Daisy

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F. Scott Fitzgerald
“How I feel is that if I wanted anything I'd take it. That's what I've always thought all my life. But it happens that I want you, and so I just haven't room for any other desires.”
F. Scott Fitzgerald, The Beautiful and Damned

Becca Fitzpatrick
“You're mine, Angel," he murmured, brushing the words across my jawbone as I arched my neck higher, inviting him to kiss everywhere. "You have me forever.”
Becca Fitzpatrick, Crescendo

Sarah MacLean
“What does Éloa mean?”

He narrowed his gaze, answered her literally. “It’s the name of an angel.”

Penelope tilted her head, thinking. “I’ve never heard of him.”

“You wouldn’t have.”

“Was he a fallen angel?”

“She was, yes.” He hesitated, not wanting to tell her the story, but unable to stop himself. “Lucifer tricked her into falling from heaven.”

“Tricked her how?”

He met her gaze. “She fell in love with him.”

Penelope’s eyes widened. “Did he love her?”

Like an addict loves his addiction. “The only way he knew how.”

She shook her head. “How could he trick her?”

“He never told her his name.”
Sarah MacLean, A Rogue by Any Other Name

Victor Hugo
“Teach the ignorant as much as you can; society is culpable in not providing a free education for all and it must answer for the night which it produces. If the soul is left in darkness sins will be committed. The guilty one is not he who commits the sin, but he who causes the darkness.”
Victor Hugo, Les Misérables

Becca Fitzpatrick
“Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?"

Patch: "Single her out. Talk to her."

Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?"

Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?”
Becca Fitzpatrick, Hush, Hush

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