Adam

“Kaladin screamed, reaching the end of the bridge. Finding a tiny surge of strength somewhere, he raised his spear and threw himself off the end of the wooden platform, launching into the air above the cavernous void.
Bridgemen cried out in dismay. Syl zipped about him with worry. Parshendi looked up with amazement as a lone bridgeman sailed through the air toward them.
His drained, worn-out body barely had any strength left. In that moment of crystallized time, he looked down on his enemies. Parshendi with their marbled red and black skin. Soldiers raising finely crafted weapons, as if to cut him from the sky. Strangers, oddities in carapace breastplates and skullcaps. Many of them wearing beards.
Beards woven with glowing gemstones.
Kaladin breathed in.
Like the power of salvation itself—like rays of sunlight from the eyes of the Almighty—Stormlight exploded from those gemstones. It streamed through the air, pulled in visible streams, like glowing columns of luminescent smoke. Twisting and turning and spiraling like tiny funnel clouds until they slammed into him.
And the storm came to life again.”
― Brandon Sanderson, The Way of Kings

“In the Kamigata area, they have a sort of tiered lunchbox they use for a single day when flower viewing. Upon returning, they throw them away, trampling them underfoot. The end is important in all things.”
― Yamamoto Tsunetomo, Hagakure: The Book of the Samurai

“His nose, Joe thought; it looks like the rubber bulb of a New Delhi taxi horn, soft and squeezable. And loud. The loudest noise, he thought, that I have ever seen.”
― Philip K. Dick, Ubik

“Yet it seems odd to discount the well-being of people as their velocity increases.”
― Tyler Cowen, Stubborn Attachments: A Vision for a Society of Free, Prosperous, and Responsible Individuals