“there she is, and I am watching her through Plexiglas, and she looks like Margo Roth Spiegelman, this girl I have known since I was two–this girl who was an idea that I loved.
And it is only now, when she closes her notebook and places it inside a backpack next to her and then stands up and walks toward us, that I realize that the idea is not only wrong by dangerous. What a treacherous thing it is to believe that a person is more than a person.”
―
And it is only now, when she closes her notebook and places it inside a backpack next to her and then stands up and walks toward us, that I realize that the idea is not only wrong by dangerous. What a treacherous thing it is to believe that a person is more than a person.”
―
“I want to help you,' I say to Juliet, though I know that I can't make her understand, not like this.
'Don't you get it?' She turns to me, and to my surprise I see she's crying. 'I can't be fixed, do you understand?'
I think of standing on the stairs with Kent and saying exactly the same thing. I think of his beautiful light green eyes, and the way he said, You don't need to be fixed and the warmth of his hands and the softness of his lips. I think of Juliet's mask and how maybe we all feel patched and stitched together and not quite right.
I am not afraid.
Dimly, I have the sense of roaring in my ears and voices so close and faces, white and frightened, emerging from the darkness, but I can't stop staring at Juliet as she's crying, still so beautiful.
'It's too late,' she says.
And I say, 'It's never too late.”
― Before I Fall
'Don't you get it?' She turns to me, and to my surprise I see she's crying. 'I can't be fixed, do you understand?'
I think of standing on the stairs with Kent and saying exactly the same thing. I think of his beautiful light green eyes, and the way he said, You don't need to be fixed and the warmth of his hands and the softness of his lips. I think of Juliet's mask and how maybe we all feel patched and stitched together and not quite right.
I am not afraid.
Dimly, I have the sense of roaring in my ears and voices so close and faces, white and frightened, emerging from the darkness, but I can't stop staring at Juliet as she's crying, still so beautiful.
'It's too late,' she says.
And I say, 'It's never too late.”
― Before I Fall
“Whoa," Connor Stoll said. "Back up. Zoom in right there."
"What?" Annabeth said nervously. "You see invaders?"
"No, right there—Dylan's Candy Bar." Connor grinned at his brother. "Dude, it's open. And everyone is asleep. Are you thinking what I'm thinking?"
"Connor!" Katie Gardner scolded. She sounded like her mother, Demeter. "This is serious. You are not going to loot a candy store in the middle of a war!"
"Sorry," Connor muttered, but he didn't sound very ashamed.”
― The Last Olympian
"What?" Annabeth said nervously. "You see invaders?"
"No, right there—Dylan's Candy Bar." Connor grinned at his brother. "Dude, it's open. And everyone is asleep. Are you thinking what I'm thinking?"
"Connor!" Katie Gardner scolded. She sounded like her mother, Demeter. "This is serious. You are not going to loot a candy store in the middle of a war!"
"Sorry," Connor muttered, but he didn't sound very ashamed.”
― The Last Olympian
“Love, the deadliest of all deadly things.
It kills you.
Alex.
When you have it.
Alex.
And when you don't.
Alex.”
― Pandemonium
It kills you.
Alex.
When you have it.
Alex.
And when you don't.
Alex.”
― Pandemonium
“You can’t divorce Margo the person from Margo the body. You can’t see one without seeing the other. You looked at Margo’s eyes and you saw both their blueness and their Margo-ness. In the end, you could not say that Margo Roth Spiegelman was fat, or that she was skinny, any more than you can say that the Eiffel Tower is or is not lonely. Margo’s beauty was a kind of sealed vessel of perfection – uncracked and uncrackable.”
― Paper Towns
― Paper Towns
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