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My Year of Rest a...
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The City in Which...
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Hanya Yanagihara
“The axiom of equality states that x always equals x: it assumes that if you have a conceptual thing named x, that it must always be equivalent to itself, that it has a uniqueness about it, that it is in possession of something so irreducible that we must assume it is absolutely, unchangeably equivalent to itself for all time, that its very elementalness can never be altered. But it is impossible to prove. Always, absolutes, nevers: these are the words, as much as numbers, that make up the world of mathematics. Not everyone liked the axiom of equality––Dr. Li had once called it coy and twee, a fan dance of an axiom––but he had always appreciated how elusive it was, how the beauty of the equation itself would always be frustrated by the attempts to prove it. It was the kind of axiom that could drive you mad, that could consume you, that could easily become an entire life.

But now he knows for certain how true the axiom is, because he himself––his very life––has proven it. The person I was will always be the person I am, he realizes. The context may have changed: he may be in this apartment, and he may have a job that he enjoys and that pays him well, and he may have parents and friends he loves. He may be respected; in court, he may even be feared. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated.”
Hanya Yanagihara, A Little Life

Richard Siken
“What is a ghost? Something dead that seems to be alive. Something dead that doesn't know it's dead.”
Richard Siken, War of the Foxes

Richard Siken
“Because people die. The fear: that nothing survives. The greater fear: that something does.”
Richard Siken, War of the Foxes

Richard Siken
“Land a man in a landscape and he'll try to conquer it. Make him handsome and you're a fascist, make him ugly and you're saying nothing new.”
Richard Siken, War of the Foxes

Margaret Atwood
“But in life, a tragedy is not one long scream. It includes everything that led up to it. Hour after trivial hours, day after day, year after year, and then the sudden moment: the knife stab, the shell-burst, the plummet of the car from the bridge.”
Margaret Atwood, The Blind Assassin

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