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Maggie O'Farrell
“He says again that he will not hurt her, she must not be scared, he will not hurt her, he will not, he promises, the words whispered in his new rasping voice. And then he hurts her anyway. The pain is startling, and curious in its specificity”
― Maggie O'Farrell, The Marriage Portrait

“I want to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.”
― Mary Oliver, Owls and Other Fantasies: Poems and Essays

Rebecca Solnit
“Leave the door open for the unknown, the door into the dark. That’s where the most important things come from, where you yourself came from, and where you will go.”
― Rebecca Solnit, A Field Guide to Getting Lost

Maggie O'Farrell
“She paints for a long time, standing back from the tavola, leaning in close. She progresses from bowl to honey to the pleats and wrinkles in the cloth. She navigates her course through the arrangement of objects, how they interact with each other, the spaces and conversations between them, shrinking herself to the size of a beetle so that she may wander through the crannies between peaches, along the interlocking hexagons of the honeycomb. She feels her way around the corresponding painting, using her brushes like feet or antennae, seeking a route through the unfamiliar terrain of the items, hacking her way through the undergrowth of the work.”
― Maggie O'Farrell, The Marriage Portrait

Maggie O'Farrell
“The gown rustles and slides around her, speaking a glossolalia all of its own, the silk moving against the rougher nap of the underskirts, the bone supports of the bodice straining and squealing against their coverings, the cuffs scuffing and chafing the skin of her wrists, the stiffened collar hooking and nibbling at her nape, the hip supports creaking like the rigging of a ship. It is a symphony, an orchestra of fabrics, and Lucrezia would like to cover her ears, but she cannot.”
― Maggie O'Farrell, The Marriage Portrait

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