wrote: "Christopher wrote: "Everyman wrote: "Christopher wrote: "AAnd Time have placed his finger on me there:"
I don't understand this line. Is it typed in correctly? What do you take it to mean?"
So,..."
Yes, I think at first the mind wants to insert that "would", but it does mess up the metre. I read it out loud with the emphasis on the line preceding and then the last line in the stanza seems to 'pop' in place.
Interesting, Everyman, I don't disagree that that precise spot is a little bit of an awkward blip--yet, the rest of the poem flows forth quite freely.
I don't understand this line. Is it typed in correctly? What do you take it to mean?"
So,..."
Yes, I think at first the mind wants to insert that "would", but it does mess up the metre. I read it out loud with the emphasis on the line preceding and then the last line in the stanza seems to 'pop' in place.
Interesting, Everyman, I don't disagree that that precise spot is a little bit of an awkward blip--yet, the rest of the poem flows forth quite freely.

I might have gone
...and Time have placed
You know, Jan, I think you have the right of it there. It is the word "might" that does it, isn't it? I should have seen that too. Well done!
Read it out loud, it works, it really does!
Good catch, Jan!
Read it out loud, it works, it really does!
Good catch, Jan!

Hardy composed a number of songs.(so labelled in his collected poetry) Do you know if any of the tunes are available?
Jan wrote: "When I read poetry, I 'hear' it, even if I'm not actually reading it aloud. The same happens with dialect in Adam Bede, or when reading Chaucer. When I write a poem I'm often saying it quietly, or ..."
Gosh, I don't, Jan. But if you come across any music do let me know; because I have tried to mate up his poetry with music that I love (with some success). I have even thought of writing to Loreena McKennitt and asking her to do some of Hardy's poetry. She has put some of William Butler Yeats to music with amazing results. She's Canadian, by the way.
I have to say that you and I really are quite a lot alike! I am a 'sound poet'--I love hearing the beat, the metre, the rhyme, the lyricism--I like hearing it out loud. It drives my family crazy [but I don't care!].
Gosh, I don't, Jan. But if you come across any music do let me know; because I have tried to mate up his poetry with music that I love (with some success). I have even thought of writing to Loreena McKennitt and asking her to do some of Hardy's poetry. She has put some of William Butler Yeats to music with amazing results. She's Canadian, by the way.
I have to say that you and I really are quite a lot alike! I am a 'sound poet'--I love hearing the beat, the metre, the rhyme, the lyricism--I like hearing it out loud. It drives my family crazy [but I don't care!].
Jan wrote: "When I read poetry, I 'hear' it, even if I'm not actually reading it aloud. The same happens with dialect in Adam Bede, or when reading Chaucer. When I write a poem I'm often saying it quietly, or ..."
And I very much like dialect in the novels I read too. You're quite right, the lilt and rhythm, and phonetic feel of the speech patterns is so important to the overall impression I take in from the novel.
And I very much like dialect in the novels I read too. You're quite right, the lilt and rhythm, and phonetic feel of the speech patterns is so important to the overall impression I take in from the novel.

http://www.emusic.com/album/Benjamin-...
http://www.amazon.co.uk/gp/product/B0...
http://www.amazon.co.uk/gp/product/B0...

To Chrysanthemums
Late comers! Ye, when autumn's wealth is past;
When pale October strips the yellowing leaves;
When on our garden lawns and dripping eaves
The rain-soaked foliage of the elm is cast.
When 'neath grey skies the wild Atlantic blast
Searches the flowerbed for each bloom that cleaves
To blackening tendrils; when November weaves
Fretwork of frost, and winter frowns at last!
Ye in the year's decay and death of hope
Dawn with your hues auroral, hues of rose,
Saffron and ivory, amber, amethyst;
More delicate, more dear, more true than those
Gay blossoms which the July sunbeams kissed,
Purer of scent than honey heliotrope.
(John Addington Symonds 1840-1893.)
http://cdn2.ioffer.com/img2/item/136/...

Not here yet. The trees are starting to turn, but we're getting the fall rains, mostly the tail ends of hurricanes hitting farther south.

Jan, of course, is in midsummer so she will have to give us a summer poem:). I wonder what time of year Sandybanks is in?


Peaches by Leonard Clark (1905-1981)
The house, Regency,
the walled garden hushed in the sun,
tidy and formal as a page of Bach
a few old peach trees
espaliered on the warm brick,
a line of little crucifixions facing south,
with victoria plums, comice pears,
Each velvet globe plucked from the branch,
precious as jewels, held to the cheek,
downy, softer than a fawn's coat,
young girl's bloom, gently placed
in chip basket, still holding the day's heat.
And then the teeth sinking into firm flesh
deep to the furrowed stone,
honey juice dribbling down.
Think then of California, Virginia,
prodigal orchards ripening there,
peaches common as crab apples
littering the countryside all the days of fall,
feeding gross pigs, sweetening their hams,
trucks spilling over, or casually tossed to rot in wasp-hunted heaps,
the air thick with smell of decay.
But here are rare and serenely beautiful,
the household glad and grateful at the sight
of twenty peaches on a September morning,
a child proud to be chosen for the first bite,
the garden sighing in the sun.

Jan would have her seasons in perfect inverse to us.


