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In the Margins: O...
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"So fascinating to hear more about Ferrante's inspirations behind Lila and Lenu!" 4 hours, 51 min ago

 
Ways of Seeing
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Book cover for Calypso
“I haven’t liked you since 2002,” he hissed during a recent argument over which airport security line was moving the fastest. This didn’t hurt me so much as confuse me. “What happened in 2002?” I asked.
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Ottessa Moshfegh
“Nothing seemed really real. Sleeping, waking, it all collided into one gray, monotonous plane ride through the clouds. I didn't talk to myself in my head. There wasn't much to say. This was how I knew the sleep was having an effect: I was growing less and less attached to life. If I kept going, I thought, I'd disappear completely, then reappear in some new form. This was my hope. This was my dream.”
Ottessa Moshfegh, My Year of Rest and Relaxation

Elena Ferrante
“She was like that, she threw things off balance just to see if she could put them back in some other way.”
Elena Ferrante, My Brilliant Friend

Robin Wall Kimmerer
“modern capitalist societies, however richly endowed, dedicate themselves to the proposition of scarcity. Inadequacy of economic means is the first principle of the world’s wealthiest peoples.” The shortage is due not to how much material wealth there actually is, but to the way in which it is exchanged or circulated. The market system artificially creates scarcity by blocking the flow between the source and the consumer. Grain may rot in the warehouse while hungry people starve because they cannot pay for it. The result is famine for some and diseases of excess for others. The very earth that sustains us is being destroyed to fuel injustice. An economy that grants personhood to corporations but denies it to the more-than-human beings: this is a Windigo economy.”
Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants

Amor Towles
“if a man does not master his circumstances then he is bound to be mastered by them.”
Amor Towles, A Gentleman in Moscow

Amor Towles
“After all, what can a first impression tell us about someone we’ve just met for a minute in the lobby of a hotel? For that matter, what can a first impression tell us about anyone? Why, no more than a chord can tell us about Beethoven, or a brushstroke about Botticelli. By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration—and our unwavering determination to withhold our opinion until we have engaged with them in every possible setting at every possible hour.”
Amor Towles, A Gentleman in Moscow

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