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“My greatest pleasure was the enjoyment of a serene sky amidst these verdant woods: yet I loved all the changes of Nature; and rain, and storm, and the beautiful clouds of heaven brought their delights with them. When rocked by the waves of the lake my spirits rose in triumph as a horseman feels with pride the motions of his high fed steed.
But my pleasures arose from the contemplation of nature alone, I had no companion: my warm affections finding no return from any other human heart were forced to run waste on inanimate objects.”
― Mathilda
But my pleasures arose from the contemplation of nature alone, I had no companion: my warm affections finding no return from any other human heart were forced to run waste on inanimate objects.”
― Mathilda
“If one were to reply that those who compose these books write them as fictions, and therefore are not obliged to consider the fine points of truth, I should respond that the more truthful the fiction, the better it is, and the more probable and possible, the more pleasing. Fictional tales must engage the minds of those who read them, and by restraining exaggeration and moderating impossibility, they enthrall the spirit and thereby astonish, captivate, delight, and entertain, allowing wonder and joy to move together at the same pace; none of these things can be accomplished by fleeing verisimilitude and mimesis, which together constitute perfection in writing.”
― Don Quixote
― Don Quixote
“No respect for beauty – that was characteristic of today’s society. The works of the great masters were at most employed as ironic references, or used in advertising. Michelangelo’s ‘The Creation of Adam’, where you see a pair of jeans in place of the spark.
The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything.
And in its place a person had superimposed a pair of jeans.”
― Let the Right One In
The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything.
And in its place a person had superimposed a pair of jeans.”
― Let the Right One In
“Of course, during the centuries the justice was always a rather elastic term, but always till now and “everywhere the justice is the same thing – the usefully for the stronger” (Plato, The Republic).”
― Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face
― Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face
“As he mused, he became keenly sensible of the deep responsibility they assume, who disregard the means to attain their end, and of all the danger of setting in motion an engine, which it exceeds human power to control.”
― The Last of the Mohicans
― The Last of the Mohicans
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