Eragon
discussion
Did Paolini Really Plagiarize?
date
newest »


"Read it up—you really should. There is nothing new under the sun. It has all been done before."


(What is the point in this topic? There's already another one)



He might still have gotten a pass, though, if his style wasn't so amateurish. For example, if he wants his characters to speak with gravitas, they suddenly lapse into Ye Olde Ren Fayre dialect.
The net result is it reads like what it probably originally was: some fan fic from a fantasy-obsessed teenager, penned over a year or two while he was deep into the genre.
However, the books have their devotees. In fact his books seem to strongly bifurcate the world into those that love them, and those that can't heap enough hate on them. There is no "meh" with Paolini, apparently. So I guess he succeeds as any artists dreams of: he's guaranteed to get a strong reaction. I'll give him that, then.








intransitive verb - to commit literary theft : present as new and original an idea or product derived from an existing source (from Merriam Webster online dictionary)
This would suggest he copied part-and-parcel text, verbiage, or passages that were written by others. He didn't. There are plenty of similarities, even in the names, but it is still an original work.
It's not, however, an inventive work. The proper term for that is "derivative:"
adj 3. lacking originality, banal (from the same source)
Plagiarizing is a very serious charge that carries a certain moral condemnation. It may even be actionable if the original is under copyright. Derivative, however, is more of a dismissive insult, as if to say, "thanks, but it's been done better elsewhere." I think that perfectly describes Paolini's efforts.
So the next time someone says "it's plagiarized," send them a link to the definition and correct them by saying, "no, it's derivative."

yeah, I also don't think it's derivative...in that case you can say Belgaird has similar ideas to Lord of the Rings...in fact I would say all fantasy books borrow something from the plot of Lord of the Rings...elves, good wizard, bad wizards, unity of races or fight of races. Fantasy plotting has some basic ideas that pretty much remain the same in every second fantasy book.

Others have well documented the overt references to Tolkien, and I made my case in message 7 above why I think his work is generally poor. But I also made the point, in that same message, that his books are definitely polarizing. People either love them, or hate them.
In any case, whether you think the book is derivative or not, the issue is the charge of plagiarism. It comes up time and again with Paolini. I think the appropriate response is the one I gave: to point out that plagiarism is not the right word. You could temper my version by saying, "perhaps you're thinking of the word 'derivative,'" then make your case why you don't think that fits, either.

intransitive verb - to commit literary theft : present as new and original an idea or product derived from..."
hear, hear!!! :D


I did and i don't see any similarited. What made yo think that

intransitive verb - to commit literary theft : present as new and original an idea or product derived from..."
You said it. Plagiarized is definitely the wrong word. There are no original stories out there. My creative writing teacher said all writers are thieves and lairs; we take from here and there to make our own version of a story. There is NO original idea just new twists. Paolini's only problem is that he wasn't subtle about it. It didn't take most people long to find the source of some of his ideas. Other then that I think he did a great job at writing the book, my only nitpick it that it could have been shorter.

If this is true, that would substantiate the claim of plagiarism--if one could show a side-by-side comparison of a paragraph or passage with nearly identical structure and wording, that would move it out of the realm of "unimaginative and derivative" to "stolen." But I think we need that URL; saying "I read somewhere once that someone compared some book" isn't enough to back up a charge as serious plagiarism. We need the actual book's printing placed up next to Paolini's, and proof that the supposed source book was published before his. Until I see that kind of hard evidence, I'm not ever leveling that accusation at Paolini, and I think others should be equally careful in doing so. Saying an author plagiarized is the literary equivalent of accusing someone of murder, IMHO. It destroys careers irreparably.

Side-side comparisons between Paolini and Eddings are easy to find on the intertubes. Just gotta do a little research. At least you asked for evidence instead of justassertin g that there is no plagiarizing going on:
First hit (from 2006!):
http://telpenori.blogspot.com/2007/02...
Here's another:
http://aydee.wordpress.com/2006/12/17...

