Wesley Bratt

“Winnie woke early next morning. The sun was only just opening its own eye on the eastern horizon and the cottage was full of silence. But she realized that sometime during the night she had made up her mind: she would not run away today. “Where would I go, anyway?” she asked herself. “There’s nowhere else I really want to be.” But in another part of her head, the dark part where her oldest fears were housed, she knew there was another sort of reason for staying at home: she was afraid to go away alone.
It was one thing to talk about being by yourself, doing important things, but quite another when the opportunity arose. The characters in the stories she read always seemed to go off without a thought or care, but in real life--well, the world was a dangerous place. People were always telling her so. And she would not be able to manage without protection. They were always telling her that, too. No one ever said precisely what it was that she would not be able to manage. But she did not need to ask. Her own imagination supplied the horrors.
Still, it was galling, this having to admit she was afraid. And when she remembered the toad, she felt even more disheartened. What if the toad should be out by the fence again today? What if he should laugh at her secretly and think she was a coward?
Well, anyway, she could at least slip out, right now, she decided, and go into the wood. To see if she could discover what had really made the music the night before. That would be something, anyway. She did not allow herself to consider the idea that making a difference in the world might require a bolder venture. She merely told herself consolingly, “Of course, while I’m in the wood, if I decide never to come back, well then, that will be that.” She was able to believe in this because she needed to; and, believing, was her own true, promising friend once more.”
― Natalie Babbitt, Tuck Everlasting

“L'olezzo di una carneficina, credono alcuni, può aleggiare su un luogo per anni. Dicono che s'infiltri nel suolo e venga lentamente assorbito dall'intrico delle radici finché, col passare del tempo, tutto ciò che vi cresce, dal più piccolo lichene all'albero più alto, ne viene impregnato.”
― Nicholas Evans, The Loop

“I chase the wind and get lost in the clouds. I'm sweep into darkness in my search for the light.”
― Sherman Kennon, Chase The Wind: A Book Of Poetry

“The man had arrived at that stage of drunkenness where affection is felt for the universe.”
― Stephen Crane, Maggie: A Girl of the Streets