Ethan E.

“You cannot act upon what you cannot see. And we are plagued by dead language and dead stories that serve people whose aim is nothing short of a dead world. And it is not enough to stand against these dissemblers. There has to be something in you, something that hungers for clarity. And you will need that hunger, because if you follow that path, soon enough you will find yourself confronting not just their myths, not just their stories, but your own.”
― Ta-Nehisi Coates, The Message

“If Palestinians are to be truly seen, it will be through stories woven by their own hands—not by their plunderers, not even by their comrades.”
― Ta-Nehisi Coates, The Message

“No one can be certain of Oppenheimer’s reaction had he learned that on the eve of the Hiroshima bombing, the president knew the Japanese were “looking for peace,” and that the military use of atomic bombs on cities was an option rather than a necessity for ending the war in August. But we do know that after the war he came to believe that he had been misled, and that this knowledge served as a constant reminder that it was henceforth his obligation to be skeptical of what he was told by government officials.”
― Kai Bird, American Prometheus: THE INSPIRATION FOR 'OPPENHEIMER', WINNER OF 7 OSCARS, INCLUDING BEST PICTURE, BEST DIRECTOR AND BEST ACTOR

“There has to be something in you, something that hungers for clarity. And you will need that hunger, because if you follow that path, soon enough you will find yourself confronting not just their myths, not just their stories, but your own. This is difficult, if only because so much of our myth-making was done in service of liberation, in doing whatever we could to dig our way out of the pit into which we were cast. And above us stand the very people who did the casting, jeering, tossing soil into our eyes and yelling down at us, “You’re doing it wrong.” But we are not them, and the standards of enslavers, colonizers, and villains simply will not do. We require another standard—one that sees the sharpening of our writing as the sharpening of our quality of light. And with that light we are charged with examining the stories we have been told, and how they undergird the politics we have accepted, and then telling new stories ourselves.”
― Ta-Nehisi Coates, The Message