When some proud son of man returns to earth,
Unknown to glory, but upheld by birth,
The sculptor's art exhausts the pomp of woe
And storied urns record who rest below:
When all is done, upon the tomb is seen,
Not what he was, but what he should have
been:
But the poor dog, in life the firmest friend,
The first of welcome, foremost to defend,
Whose honest heart is still his master's own
Who labors, fights, lives, breathes for him alone
Unhonored falls, unnoticed all his worth,
Denied in heaven the soul he held on earth
While man, vain insect! hopes to be forgiven,
And claims himself a sole exclusive heaven.
Oh man! thou feeble tenant of an hour,
Debased by slavery, or corrupt by power,
Who knows thee well must quit thee with disgust,
Degraded mass of animated dust!
Thy love is lust, thy friendship is all a cheat,
Thy smiles hypocrisy, thy words deceit!
By nature vile, ennobled but by name,
Each kindred brute might bid thee blush for shame.
Ye! who perchance behold this simple urn,
Pass on - it honors none you wish to mourn:
To mark a friend's remains these stones arise;
I never knew but one, - and here he lies.

http://www.flickr.com/photos/carldavi...
http://www.praxxis.co.uk/credebyron/m...

Do you think it's possible that a menagerie which included a bear and a wolf amongst many others, might have deterred friends of his own species? I mean, it's a great tribute to a dog, but it certainly makes one wonder whether the owner may not have gone out of his way to make friends with people.

At various times, Byron also kept a fox, monkeys, a parrot, cats, an eagle, a crow, a crocodile, a falcon, peacocks, guinea hens, an Egyptian crane, a badger, geese, and a heron.

At various times, Byron also kept a fox, monkeys, a parrot, cats, an eagle, a crow,..."
They might have been a little miffed when they found that they weren't regarded as friends, then.
You know who else was an unabashed fan of Shelley's poetry? One of my favorite authors--Thomas Hardy. Shelley was clearly unorthodox, but there are some elements in his thinking that certainly strike a chord. Shelley's view of the world crops up in just about all, if not all, of Hardy's novels. For example, his characters: Damon Wildeve, Eustacia Vye, Edred Fitzpiers, Alec d'Urberville, and even Sue Bridehead, all express Shelleyan traits.
I would actually love to have this specific topic--i.e., the Shelleyan perspective and influence on the character development in Thomas Hardy's novels as a stand-alone discussion topic sometime. This could be mined for weeks. Toward this end, read Shelley's poem Epipsychidion.
I would actually love to have this specific topic--i.e., the Shelleyan perspective and influence on the character development in Thomas Hardy's novels as a stand-alone discussion topic sometime. This could be mined for weeks. Toward this end, read Shelley's poem Epipsychidion.

Jan wrote: "Or you could broaden it to references and influences of other poets and authors in a writer's work...the possibilities would be endless, but it would certainly be very informative to understand the..."
Oh, I don't disagree at all, Jan. My point was that I would love to work through the Shelley-Hardy relationship with all of you. I think it would be great fun.
Oh, I don't disagree at all, Jan. My point was that I would love to work through the Shelley-Hardy relationship with all of you. I think it would be great fun.

At various times, Byron also kept a fox, monkeys, a parrot, cats, ..."
Why does keeping animals deter you from making friends Jan? I don't understand your reasoning here? Byron not only had many personal friends, he was the Elvis Presley of his day with a huge fan base both sides of the Atlantic and of course he became a national hero to the Greeks (still is).


As a bohemian bisexual he suffered quite a lot of approbation in his life so I suppose there were times when he felt friendless. He also had a poor relationship with his mother; his father deserted them and died young. Perhaps at the time he wrote the poem he was going through one of his melancholic phases.

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door —
Only this, and nothing more."

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, sud..."
"...gently rapping..." oh yes, that kind of rapping, the modern kind of rapping is not so gentle...funny how words can mean different things.

For you, Jan:
http://www.notablebiographies.com/Br-...

"
Now there's another neurotic poet who committed incest and died young. Hardy seems stable by comparison.

http://www.guardian.co.uk/books/2002/...
Regarding Poe--
I went through a period, in my twenties, when I really admired Poe, the poet. I must confess that now I do not think all that much of his poetic skills. Now mind you, this is just me, but I really find his poetry quite superficial and excessively maudlin; maybe plumbing the depths of bathos is a more apt description. It continually amazes me that he is included in the American Canon of Poetry.
I went through a period, in my twenties, when I really admired Poe, the poet. I must confess that now I do not think all that much of his poetic skills. Now mind you, this is just me, but I really find his poetry quite superficial and excessively maudlin; maybe plumbing the depths of bathos is a more apt description. It continually amazes me that he is included in the American Canon of Poetry.
Books mentioned in this topic
The Professor (other topics)Villette (other topics)
The Return of the Native (other topics)
Ilium (other topics)
To introduce 'A Poem for The Day' I am posting one of Keats' beautiful poem. This poem speaks to the love he held in his heart for Fanny Brawne.
'Bright star! would I were steadfast as thou art'
Bright star! would I were steadfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleeping Eremite,
The moving waters at their priestlike task
Of pure ablution round the earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still steadfast, still unchangeable,
Pillowed upon my fair love's ripening breast,
To feel for ever its soft swell and fall,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death.
(Thought to have been written in late-1818, or early-1819)
If you haven't seen it already, I highly recommend the Jane Campion-directed film, Bright Star!