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Elizabeth Tebby Germaine
“…. ‘George said he needed a break. And there was something about Jonathan taking over …’   ‘That’s exactly what I mean,’ said Maxwell, ‘It seems like there’s all kinds of goings on there now.’ ‘What did the agents say then?’ ‘Your brother … he must still have a key. I told them to check, I told them. I expect they overlooked it. Hugo’s been going in and there are some women there apparently, I mean at the Manor House, Jonathan’s up to his usual tricks taking in every Tom, Dick and Harry and giving all kinds of undesirables a home, and there’s something about them chasing Hugo and taunting him, yesterday the buyers were viewing again and measuring up for curtains and things, I said they could, and they saw something going on outside, some shouting and laughing …’   ‘Women! What women? Jonathan’s not like that …’   ‘Not like that huh! He’s flesh and blood like the rest of us.’  ‘That’s not what I meant. Please don’t be angry Max, it’s not my fault.’ ‘Jonathan this and Jonathan that. Why do people think he’s so bloody marvellous eh! What the hell does he think he’s doing. People spilling over into my garden and wrecking the peace and quiet. George was completely mad to do this …”
Elizabeth Tebby Germaine, A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness

Forrest Carter
“You cannot know where your people are going if you don't know where your people have been.”
Forrest Carter, The Education of Little Tree

Diane Setterfield
“If you dazzle a man with green eyes, he'll be so hypnotized that he won't notice there is something inside the eyes spying on him.”
Diane Setterfield, The Thirteenth Tale

A.R. Merrydew
“What in the name of Llar was that all about?’ Colin asked, his face still drained of colour.
‘I have no bloody idea,’ William said his voice quivering.”
A.R. Merrydew, The Girl with the Porcelain Lips

George Eliot
“[W]e must learn to accommodate ourselves to the discovery that some of those cunningly-fashioned instruments called human souls have only a very limited range of music, and will not vibrate in the least under a touch that fills others with tremulous rapture or quivering agony.”
George Eliot, Adam Bede

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