Esraa

“أراني .. تعبتُ، كما يفعل الأنبياءُ إذ أمعنوا في الرحيل،
أرى شجري ينحني في الضباب
وقلبي يئنُّ كفاصلةِ ذبلت في بياض الكتاب
أراني
وأعرف ان الذي كان لا يستعاد”
― نزيه أبو عفش, ما يشبه كلاماً أخيراً

“شخصُ يشبهني
حيّاني ومضى ...
فمضيت.
ثم دخلت إلى ظلمة نفسي
فضممتُ يديَّ على رأسي
وبكيت”
― نزيه أبو عفش, ما يشبه كلاماً أخيراً

“عندما ودعها ملأت زجاج القطار بالقُبل , فتكسّر هو .”
― لقمان ديركي, ضيوف يثيرون الغبار

“People who have recently lost someone have a certain look, recognizable maybe only to those who have seen that look on their own faces. I have noticed it on my face and I notice it now on others. The look is one of extreme vulnerability, nakedness, openness. It is the look of someone who walks from the ophthalmologist's office into the bright daylight with dilated eyes, or of someone who wears glasses and is suddenly made to take them off. These people who have lost someone look naked because they think themselves invisible. I myself felt invisible for a period of time, incorporeal. I seemed to have crossed one of those legendary rivers that divide the living from the dead, entered a place in which I could be seen only by those who were themselves recently bereaved. I understood for the first time the power in the image of the rivers, the Styx, the Lethe, the cloaked ferryman with his pole. I understood for the first time the meaning in the practice of suttee. Widows did not throw themselves on the burning raft out of grief. The burning raft was instead an accurate representation of the place to which their grief (not their families, not the community, not custom, their grief) had taken them.”
― Joan Didion, The Year of Magical Thinking