Benjamin Leiker

“Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such things. Nowadays people are as good as born in their clothes, and there is practically not a nude human being in existence. An artist, therefore, as you must candidly confess, cannot sculpture nudity with a pure heart, if only because he is compelled to steal guilty glimpses at hired models. The marble inevitably loses its chastity under such circumstances. An old Greek sculptor, no doubt, found his models in the open sunshine, and among pure and princely maidens, and thus the nude statues of antiquity are as modest as violets, and sufficiently draped in their own beauty. But as for Mr. Gibson's colored Venuses (stained, I believe, with tobacco juice), and all other nudities of to-day, I really do not understand what they have to say to this generation, and would be glad to see as many heaps of quicklime in their stead.”
― Nathaniel Hawthorne, The Marble Faun

“Deliverance is not scary—it is the most beautiful, loving act of Jesus. It is the moment someone finally walks into the freedom that was always meant for them.”
― Kathryn Krick, Unlock Your Deliverance: Keys to Freedom From Demonic Oppression

“Celia inadvertently sucked in her breath. The”
― Jana Petken, The Guardian of Secrets

“The early women rise before I do. Their lamps splinter the gloom of the kitchens. They chatter in whispers as they brew tea for the cooks. Windows are open to counter the heat of the ovens. Outside, the sky is as black as my soul.”
― K. Ritz, Sheever's Journal, Diary of a Poison Master