Jesse Suit

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Mark M. Bello
“A racist cop pulls over a black driver for little reason other than the fact that the driver is black and a recent robbery was committed by a couple of young black guys in a white community. The cop quickly realizes the driver is not one of the robbery suspects. He sees a man with a wife and two small children. They are not a couple of young punks. Still,he persists. Why?
“He asks to see the driver’s license and registration. While locating the appropriate documents, the black driver respectfully volunteers that he is legally carrying a handgun. The cop panics—is it the image of a black man with a gun? He barks out conflicting orders and then shoots the man
to death, in front of his family. Why? “Is it because the cop is an insensitive racist? Maybe he wasn’t trained or taught any better? Perhaps he lived a completely different life in a completely different world than that of the black man. In this cop’s world, were all black men potential criminals, people to be watched, people to be feared?”
Mark M. Bello, Betrayal In Black

N.H. Kleinbaum
“Jeśli chcesz wychować zagorzałego ateistę, musisz udzielać mu surowych lekcji religii. To zawsze owocuje dobrymi skutkami.”
N.H. Kleinbaum, Dead Poets Society

Kirsten Fullmer
“Adam offered her a heart-melting smile and a wink, then headed for the door. With his hand on the door, he paused and turned back.
Heidi’s eyes jumped up from his butt to his face.”
Kirsten Fullmer, Trouble on Main Street

Victoria Dougherty
“On the black cotton was printed a white skull and crossbones - the skull head grinning as if he were mocking her. The nun struggled for her breath and wanted to drop the evil little banner, but her fingers wouldn't let go of it - making her stare into its horrid death face as if she were looking at her own end.”
Victoria Dougherty, The Bone Church

Abraham   Verghese
“It was a tale well known to children all over Africa: Abu Kassem, a miserly Baghdad merchant, had held on to his battered, much repaired pair of slippers even though they were objects of derision. At last, even he couldn't stomach the sight of them. But his every attempt to get rid of his slippers ended in disaster: when he tossed them out of his window they landed on the head of a pregnant woman who miscarried, and Abu Kassem was thrown in jail; when he dropped them in the canal, the slippers choked off the main drain and caused flooding, and off Abu Kassem went to jail...

'One night when Tawfiq finished, another prisoner, a quiet dignified old man, said, 'Abu Kassem might as well build a special room for his slippers. Why try to lose them? He'll never escape.' The old man laughed, and he seemed happy when he said that. That night the old man died in his sleep.

We all saw it the same way. the old man was right. The slippers in the story mean that everything you see and do and touch, every seed you sow, or don't sow, becomes part of your destiny...

In order to start to get rid of your slippers, you have to admit they are yours, and if you do, then they will get rid of themselves.

Ghosh sighed. 'I hope one day you see this as clearly as I did in Kerchele. The key to your happiness is to own your slippers, own who you are, own how you look, own your family, own the talents you have, and own the ones you don't. If you keep saying your slippers aren't yours, then you'll die searching, you'll die bitter, always feeling you were promised more. Not only our actions, but also our omissions, become our destiny.”
Abraham Verghese, Cutting for Stone

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