Chieko Duesterback

“I missed you,” he said quietly, his gaze darting between her mouth and eyes. “When I was in
Wendlyn. I lied when I said I didn’t. From the moment you left, I missed you so much I went out of my
mind. I was glad for the excuse to track Lorcan here, just to see you again. And tonight, when he had
that knife at your throat …” The warmth of his callused finger bloomed through her as he traced a path
over the cut on her neck. “I kept thinking about how you might never know that I missed you with only
an ocean between us. But if it was death separating us … I would find you. I don’t care how many
rules it would break. Even if I had to get all three keys myself and open a gate, I would find you
again. Always.”
― Sarah J. Maas, Queen of Shadows

“Semilla’s Phlegm-O-Matic promptly made an observation. ‘Wow Semilla look at that shuttle.’
     ‘Keep your voice down Raymond we’re in danger,’ Semilla hissed.
     ‘Raymond?’ Burt said incredulously.
     ‘I had to give him a name, didn’t I?”
― A.R. Merrydew, Our Blue Orange

“A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.”
― Tim O'Brien, The Things They Carried

“The audience may forget a plot, the witty dialog or the special effects but they’ll always remember how a film made them feel.”
― T. Rafael Cimino