Alan Furst discussion

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Alan Furst
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It will matter a little, but not all that much. Only in a few instances do the main characters carry over from one book to the next. There IS a set of benchmark events that are narrated in some of the early books and are then referenced in later books, so it's fun and interesting to recognize them and then think about how they work. And many secondary characters pop up in various contexts throughout the sequence of books but again, they stand up perfectly well on their own in each book.
I read them in order because I was interested in seeing how Furst's narrative technique evolved, and then when I came to understand how he used these background events and characters to connect what are basically standalone novels, it just added that much more to my reading pleasure.
Since your friend has read books 3 and 4 and is presumably a fan, I probably would go back to Night Soldiers (1) and/or Dark Star (2) to fill in some of the missing pieces. Especially fun is a scene about an assassination in a Paris restaurant, the Brasserie Heininger, from Night Soldiers that shows in every single subsequent story.
I read them in order because I was interested in seeing how Furst's narrative technique evolved, and then when I came to understand how he used these background events and characters to connect what are basically standalone novels, it just added that much more to my reading pleasure.
Since your friend has read books 3 and 4 and is presumably a fan, I probably would go back to Night Soldiers (1) and/or Dark Star (2) to fill in some of the missing pieces. Especially fun is a scene about an assassination in a Paris restaurant, the Brasserie Heininger, from Night Soldiers that shows in every single subsequent story.

I any case, I think the way Furst concentrates on developing believable characters who act like real people dealing with the realities of the world they are having to live in make his novels my favorite of this genre.


Dark Star (1991)
The Polish Officer (1995)
The World at Night (1996)
Red Gold (1999)
The Kingdom of Shadows (2001)
Blood of Victory (2002)
Dark Voyage (2004)




I thought I'd share Alan Furst's newsletter about his latest book.
Cheers!
******************
From Alan Furst
In my new novel, MIDNIGHT IN EUROPE , there’s a scene in the little Paris park called the Square Récamier. The year is 1939 and there is civil war in Spain. In this scene a character says, “Europe is a nice neighborhood with a mad dog. Just now the dog is biting Spain, and nobody else in the neighborhood wants to get bitten, so they look away.” And that is, pretty much, what the book is about. Because that’s what happened.
In my books, once the scene is set, here come the characters, a real rogues’ gallery this time, featuring Max de Lyon, former arms trader and the Macedonian Stavros, who “spent his teenage years fighting Bulgarian bandits. After that, becoming a gangster was easy.” In other words, it’s gangsters versus fascists, along with the Marquesa Maria Cristina, an aristocrat with a taste for danger, and Eileen Moore, an Irish girl from New York. I like to sketch characters, major and minor, and there are a lot of characters in MIDNIGHT IN EUROPE. And a lot of settings.
I’m a restless novelist who likes to go places in a book, so from shady nightclubs patronized by the Paris underworld to a brothel in Istanbul, from a naval base in Odessa to the dockyards of Poland, from Gestapo headquarters in Berlin to white-shoe law offices in New York and Paris, the action moves along. The primary hero of the book is a brilliant and handsome lawyer, Cristián Ferrar, a Spanish émigré who works at a prestigious international law firm in Paris, and agrees to help a clandestine agency buy arms for forces of the Spanish Republic.
The romantic scenes in the novel take place in Paris, with one of them situated at a Norman auberge in Varengeville-sur-Mer, by the sea up near Dieppe, one of my favorite places in France. Then there’s a bar and grill in the Manhattan neighborhood known as Murray Hill. And, oh, yes, an interlude in a first-class compartment on a night train crossing France. I like sexy trains-so I’m lucky to work in the late 1930s and early ’40s.
Of course, I now have to travel by airplane, which I will do plenty of when I tour the book in June. The cities and bookstores will be up on my website soon.
I'm thinking about buying an Alan Furst book as a gift for someone. He's already read The Polish Officer and The World at Night. Is there a particular order the books have to be read?
Do you have any recommendations?
Much appreciated,
Vic