Catherine Rasnake

“There are further considerations I might raise. How do you make a book that anyone will read out of lives as quiet as these? What are the things that novelists seize upon and readers expect? Where is the high life, the kinky sex, the death wish? Where are the suburban infidelities, the promiscuities, the convulsive divorces, the alcohol, the drugs, the lost weekends? Where are the hatreds, the political ambitions, the lust for power? Where are speed, noise, ugliness, everything that makes us who we are and makes us recognizable in fiction?”
― Wallace Stegner, Crossing to Safety

“Their voices came in clearly from the golf course. The laughing and yelping made a raucous counterpoint to the metronomic tock-tock-tock of the bunny's never-ending hop. Once, in the light of the quarter moon, they appeared in silhouette on a domed, distant green, like figures dancing in someone's dream.
And then quite suddenly they were gone, as if the dreamer had awakened. Nothing to see, nothing to hear. Someone called "Hey!" after them, but that was all.”
― Jerry Spinelli, Stargirl

“She is very clever, too clever for a woman. She lacks the indefinable charm of weakness.”
― Oscar Wilde, The Picture of Dorian Gray

“Some days are better than others, for human optimism has no limits.”
― Max Nowaz, The Arbitrator