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Flannery O'Connor
“Whenever I'm asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one. To be able to recognize a freak, you have to have some conception of the whole man, and in the South the general conception of man is still, in the main, theological. That is a large statement, and it is dangerous to make it, for almost anything you say about Southern belief can be denied in the next breath with equal propriety. But approaching the subject from the standpoint of the writer, I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted. The Southerner, who isn't convinced of it, is very much afraid that he may have been formed in the image and likeness of God. Ghosts can be very fierce and instructive. They cast strange shadows, particularly in our literature. In any case, it is when the freak can be sensed as a figure for our essential displacement that he attains some depth in literature.”
Flannery O'Connor, Mystery and Manners: Occasional Prose

152522 Folk Horror Revival — 659 members — last activity May 04, 2022 06:59AM
A gathering place to share and discuss Folk Horror in fiction and non-fiction and also the related fields of psychogeography, hauntology, folklore, cu ...more
25x33 Post-Structuralism Reading Group — 19 members — last activity Sep 23, 2018 09:44AM
A beta trial for a post-structuralist reading group. Any takers?
10871 The New Weird — 300 members — last activity Feb 08, 2022 04:57PM
I am not starting this group because I feel I know a lot about the New Weird. Quite the contrary. I'm starting the group because I don't know much, bu ...more
126933 Acid Westerns — 37 members — last activity Mar 22, 2014 10:10AM
This is a group for the reading of the sub-genre acid western--a genre which attempts to flip the standard western paradigm into one where the journey ...more
856002 Urban Wyrd — 44 members — last activity Aug 31, 2019 08:43AM
urban wyrd: A sense of otherness within the narrative, experience or feeling concerning a densely human-constructed area or the liminal spaces betwee ...more
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