“Let all of life be an unfettered howl. Like the crowd greeting the gladiator. Don't stop to think, don't interrupt the scream, exhale, release life's rapture.”
―
―
“[...] the film opens with the woman as object of the combined gaze of spectator and all the male protagonists in the film. She is isolated, glamorous, on display, sexualised. But as the narrative progresses she falls in love with the main male protagonist and becomes his property, losing her outward glamorous characteristics, her generalized sexuality, her show-girl connotations; her eroticism is subjected to the male star alone. By means of identification with him, through participating in his power, the spectator can indirectly possess her too.”
― Visual And Other Pleasures
― Visual And Other Pleasures
“We live in a world where we have to hide to make love, while violence is practiced in broad daylight.”
―
―
“For, after all, how do we know that two and two make four? Or that the force of gravity works? Or that the past is unchangeable? If both the past and the external world exist only in the mind, and if the mind itself is controllable – what then?”
― 1984
― 1984
Siobhan’s 2025 Year in Books
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