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“If one were to reply that those who compose these books write them as fictions, and therefore are not obliged to consider the fine points of truth, I should respond that the more truthful the fiction, the better it is, and the more probable and possible, the more pleasing. Fictional tales must engage the minds of those who read them, and by restraining exaggeration and moderating impossibility, they enthrall the spirit and thereby astonish, captivate, delight, and entertain, allowing wonder and joy to move together at the same pace; none of these things can be accomplished by fleeing verisimilitude and mimesis, which together constitute perfection in writing.”
― Don Quixote
― Don Quixote
“Of course, during the centuries the justice was always a rather elastic term, but always till now and “everywhere the justice is the same thing – the usefully for the stronger” (Plato, The Republic).”
― Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face
― Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face
“The artist must be like a heart surgeon. He must approach something with sympathy, but with a sort of coldness and work and work until he finds some kind of perfection in his work. You can't have blood splashing all over the place. Things must be done very cleanly.”
― Conversations with Ernest Gaines
― Conversations with Ernest Gaines
“No respect for beauty – that was characteristic of today’s society. The works of the great masters were at most employed as ironic references, or used in advertising. Michelangelo’s ‘The Creation of Adam’, where you see a pair of jeans in place of the spark.
The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything.
And in its place a person had superimposed a pair of jeans.”
― Let the Right One In
The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything.
And in its place a person had superimposed a pair of jeans.”
― Let the Right One In
“As he mused, he became keenly sensible of the deep responsibility they assume, who disregard the means to attain their end, and of all the danger of setting in motion an engine, which it exceeds human power to control.”
― The Last of the Mohicans
― The Last of the Mohicans
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