Jessica

“My aim here was much more straightforward and objective — just to see whether I could match income to expenses, as the truly poor attempt to do every day. Besides, I've had enough unchosen encounters with poverty in my lifetime to know it's not a place you would want to visit for touristic purposes; it just smells too much like fear.”
― Barbara Ehrenreich, Nickel and Dimed: On (Not) Getting By in America

“Something is wrong, very wrong, when a single person in good health, a person who in addition possesses a working car, can barely support herself by the sweat of her brow. You don’t need a degree in economics to see that wages are too low and rents too high.”
― Barbara Ehrenreich, Nickel and Dimed: On (Not) Getting By in America

“Reading Moby-Dick, we are in the presence of a writer who spent several impressionable years on a whaleship, internalized everything he saw, and seven or so years later, after internalizing Shakespeare, Hawthorne, the Bible, and much more, found the voice and the method that enabled him to broadcast his youthful experiences into the future. And this, ultimately, is where the great, unmatched potency of Moby-Dick, the novel, resides. It comes from an author who not only was there but possessed the capacious and impressionable soul required to appreciate the wonder of what he was seeing.”
― Nathaniel Philbrick, Why Read Moby-Dick?

“Clicks and chatter disturb the cathedral hush. The air is so twilight-green she feels like she’s underwater. It rains particles—spore clouds, broken webs and mammal dander, skeletonized mites, bits of insect frass and bird feather. . . . Everything climbs over everything else, fighting for scraps of light. If she holds still too long, vines will overrun her.”
― Richard Powers, The Overstory