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The Tin Drum
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Aug 11, 2012 11:49PM
Please post your comments on The Tin Drum in this thread.
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Here's my edition (translated by Ralph Manheim):


Angus wrote: "Hello, we can do three chapters a day starting tomorrow (Monday, August 13). Is that okay with everybody?
Here's my edition (translated by Ralph Manheim):
"
Hi Angus,
Three chapters a day might be too much for some, can we reduce it to two chapters a day and see how people are getting on after a week?
Here's my edition (translated by Ralph Manheim):

Hi Angus,
Three chapters a day might be too much for some, can we reduce it to two chapters a day and see how people are getting on after a week?

I was wondering if the members can confirm their commitment to reading the book here or are they just going to post their thoughts sporadically?
Angus wrote: "Hi David, sure, I'm good with 2/day. I'm actually guilty of being behind (I had too much to do last night).
I was wondering if the members can confirm their commitment to reading the book here or ..."
Well I'm reading it, or rather I'm re-reading it and I will probably re-watch the video of the film if I can remember how to work the VCR machine.
I was wondering if the members can confirm their commitment to reading the book here or ..."
Well I'm reading it, or rather I'm re-reading it and I will probably re-watch the video of the film if I can remember how to work the VCR machine.

On another note, I just found out that the translation I prefer is Breon Mitchell's. Can you please give me a couple of days so that I could check the local book stores if they have that? If they don't, then I'll just stick with my Ralph Manheim translation. I can catch up over the weekend. I should have finished 14 chapters by Sunday then, right?
I'll also try looking for the film adaptation so that I can watch it after reading. :)






Angus wrote: "Hi Aloha, thanks. It's not a major sickness, but it didn't allow me to read much. I feel bad about it because I've nominated this book and look, I'm so behind. I would really try my best to catch u..."
No, not to worry Angus. I'm finding it very slow reading but absolutely compelling.
No, not to worry Angus. I'm finding it very slow reading but absolutely compelling.

Q: What do you think of Oskar Matzerath as a narrator?
*BTW, if you are interested, I rambled something on my blog regarding translated works. It focuses on The Tin Drum and a bit on War and Peace. You can check it out here and we can discuss that as a supplement on this thread, if you want. :)

I'm currently reading The Master and Margarita and there was a debate between the P&V and Burgin translation. I personally prefer the Burgin translation since it captures the whimsicalness of the book. I like Russian novels, but the way they're translated makes reading tedious.
I'm about to participate in an all year reading with a Proust group for 2013, and there was also a comparison between translations. We decided that the Moncrieff translation captures best the rhythm and poetry of the French text. Sometimes it's best not to sacrifice the artistry of the original structure for a contemporary sound.
I still have not cracked The Tin Drum. I am swamped. I'm still hoping I can squeeze it in since we have until about the 10th.

Swann's Way (tr. Lydia Davis)
In the Shadow of Young Girls in Flower (tr. James Grieve)
The Guermantes Way (tr. Mark Treharne)
Sodom and Gomorrah (tr. John Sturrock)
The Prisoner (tr. Carol Clark)
The Fugitive (tr. Peter Collier)
Finding Time Again (tr. Ian Patterson)
I might try this set for a change. It would be a radical read, I suppose. I'll read more reviews about it.
Another book that gives me a headache is Madame Bovary. There are two new translations that have been published in the last two years (Lydia Davis and Adam Thorpe). Which one? I'm initially inclined towards Lydia Davis, but reading this: http://www.guardian.co.uk/books/2011/... makes me think that Thorpe's version might be the one that I'll like.

I read Madame Bovary years ago, but I can't remember what translation it was. In those days, I didn't notice such things as translations. You might want to consider taking a core sentence, using Google if you don't know the language, breaking down the words, to see how well the translator make note of things like rhythm and meaning. At the very least, it's a fun exercise to do.





I am quite enjoying the narration of the book. It is quite unique, though at times the absurdity of it makes it confusing because I have to pause and think, wait, did I just read that? Or did that really happen? Or what is going on? You don't really quite know what to believe.
There are aspects of the book which for some reason make me think of Catch-22 I think in part it has to do with the nature of the humor in the book.
I did find it quite confusing at first the way in which Oskar seems to switch back and forth between referring to himself in the first person and referring to himself in the third person, but I am starting to get more used to it now.
Well, I've finally finished reading The Tin Drum and seem to be mentally exhausted. On the one hand it is a fine tale, brilliantly told. On the other hand it takes a lot of reading and the persistent switching from first to third person and back makes it a little more difficult. I'm reminded of Vargas Llosa and Marquez in the tendency towards fantasy and of Salman Rushdie in the craft of storytelling. Enjoyed it, and consider it well worth the effort of reading it. I don't really remember the Mannheim translation, I read it so long ago, but I have nothing but praise for the Mitchell.

You are right, it is a slow and laborious read. I don't know how I would like it as a whole, but I also don't think I will dislike it.


Books mentioned in this topic
Dhalgren (other topics)Gravity’s Rainbow (other topics)
Catch-22 (other topics)
Madame Bovary (other topics)
Le Ton beau de Marot: In Praise of the Music of Language (other topics)
More...
Authors mentioned in this topic
Douglas R. Hofstadter (other topics)Clément Marot (other topics)