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“We accept the love we think we deserve.”
― The Perks of Being a Wallflower
― The Perks of Being a Wallflower
“[339] Vita femina. To see the ultimate beauties in a work-all knowledge and good-will is not enough; it requires the rarest, good chance for the veil of clouds to move for once from the summits, and for the sun to shine on them. We must not only stand at precisely the right place to see this, our very soul itself must have pulled away the veil from its heights, and must be in need of an external expression and simile, so as to have a hold and remain master of itself. All these, however, are so rarely united at the same time that I am inclined to believe that the highest summit of all that is good, be it work, deed, man, or nature, has hitherto remained for most people, and even for the best, as something concealed and shrouded-that, however, which unveils itself to us, unveils itself to us but once. The Greeks indeed prayed: "Twice and thrice, everything beautiful!" Ah, they had their good reason to call on the Gods, for ungodly actuality does not furnish us with the beautiful at all, or only does so once! I mean to say that the world is overfull of beautiful things, but it is nevertheless poor, very poor, in beautiful moments, and in the unveiling of those beautiful things. But perhaps this is the greatest charm of life: it puts a gold- embroidered veil of lovely potentialities over itself, promising, resisting, modest, mocking, sympathetic, seductive. Yes, life is a woman!”
― The Gay Science: With a Prelude in Rhymes and an Appendix of Songs
― The Gay Science: With a Prelude in Rhymes and an Appendix of Songs
“What I know, what is certain, what I cannot deny,
what I cannot reject—this is what counts. I can negate everything
of that part of me that lives on vague nostalgias, except this desire
for unity, this longing to solve, this need for clarity and cohesion. I
can refute everything in this world surrounding me that offends or
enraptures me, except this chaos, this sovereign chance and this
divine equivalence which springs from anarchy. I don’t know
whether this world has a meaning that transcends it. But I know
that I do not know that meaning and that it is impossible for me
just now to know it. What can a meaning outside my condition
mean to me? I can understand only in human terms. What I touch,
what resists me—that is what I understand. And these two
certainties—my appetite for the absolute and for unity and the
impossibility of reducing this world to a rational and reasonable
principle—I also know that I cannot reconcile them. What other
truth can I admit without lying, without bringing in a hope I lack
and which means nothing within the limits of my condition?”
― The Myth of Sisyphus, and Other Essays
what I cannot reject—this is what counts. I can negate everything
of that part of me that lives on vague nostalgias, except this desire
for unity, this longing to solve, this need for clarity and cohesion. I
can refute everything in this world surrounding me that offends or
enraptures me, except this chaos, this sovereign chance and this
divine equivalence which springs from anarchy. I don’t know
whether this world has a meaning that transcends it. But I know
that I do not know that meaning and that it is impossible for me
just now to know it. What can a meaning outside my condition
mean to me? I can understand only in human terms. What I touch,
what resists me—that is what I understand. And these two
certainties—my appetite for the absolute and for unity and the
impossibility of reducing this world to a rational and reasonable
principle—I also know that I cannot reconcile them. What other
truth can I admit without lying, without bringing in a hope I lack
and which means nothing within the limits of my condition?”
― The Myth of Sisyphus, and Other Essays
“China is a big country, inhabited by many Chinese. ”
―
―
“Once on a yellow piece of paper with green lines
he wrote a poem
And he called it "Chops"
because that was the name of his dog
And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo
And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's
and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it
Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"
because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint
And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed
when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.
Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A
and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went
And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her
but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly
That's why on the back of a brown paper bag
he tried another poem
And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think
he could reach the kitchen.”
― The Perks of Being a Wallflower
he wrote a poem
And he called it "Chops"
because that was the name of his dog
And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo
And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's
and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it
Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"
because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint
And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed
when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.
Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A
and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went
And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her
but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly
That's why on the back of a brown paper bag
he tried another poem
And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think
he could reach the kitchen.”
― The Perks of Being a Wallflower
era’s 2025 Year in Books
Take a look at era’s Year in Books, including some fun facts about their reading.
41 books
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2 friends
0 books
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6 friends
153 books
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17 books
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232 books
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4 books
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1 friend
11 books
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2 friends
25 books
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