intransitive verb - to commit literary theft : present as new and original an idea or product derived from an existing source"
David Eddings original work, circa 1991
Beside the ford stood a small hut. The man who owned it was a sharp eyed fellow in a green tunic who demanded a toll to cross. Rather than argue with him, Sparhawk paid what he asked. “Tell me neighbour,” he asked when the transaction was completed “how far is the Pelosian border?”
“About five leagues” the sharp eyed man replied. “If you move along, you should reach it by afternoon.”
They splashed on across the ford. When they reached the other side, Talen rode up to Sparhawk. Here’s your money back,” the young boy said, handing over several coins.
Sparhawk gave him a startled look.
“I don’t object to paying a toll to cross a bridge” Talen sniffed. “After all, someone had to go to the expense of building it. That fellow was just taking advantage of a natural shallow place in the river. It didn’t cost him anything, so why should he make a profit from it?
“You cut his purse, then?”
“Naturally.”
“And there was more in it than just my coins?”
“A bit. Let’s call it my fee for recovering your money. After all, I deserve a profit too, don’t I?”
“You’re incorrigible.”
“I needed the practice.”
From the other side of the river came a howl of anguish.
“I’d say he just discovered his loss” observed Sparhawk.
Christopher Paolini's text from Eragon, 2002
The Anora River flowed between them and the town, spanned by a stout bridge. As they approached it, a greasy man stepped (out) from behind a bush and barred their way. His shirt was too short and his dirty stomach spilled over a rope belt. Behind his cracked lips, his teeth looked like crumbling tombstones.
“You c’n stop right there. This’s my bridge. Gotta pay t’ get over.”
“How much?” asked Brom in a resigned voice. He pulled out a pouch and the bridge keeper brightened.
“Five crowns” he said, pulling his lips into a broad smile.
Eragon’s temper flared at the exorbitant price, and he started to complain hotly, but Brom silenced him with a quick look. The coins were wordlessly handed over. The man put them into a sack hanging from his belt.
“Thank’ee much” he said in a mocking tone and stood out of the way.
As Brom stepped forward, he stumbled and caught the bridge keeper’s arm to support himself.
“Watch y’re step” snarled the grimy man sidling away.
“Sorry” apologised Brom, and continued over the bridge with Eragon.
“Why didn’t you haggle? He skinned you alive!” exclaimed Eragon. “He probably doesn’t even own the bridge.”
“Probably” agreed Brom.
“Then why pay him?”
“Because you can’t argue with all the fools in the world. It’s easier to let them have their way, then trick them when they’re not paying attention.” Brom opened his hand, and a pile of coins glinted in the sun.
“You cut his purse!” said Eragon incredulously. Brom pocketed the money with a wink. There was a sudden howl of anguish from the other side of the river. “I’d say our friend has just discovered his loss.”
David Eddings - 1983
“What do I do?” Garion asked.
“Gather in the force,” Belgarath told him. “Take it from everything around.”
Garion tried that.
“Not from me!” the old man exclaimed sharply.
Garion excluded his grandfather from his field of reaching out and pulling in. After a moment or two, he felt as if he were tingling all over and that his hair was standing on end.
Paolini - Eldest, 2005
“I want you to extract a sphere of water from the stream, using only the energy you can gleam from the forest around you.” said Oromis
“Yes, Master.”
As Eragon reached out to the nearby plants and animals, he felt Oromis’s mind brush against his own, the elf watching and judging his progress. Frowning with concentration, Eragon endeavored to eke the needed force from the environment and hold it within himself until he was ready to release the magic…
“Eragon! Do not take it from me! I am weak enough as it is.”
Startled, Eragon realized that he had included Oromis in his search.
Sure seems to fit the definition to me...
Paolini on his own website https://www.paolini.net/2014/12/15/be...
"My grandfather on my father’s side bought me The Ruby Knight—the second book in The Elenium trilogy, by David Eddings—when I was nine or ten. It was the first modern fantasy I had ever read, and I remember being utterly captivated by Mr. Eddings’ story of knights and magic and monsters, and thinking, “I like this!”" - Paolini
To be honest, when I first read "Eragon", I was picturing Brom as similar to Gandalf and Murtagh as similar to Legolas, and we, of course, can't forget that the name Eragon is eerily similar to the name Aragorn. There do seem to be three main Races -- elves, dwarves, and humans -- as in "The Lord of the Rings", but this shows up in a lot of fantasy stories, not just the Inheritance Cycle. I don't believe Paolini was plagiarizing or trying to rip off the entire Racial system or magic system as his own; I believe he was appealing to a specific audience that was attracted to books like The Lord of the Rings trilogy and The Hobbit. I can't say anything against or for the Inheritance Cycle in light of Star Wars since I haven't read any Star Wars books and have only watched a few movies, so there may be more taken from George Lucas' space opera than I know of.
I think it's safer to assume that Christopher Paolini was trying to market his book by adding Lord-of-the-Rings-esque elements to his book so that Lord of the Rings fans would read it. Whether the Lord of the Rings fans would like it because it was similar to The Lord of the Rings or dislike it because it was similar to the Lord of the Rings is each individual fan's choice. Also, the book is fairly well-written, especially considering how old Paolini was when he wrote it, and has the potential to be enjoyable.
I think it's safer to assume that Christopher Paolini was trying to market his book by adding Lord-of-the-Rings-esque elements to his book so that Lord of the Rings fans would read it. Whether the Lord of the Rings fans would like it because it was similar to The Lord of the Rings or dislike it because it was similar to the Lord of the Rings is each individual fan's choice. Also, the book is fairly well-written, especially considering how old Paolini was when he wrote it, and has the potential to be enjoyable.



THINK PEOPLE!! Those are your opinions your saying. No one should be criticizing your opinions because there yours. If your going to be have a discussion about a book, post what you think was great about the book and what you think could be improved, BESIDE the plagerism. I am on nobody's side so don't ask me to choose!