Francisca Spice

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Maurice Sendak
“[There are] games children must conjure up to combat an awful fact of childhood: the fact of their vulnerability to fear, anger, hate and frustration - all the emotions that are an ordinary part of their lives and that they can perceive only as as ungovernable and dangerous forces. To master these forces, children turn to fantasy: that imagined world where disturbing emotional situations are solved to their satisfaction.”
Maurice Sendak

Mark   Ellis
“One of them had something small and black in his hand that Johnson very much feared was  a gun. He was considering his options when he saw Goldberg’s head emerge above the latch door.”
Mark Ellis, Death of an Officer

Hermann Hesse
“Teachers dread nothing so much as unusual characteristics in precocious boys during the initial stages of their adolescence. A certain streak of genius makes an ominous impression on them, for there exists a deep gulf between genius and the teaching profession. Anyone with a touch of genius seems to his teachers a freak from the very first. As far as teachers are concerned, they define young geniuses as those who are bad, disrespectful, smoke at fourteen, fall in love at fifteen, can be found at sixteen hanging out in bars, read forbidden books, write scandalous essays, occasionally stare down a teacher in class, are marked in the attendance book as rebels, and are budding candidates for room-arrest. A schoolmaster will prefer to have a couple of dumbheads in his class than a single genius, and if you regard it objectively, he is of course right. His task is not to produce extravagant intellects but good Latinists, arithmeticians and sober decent folk. The question of who suffers more acutely at the other's hands - the teacher at the boy's, or vice versa - who is more of a tyrant, more of a tormentor, and who profanes parts of the other's soul, student or teacher, is something you cannot examine without remembering your own youth in anger and shame. yet that's not what concerns us here. We have the consolation that among true geniuses the wounds almost always heal. As their personalities develop, they create their art in spite of school. Once dead, and enveloped by the comfortable nimbus of remoteness, they are paraded by the schoolmasters before other generations of students as showpieces and noble examples. Thus the struggle between rule and spirit repeats itself year after year from school to school. The authorities go to infinite pains to nip the few profound or more valuable intellects in the bud. And time and again the ones who are detested by their teachers are frequently punished, the runaways and those expelled, are the ones who afterwards add to society's treasure. But some - and who knows how many? - waste away quiet obstinacy and finally go under.”
Hermann Hesse, Beneath the Wheel

Daphne du Maurier
“I am no traveller, you are my world.”
Daphne du Maurier, My Cousin Rachel

Max Nowaz
“Charlie said your friend’s disappeared,” chirped Wendy.
“No, he hasn’t.” Adam denied it. “He’s in the house. Now, look, what’s all this you’ve been telling them?”
“Nothing, I haven’t told them anything.” Charlie looked drunk.
“He said you’ve turned your friend into a crayfish,” insisted Wendy.
“He’s always making little jokes like that, and you fell for it. How am I supposed to do that, for heaven’s sake?” Adam was angry.
“With your little book you found. What’s that under your arm?”
Max Nowaz, Get Rich or Get Lucky

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