What would you do if you were me? she said. If I were you-you, or if I were you-me? If you were me-me. If I were you-you, he said, I’d do exactly what you’re doing.
“Sooner or later in life everyone discovers that perfect happiness is unrealizable, but there are few who pause to consider the antithesis: that perfect unhappiness is equally unattainable. The obstacles preventing the realization of both these extreme states are of the same nature: they derive from our human condition which is opposed to everything infinite. Our ever-insufficient knowledge of the future opposes it: and this is called, in the one instance, hope, and in the other, uncertainty of the following day. The certainty of death opposes it: for it places a limit on every joy, but also on every grief. The inevitable material cares oppose it: for as they poison every lasting happiness, they equally assiduously distract us from our misfortunes and make our consciousness of them intermittent and hence supportable.
Similar to the way we are led along in life by the endless pursuits of pleasures, we are led along, even saved by the endless revelation of pain. This in itself may not be a happy thought, but it is a reminder of how relative, always, are our perceptions of misery and joy.”
―
Similar to the way we are led along in life by the endless pursuits of pleasures, we are led along, even saved by the endless revelation of pain. This in itself may not be a happy thought, but it is a reminder of how relative, always, are our perceptions of misery and joy.”
―
“As much as 1980s America was telling itself that
things were looking up, all was not well. Not by coincidence did the
American small town, the epitome of the conservative vision of the nation,
become the prime setting for 1980s horror fiction: a sunny, cheerful place of
white picket fences and apple pie where something would always be really,
really wrong.”
― Horror
things were looking up, all was not well. Not by coincidence did the
American small town, the epitome of the conservative vision of the nation,
become the prime setting for 1980s horror fiction: a sunny, cheerful place of
white picket fences and apple pie where something would always be really,
really wrong.”
― Horror
“Thou hast become dark and cannot hear me. When I die shall I not be like Enkidu? Sorrow enters my heart. I am afraid of death.”
―
―
“The red world And corresponding red breezes
Went on Geryon did not”
― Autobiography of Red: A Novel in Verse
Went on Geryon did not”
― Autobiography of Red: A Novel in Verse
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