“The power of music, narrative and drama is of the greatest practical and theoretical importance. One may see this even in the case of idiots, with IQs below 20 and the extremest motor incompetence and bewilderment. Their uncouth movements may disappear in a moment with music and dancing—suddenly, with music, they know how to move. We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music—the sequence of movements they cannot hold as schemes being perfectly holdable as music, i.e. embedded in music. The same may be seen, very dramatically, in patients with severe frontal lobe damage and apraxia—an inability to do things, to retain the simplest motor sequences and programmes, even to walk, despite perfectly preserved intelligence in all other ways. This procedural defect, or motor idiocy, as one might call it, which completely defeats any ordinary system of rehabilitative instruction, vanishes at once if music is the instructor. All this, no doubt, is the rationale, or one of the rationales, of work songs.”
― The Man Who Mistook His Wife for a Hat and Other Clinical Tales
― The Man Who Mistook His Wife for a Hat and Other Clinical Tales
“judgment is the most important faculty we have. An animal, or a man, may get on very well without ‘abstract attitude’ but will speedily perish if deprived of judgment. Judgment must be the first faculty of higher life or mind—yet it is ignored, or misinterpreted, by classical (computational) neurology. And if we wonder how such an absurdity can arise, we find it in the assumptions, or the evolution, of neurology itself.”
― The Man Who Mistook His Wife for a Hat and Other Clinical Tales
― The Man Who Mistook His Wife for a Hat and Other Clinical Tales
“If we wish to know about a man, we ask 'what is his story--his real, inmost story?'--for each of us is a biography, a story. Each of us is a singular narrative, which is constructed, continually, unconsciously, by, through, and in us--through our perceptions, our feelings, our thoughts, our actions; and, not least, our discourse, our spoken narrations. Biologically, physiologically, we are not so different from each other; historically, as narratives--we are each of us unique.”
― The Man Who Mistook His Wife for a Hat and Other Clinical Tales
― The Man Who Mistook His Wife for a Hat and Other Clinical Tales
“To be ourselves we must have ourselves – possess, if need be re-possess, our life-stories. We must “recollect” ourselves, recollect the inner drama, the narrative, of ourselves. A man needs such a narrative, a continuous inner narrative, to maintain his identity, his self.”
― The Man Who Mistook His Wife for a Hat and Other Clinical Tales
― The Man Who Mistook His Wife for a Hat and Other Clinical Tales
“Very young children love and demand stories, and can understand complex matters presented as stories, when their powers of comprehending general concepts, paradigms, are almost nonexistent.”
― The Man Who Mistook His Wife for a Hat and Other Clinical Tales
― The Man Who Mistook His Wife for a Hat and Other Clinical Tales
Bernardo’s 2025 Year in Books
Take a look at Bernardo’s Year in Books, including some fun facts about their reading.
More friends…
Polls voted on by Bernardo
Lists liked by Bernardo









