Thomas Pynchon discussion
Against the Day
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Vineland was my first Pynchon and it was a wonderment.



Becky -- it took me two tries to get through the Island of the Day Before, but that book is truly mindbending in ways that Baudolino and his subsequent works have not been able to match. And don't give up on Eco's semiotics stuff, Kant and the Platypus is the only book i've read that comes close to Godel Escher Bach for completely altering my understanding of the human mind. save the first chapter to read at the end and it is an easier book to get through.

I've got about 3 non-fictions by Eco on my tbr shelf - heh - Kant and the Platypus sounds pretty good, though. I love Eco's sense of humor.

Becky wrote: "Against the Day is my favorite of all Pynchon's books. I've read it twice and I could go again. The audio recording is also quite good, narrated by Dick HIll who does a superb job. I'll never ..."
Jan wrote: "I love Against the Day, too. Does anyone on here like Umberto Eco? He's not nearly the genius that Pynchon is, and his novels are really just a method of explicating his ideas about history, I thin..."

Apparently I have to check out Eco.


i read eco's writings on james joyce (he wrote a nice study of the language of finnegans wake) and semiotics (the wake book was all about semiotics, really), but i haven't read his novels. i keep putting them on to-read lists, but ... so many books, so little time.




maybe i need to frame a specific question or thought about ATD, maybe not - but it would be cool if we could actually discuss things about the book.
i love the manifold character streams and the various stories - it falls in line with a lot of films that have been made in the past 10 years, say BABEL, for instance, where seemingly unrelated storylines converge and you realize - by golly - we are all connected after all!
while that device has grown a bit gimmicky, i love what pynchon did with it in ATD, that's one of my favorite features of the book. i also love how tight the book is, for it seems like, given its size and bulk, there would be a lot of extraneous material - but i don't find that. i really appreciate how well it all fits together. and the characters and scenarios are wonderful, as they are in his best work.

As for AtD...I loved it when i read it because of its scope and tautness, and because i had read enough Pynchon before to expect dead ends and looniness interspersed with razor sharp prose.
it is definitely among his best

i'm just finishing VINELAND, which is my least favorite of the pynchon novels. parts were brilliant, but it didn't feel as focused as the others. that is not to say i don't like it when pynchon goes off on tangents, but these tangents didn't feel wholly connected to the center. and yes, i realize there is a contradiction in my last statement; tangent being something that is free to roam from the corral.

I went on to The Crying of Lot 49 and when it came out in paperback. Mason & DIxon. Finally, in probably 1999 or so. I tackled Gravity's Rainbow and wasn't all that impressed. Okay fine - I reread the ones I liked. (g)
I pre-ordered Against the Day and read it cover to cover over that Thanksgiving weekend. Over the next few months I reread it. That's my fave of the oeuvre. Then I went back for another go at Gravity's Rainbow and it was better but not on my personal "greatest hits of TPR" list.
I've also read Slow Learner, the intro to Orwell's 1984, Inherent Vice and V. V. was last.
I'm curious - where did y'all hear about and first read Pychon, in what order did you read his books, and which are your favorites?

i put him away for a while and was overly-focused on james joyce for about 10 years or more, but came back to pynchon via crying of lot 39 - that really won me over, and i knew i wanted to get back into him.
when mason and dixon came out, i picked it up, but still haven't made it all the way through - i started it three or four times, but i have a very busy life and find i need big stretches of time to work on the bigger novels.
nonetheless, when against the day came out, i read it straight through after a few false starts. that book really re-kindled my love for fiction, and i thank mr pynchon for that. at
that point, i decided to go back and read everything, starting with gravity's rainbow. on second reading, i loved that one.
then i went back to the beginning and read V, and liked it, but it didn't have the effect that GR and AtD had.
then i read inherent vice, and because i grew up in los angeles during that era, i loved that one as well - really connected with it. read it twice, actually.
i just finished vineland, and am going to re-read crying of lot 39 this summer.
i plan on reading mason and dixon before the year ends - hoping for a stretch of time i can truly dedicate to it; august is the period where i'm most likely to achieve that.

My Milton professor once suggested a course called "Going Down Holes," which would focus on epic journeys into the underworld (Iliad, Odyssey, Aeneid, etc). Pynchon seems to have gone after this same subterranean turf in AtD – in spades (pun intended). He's delivered an American epic.

I couldn't have known the meaning of the first sentence of Finnegans Wake until you get to the last one. And then you want to do it again. (Or I did, anyway.)

Has anyone here read Dahlgren by Samuel Delaney? It reminds me of Pynchon, not necessarily in style, but in its frenetic, sometimes insane prose and the jumps in points of view.
-Steve

Dahlgren is about a guy known only as "the Kid" or "Kid" who enters the city of Bellona having forgotten his name. Bellona is a city in the middle of America where some unknown and unexplainable catastrophe has happened and only a few thousand people are left.
Delaney intentionally wrote the book in such a way that you could start it at several different points. It famously begins in the middle of a sentence and ends with the beginning of the same sentence. At one point in the book the Kid finds a spiral-bound notebook which is clearly someone's diary, written on only the right side. He starts using the left-side pages for his own writing. By the end of the book, it is no longer entirely clear who wrote which sections of the notebook, and it appears that the book actually may be the notebook.
Anyway, I can't do the book justice here, any more than I could describe Gravity's Rainbow as "the madcap adventures of Lt Tyrone Slothrop".


on a somewhat unrelated note, i have been writing a suite of music for saxophone trio inspired by the characters ... the first part is called THE YASHMEEN WIGGLE, the second part is called TRAVERSE THE WEB, the third part is called JUST BE FRANK ALREADY, and the fourth and final part isn't finished and does not yet have a title.

on a somewhat unrelated note, i have been writing a suite of music for saxophone tri..."
I have a bachelor's degree in mathematics and I couldn't necessarily parse all of the math stuff in AtD, though that's probably due to the length of time I spent since my college years, all during which I haven't really used math... At any rate I find AtD to be an almost endless well of riches of all sorts, not just mathematical.

on a somewhat unrelated note, i have been writing a suite of music f..."
definitely
last summer i re-read MASON AND DIXON with the pynchon wiki as companion … it cites many historical references and offered a lot of depth. you see how patiently pynchon researched the work.
if i get around to re-reading ATD, i’ll definitely use it … i know there are countless historical markers in the mix.
this is one of the best examples of pynchon's ecstatic prose - i know lots of folks bogged down in the book, but i felt that once i got a hold of the pulse and kept reading i was completely swept up in it. the myriad story lines were fascinating and i loved the way they began to converge a little more than half-way through. some amazing pynchon-esque scenes (mayonnaise factory!) and lots of bawdy humor ... and songs!
i can't even say which storyline i liked best - they were all so entertaining and fascinating. i think this is pynchon's best work to date.
has anyone else here made it all the way through?
VINELAND is still the only text i haven't read, and once i work my way through that i want to go back and re-read this one. probably won't happen until next year.
thoughts? comments?