Olimpia Stolly

“….So much crueller than any British colony, they say, so much more brutal towards the local Africans, so much more manipulative after begrudgingly granting independence. But the history of British colonialism in Africa, from Sierra Leone to Zimbabwe, Kenya to Botswana and else-where, is not fundamentally different from what Belgium did in the Congo. You can argue about degree, but both systems were predicated on the same assumption: that white outsiders knew best and Africans were to be treated not as partners, but as underlings. What the British did in Kenya to suppress the pro-independence mau-mau uprising in the 1950s, using murder, torture and mass imprisonment, was no more excusable than the mass arrests and political assassinations committed by Belgium when it was trying to cling on to the Congo. And the outside world's tolerance of a dictator in the Congo like Mobutu, whose corruption and venality were overlooked for strategic expedience, was no different from what happened in Zimbabwe, where the dictator Robert Mugabe was allowed to run his country and its people into the ground because Western powers gullibly accepted the way he presented himself as the only leader able to guarantee stability and an end to civil strife. Those sniffy British colonial types might not like to admit it, but the Congo represents the quintessence of the entire continent’s colonial experience. It might be extreme and it might be shocking, but what happened in the Congo is nothing but colonialism in its purest, basest form.”
― Tim Butcher, Blood River: A Journey to Africa’s Broken Heart

“Poets and critics alike seek to convert opinion into knowledge, but this means opinion in the legal and not the public sense. What is it you know when you recognize a voice?”
― Harold Bloom, The Daemon Knows: Literary Greatness and the American Sublime

“You sound like you’re enjoying my suffering.”
― Gabriel F.W. Koch, Death Leaves a Shadow

“I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it?”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close