August

“It takes brains not to make money," Colonel Cargill wrote in one of the homiletic memoranda he regularly prepared for circulation over General Peckem's signature. "Any tool can make money these days and most of them do. But what about people with talent and brains? Name, for example, one poet who makes money."
"T. S. Eliot," ex-P.F.C. Wintergreen said in his mail-sorting cubicle at Twenty-seventh Air Force Headquarters, and slammed down the telephone without identifying himself.
Colonel Cargill, in Rome, was perplexed.
"Who was it?" asked General Peckem.
"I don't know," Colonel Cargill replied.
"What did he want?"
"I don't know."
"Well, what did he say?"
"T. S. Eliot," Colonel Cargill informed him.
"What's that?"
"T. S. Eliot," Colonel Cargill repeated.
"Just 'T. S.-'"
"Yes, sir. That's all he said. Just 'T. S. Eliot.—""
"I wonder what it means," General Peckem reflected.
Colonel Cargill wondered, too.
"T. S. Eliot," General Peckem mused.
"T. S. Eliot," Colonel Cargill echoed with the same funereal puzzlement.”
― Joseph Heller, Catch-22

“Oh, yes. Anyway, one sleepless night I stayed up with Father while he worked. It was all we could do to find a live patient to treat. In bed after bed after bed we found dead people.
"And Father started giggling," Castle continued.
"He couldn't stop. He walked out into the night with his flashlight. He was still giggling. He was making the flashlight beam dance over all the dead people stacked outside. He put his hand on my head, and do you know what that marvelous man said to me?" asked Castle.
"Nope."
"'Son,' my father said to me, 'someday this will
all be yours.”
― Kurt Vonnegut Jr., Cat's Cradle

“Will this bother you as a scientist," I inquired, "to go through a ritual like this?"
"I am a very bad scientist. I will do anything to make a human being feel better, even if it's unscientific. No scientist worthy of the name could say such a thing.”
― Kurt Vonnegut Jr., Cat's Cradle

“Clevinger was one of those people with lots of intelligence and no brains, and everyone knew it except those who soon found it out. In short, he was a dope. He often looked to Yossarian like one of those people hanging around modern museums with both eyes together on one side of a face. It was an illusion, of course, generated by Clevinger’s predilection for staring fixedly at one side of a question and never seeing the other side at all. Politically, he was a humanitarian who did know right from left and was trapped uncomfortably between the two. He was constantly defending his Communist friends to his right-wing enemies and his right-wing friends to his Communist enemies, and he was thoroughly detested by both groups, who never defended him to anyone because they thought he was a dope. He was a very serious, very earnest and very conscientious dope. It was impossible to go to a movie with him without getting involved afterwards in a discussion on empathy, Aristotle, universals, messages and the obligations of the cinema as an art form in a materialistic society. Girls he took to the theater had to wait until the first intermission to find out from him whether or not they were seeing a good or a bad play, and then found out at once. He was a militant idealist who crusaded against racial bigotry by growing faint in its presence. He knew everything about literature except how to enjoy it.”
― Joseph Heller, Catch-22