Ethan E.

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Ta-Nehisi Coates
“You cannot act upon what you cannot see. And we are plagued by dead language and dead stories that serve people whose aim is nothing short of a dead world. And it is not enough to stand against these dissemblers. There has to be something in you, something that hungers for clarity. And you will need that hunger, because if you follow that path, soon enough you will find yourself confronting not just their myths, not just their stories, but your own.”
Ta-Nehisi Coates, The Message

Ta-Nehisi Coates
“The Trump years amazed a certain kind of white person; they had no reference for national vulgarity, for such broad corruption and venality, until it was too late. The least reflective of them say, “This is not America.” But some of them suspect that it is America, and there is great pain in understanding that, without your consent, you are complicit in a great crime, in learning that the whole game was rigged in your favor, that there are nations within your nation who have spent all of their collective lives in the Trump years. The pain is in the discovery of your own illegitimacy—that whiteness is power and nothing else. I could hear that same pain in Avner’s and Guy’s words. They were raised under the story that the Jewish people were the ultimate victims of history. But they had been confronted with an incredible truth—that there was no ultimate victim, that victims and victimizers were ever flowing.”
Ta-Nehisi Coates, The Message

Ta-Nehisi Coates
“It may seem strange that people who have already attained a position of power through violence invest so much time in justifying their plunder with words. But even plunderers are human beings whose violent ambitions must contend with the guilt that gnaws at them when they meet the eyes of their victims. And so a story must be told, one that raises a wall between themselves and those they seek to throttle and rob.”
Ta-Nehisi Coates, The Message

Kai Bird
“No one can be certain of Oppenheimer’s reaction had he learned that on the eve of the Hiroshima bombing, the president knew the Japanese were “looking for peace,” and that the military use of atomic bombs on cities was an option rather than a necessity for ending the war in August. But we do know that after the war he came to believe that he had been misled, and that this knowledge served as a constant reminder that it was henceforth his obligation to be skeptical of what he was told by government officials.”
Kai Bird, American Prometheus: THE INSPIRATION FOR 'OPPENHEIMER', WINNER OF 7 OSCARS, INCLUDING BEST PICTURE, BEST DIRECTOR AND BEST ACTOR

“Within the aesthetic system of the High Renaissance, pointed noses and fine lips were typically associated with a refined facial beauty. At the same time, well-formed, proportionate figures represented the height of bodily beauty. This aesthetic pairing led to the degradation of the African face and the exaltation of the African body.”
Sabrina Strings, Fearing the Black Body: The Racial Origins of Fat Phobia

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