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Jean-Dominique Bauby
“I carefully read each letter myself. Some of them are serious in tone, discussing the meaning of life, invoking the supremacy of the soul, the mystery of every existence. And by a curious reversal, the people who focus most closely on these fundamental questions tend to be people I had known only superficially. Their small talk had masked hidden depths. Had I been blind and deaf, or does it take the harsh light of disaster to show a person’s true nature? Other”
Jean-Dominique Bauby, The Diving Bell and the Butterfly

Forrest Carter
“And when they would be talking and Granma would say, “Do ye kin me, Wales?” and he would answer, “I kin ye,” it meant, “I understand ye.” To them, love and understanding was the same thing. Granma said you couldn’t love something you didn’t understand; nor could you love people, nor God, if you didn’t understand the people and God. Granpa and Granma had an understanding, and so they had a love. Granma said the understanding run deeper as the years went by, and she reckined it would get beyond anything mortal folks could think upon or explain. And so they called it “kin.” Granpa”
Forrest Carter, The Education of Little Tree

“You knock yourself down. You don't think much of yourself. That's an uncomfortable feeling. So you project it on others and say, 'They don't like me.”
Flora Rheta Schreiber, Sybil: The Classic True Story of a Woman Possessed by Sixteen Personalities

Margery Williams Bianco
“Real isn’t how you are made,” said the Skin Horse. “It doesn’t happen all at once. You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in your joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.”
Margery Williams Bianco, The Velveteen Rabbit

Natalie Babbitt
“I’m getting thirstier every minute. If it didn’t hurt you, it won’t hurt me. If my papa was here, he’d let me have some.”
“You’re not going to tell him about it, are you?” said Jesse. His face had gone very pale under its sunburn. He stood up and put a bare foot firmly on the pile of pebbles. “I knew this would happen sooner or later. Now what am I going to do?”
As he said this, there was a crashing sound among the trees and a voice called, “Jesse?”
“Thank goodness!” said Jesse, blowing out his cheeks in relief. “Here comes Ma and Miles. They’ll know what to do.”
And sure enough, a big, comfortable-looking woman appeared, leading a fat old horse, and at her side was a young man almost as beautiful as Jesse. It was Mae Tuck with her other son, Jesse’s older brother. And at once, when she saw the two of them, Jesse with his foot on the pile of pebbles and Winnie on her knees beside him, she seemed to understand. Her hand flew to her bosom, grasping at the old brooch that fastened her shawl, and her face went bleak. “Well, boys,” she said, “here it is. The worst is happening at last.”
Natalie Babbitt, Tuck Everlasting

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