“Israel’s settler colonialism differed from its predecessors’ in another way. Where European powers colonized from a position of strength and a claim to God-given superiority, the post-Holocaust Zionist claim to Palestine was based on the reverse: on Jewish victimization and vulnerability. The tacit argument many Zionists were making at the time was that Jews had earned the right to an exception from the decolonial consensus—an exception born of their very recent near extermination. The Zionist version of justice said to Western powers: If you could establish your empires and your settler colonial nations through ethnic cleansing, massacres, and land theft, then it is discrimination to say that we cannot. If you cleared your land of its Indigenous inhabitants, or did so in your colonies, then it is anti-Semitic to say that we cannot. It was as if the quest for equality were being reframed not as the right to be free from discrimination, but as the right to discriminate. Colonialism framed as reparations for genocide.”
― Doppelganger: a Trip into the Mirror World
― Doppelganger: a Trip into the Mirror World
“From now on, every ghost who enters the world of the dead will have to come with a story, the story of his or her life, and tell it to the harpies. It doesn't have to be a big adventure; it can just be a description of a day playing with the children, like Lyra's, or whatever it might happen to be. In exchange for this true story, the harpies will lead that ghost outside to dissolve into the Universe and be one with everything else.
Of course, I stole that, as I stole everything else! I stole that from the Oresteia -- the bargain Aeschylus's characters make with the Furies that are following them about. "You will be the guardians of this place, and we will worship you and we will give you honor," they say. Then the Furies are satisfied, and they leave off their pursuit of Orestes. There's nothing new in stories. It goes round again and again and again.
But that was something that I thought was a good way out for Lyra, and it did reassert the value of story. States it fully and clearly, brings it out. And also the value of realistic story. It's got to be true. And there's a moral consequence; for those who have eyes to see, they can see it: you have to live. You have to experience things to have a story to tell, and if you spend all your life playing video games, that will not do.”
―
Of course, I stole that, as I stole everything else! I stole that from the Oresteia -- the bargain Aeschylus's characters make with the Furies that are following them about. "You will be the guardians of this place, and we will worship you and we will give you honor," they say. Then the Furies are satisfied, and they leave off their pursuit of Orestes. There's nothing new in stories. It goes round again and again and again.
But that was something that I thought was a good way out for Lyra, and it did reassert the value of story. States it fully and clearly, brings it out. And also the value of realistic story. It's got to be true. And there's a moral consequence; for those who have eyes to see, they can see it: you have to live. You have to experience things to have a story to tell, and if you spend all your life playing video games, that will not do.”
―
“Jeremy, I’ll say this once,’ he (Jonathan) began, ‘I’m not going to be drawn into any silly squabble you want to invent. I am not going to defend my recent behaviour in the village or anywhere else. I am not going to tell you my plans, I have had reasons for everything I’ve done and a great deal of thinking has gone into my recent very painful decisions…”
― A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness
― A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness
Dani’s 2024 Year in Books
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